thu 14/08/2025

book reviews and features

Sophia Giovannitti: Working Girl - On Selling Art and Selling Sex review - portrait of the artist as sex worker

Lia Rockey

Sophia Giovannitti begins selling sex because it promises to make her the most amount of money in the shortest amount of time. She also has a “near categorical hatred of work.”

I nearly –...

Read more...

Kieran Yates: All the Houses I've Ever Lived In, Brighton Festival 2023 review - home as comfort, and cruelty

Nick Hasted

The audience questions are when Kieran Yates’ talk boils over. Her book All the Houses I’ve Ever Lived In considers housing policy through autobiography and imaginative research, and the preceding...

Read more...

Matthew Shindell: For the Love of Mars: A Human History of the Red Planet review - a world of possibility

Jon Turney

Humans are unsettled by incomplete data, unanswered questions. Show us dots on paper, and we’ll join them to make a picture. Show us objects in the night sky, and we create worlds.

So it has...

Read more...

Susan Finlay: The Lives of the Artists review - the knotted threads of memoir and art

Alice Brewer

Benvenuto Cellini’s My Life (1728) is not the artist-biography to which Susan Finlay’s The Lives of the Artists pays its most obvious homage, but it appears to have followed its...

Read more...

Glory to Sound: Linton Kwesi Johnson, Brighton Festival 2023 review - a reggae rebel's life in music

Nick Hasted

Straight-backed at 70, Linton Kwesi Johnson wears the smart garb of a British Caribbean elder – trilby, cream jacket, West Indies maroon jumper and tie, grey trousers, blue socks and grey shoes....

Read more...

Keggie Carew: Beastly review - the history of animals and us

mark Kidel

There’s been an avalanche of books about animals and trees. The more species disappear and forests are felled, the more titles are published: laments, celebrations, extinction alarms and rhapsodic...

Read more...

Noreen Masud: A Flat Place - reflective landscapes

Issy Brooks-Ward

On the front cover of Noreen Masud’s startling memoir, A Flat Place, a green square of sky is scored...

Read more...

A. Anatoli: Babi Yar - The Story of Ukraine's Holocaust review - a masterpiece uncensored

Hugh Barnes

The great Russian novelists of the 19th century wrote what Henry James called "large, loose, baggy monsters" out of belief that "truth" was...

Read more...

Max Porter: Shy review - an ode to boyhood and rage

Izzy Smith

Max Porter continues his fascination with the struggles of youth in his newest release, Shy: his most beautifully-wrought...

Read more...

Solmaz Sharif: Customs review - a poetics of exile and return

Jack Barron

The language of poetic technique is perhaps weighted towards rupture, rather than reparation: lines end and break, we count beats and stress, experience caesurae (literally ‘cuttings’), and mark...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

 

latest in today

'We are bowled over!' Thank you for your messages... ...
The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Orpheus and Eurydice, Opera Queensland/SCO, Edinburgh Intern...

There’s a lot to shout about in this Orpheus, especially the way it looks. In a thin year for staged opera at the Edinburgh International...

Edinburgh Fringe 2025 reviews - Eric Rushton / Bella Hull

Eric Rushton, Monkey Barrel ...

Edinburgh Fringe 2025 reviews: The Horse of Jenin / Nowhere

The Horse of Jenin, Pleasance Dome ...

Beating Hearts review - kiss kiss, slam slam

Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

Album: Emma Smith - Bitter Orange

Emma Smith, one time Puppini Sister, has established herself over the past decade or so as one of the UK’s most compelling jazz singers, now...

BBC Proms: Anoushka Shankar 'Chapters' review - so...

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters