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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Zoe Lyons, Touring - midlife, without the crisis
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...
The Last Musician of Auschwitz review - a haunting testament...
“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...
Giulio Cesare, The English Concert, Bicket, Barbican review...
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...
Hallé, Elder, Bridgewater Hall, Manchester review - premiere...
Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...
DVD/Blu-ray: Slade in Flame
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...