fri 29/03/2024

Sebastian Scotney

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Articles By Sebastian Scotney

Album: Norah Jones - Visions

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Albums of the Year 2023: Bokanté - History

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Jansen, Ridout, Blendulf, Kozhukhin, Wigmore Hall review - Brahms in excelsis

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Album: Samara Joy - A Joyful Holiday

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EFG London Jazz Festival 2023 round-up review - vital sparks crossing and uniting generations

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The Creation, Choirs of King's College & New College Oxford, Philharmonia, Hyde, King's College Chapel, Cambridge - sublime setting for mundane performance

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Schiff, Höbarth, Coin, Wigmore Hall review - Schubert minus transcendence

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theartsdesk at Salzburg Jazz & the City Festival - perfection in free venues

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Lies We Tell review - fear and gaslighting in 1860s Ireland

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Album: Joshua Redman - Where Are We

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Album: Yussef Dayes - Black Classical Music

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Apocalypse Clown review - going out with a laugh

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Prom 39: Schiff, Elbert, Budapest Festival Orchestra, Fischer 3 review - jaw-dropping standards of orchestral playing

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Prom 4: Deutsche Kammerphilharmonie Bremen, Kuusisto review - Pekka Kuusisto's charisma shrinks the Royal Albert Hall

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Album: Bokanté - History

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theartsdesk in Montreal - the world's largest jazz festival just got younger

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"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...