fri 29/03/2024

Sebastian Scotney

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Articles By Sebastian Scotney

Album: Barb Jungr and Her Trio - My Marquee

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Werther, Grange Park Opera review - Italian-American principal singers with strong chemistry

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Album: Vicente Archer - Short Stories

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DVD: Jazz Fest - A New Orleans Story

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Elsa Dreisig, Jonathan Ware, Wigmore Hall review - a glorious voice unleashed

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The Beasts review - a countryside idyll loses its charm

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Champions review - Woody Harrelson's latest hoop dream

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Gerstein, Bintner, Waarts, Wigmore Hall review - fascinating connections, uneven music

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Album: Sebastian Rochford, Kit Downes - A Short Diary

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DVD: Oscar Peterson - Black + White

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Dreaming Walls: Inside the Chelsea Hotel review - intriguing portrait of the end of an era

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Yevgeny Sudbin, World Heart Beat Embassy Gardens review - phenomenal pianism in close-up

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Sebastian Scotney's Top 10 Films of 2022

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Albums of the Year 2022: Cécile McLorin Salvant - Ghost Song

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Die Zauberflöte, Royal Opera review - classic show but disappointing conductor

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10 Questions for Bruce Lindsay, biographer of Ivor Cutler

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Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...