Classical Features
Ottorino Respighi, the forgotten composerFriday, 05 February 2010The latest subject in the BBC Four series of composer portraits by Christopher Nupen is Ottorino Respighi. One of the most unfairly neglected major composers of the first half of the 20th century, his reputation has suffered less from not being considered at all, but for having been confined to his trilogy of tone poems that evoke respectively the... Read more...
|
The Seckerson Tapes: Lenny Bernstein's right-hand man, Craig UrquhartMonday, 25 January 2010
Craig Urquhart was Leonard Bernstein's personal assistant for the last five years of his life. In this touchingly frank interview he talks about the man he knew, the man he revered, the man who wanted to be all things to all people and who consistently pushed himself to the limit in the service of the music that drove him.
Read more...
|
The Seckerson Tapes: Craig Urquhart, Lenny's right hand manSaturday, 23 January 2010Read more... |
The Seckerson Tapes: Craig Urquhart, Lenny's right hand manSaturday, 23 January 2010
Craig Urquhart was Leonard Bernstein's personal assistant for the last five years of his life. In this touchingly frank interview with Edward Seckerson he talks about the man he knew, the man he revered, the man who wanted to be all things to all people and who consistently pushed himself to the limit in the service of the music that drove him.
The Bernstein Project is a ten-month celebration of Leonard Bernstein - one of the most charismatic men of the 20th...
Read more...
|
Christopher Nupen on Filming Music and MusiciansMonday, 18 January 2010"What is it about Schubert’s music that has such power 180 years on? It has nothing to do with who he slept with or what he had for breakfast – it’s the work," insists filmmaker Christopher Nupen, whose series of films about composers is currently showing on BBC Four. "If you’re dragged towards the quotidian and the sensational, you’ll be pulled away from that elusive essence in the work that nobody has ever succeeded in explaining, but which remains one of the highest expressions of the human... Read more... |
Interview: Maria Luigia Borsi, singing in the Italian traditionFriday, 15 January 2010
In this era of spectacular divas from Russia, Latvia and Romania, it is often remarked that the Italian lyric soprano is a commodity in distressingly short supply. Hoping to rectify that sorry situation is Tuscany’s Maria Luigia Borsi, who will be making her London debut at the Wigmore Hall on Sunday, singing a luxuriant programme of Puccini, Catalani and Mascagni. Read more... |
The Seckerson Tapes: Vasily Petrenko's ShostakovichThursday, 03 December 2009
The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich Symphonies for the Naxos label. Read more... |
The Seckerson Tapes: Mark PadmoreThursday, 26 November 2009
English tenor Mark Padmore has enjoyed a career that has seen him grow from a choral scholar at King’s College, Cambridge, through membership of The Sixteen and Hilliard ensembles, to becoming the international Evangelist of choice in performances of Bach’s Passions across the globe. He talks about the people who influenced him – William Christie and Philippe Herreweghe among them – and the prospect of Britten operas in waiting. Padmore is currently enjoying a year-long residency at the... Read more... |
Why Kipling Scuppered Elgar's Sea-SongsMonday, 09 November 2009Elgar’s flag-waving nautical song-cycle The Fringes of the Fleet was performed to packed houses up and down the country in 1917, then sank virtually without trace for the next 90 years. As the work receives its first professional orchestral recording since Elgar's own, Tom Higgins, the conductor of the recording, explains how the work came into being, and why Rudyard Kipling had it banned. Read more... |
The Seckerson Tapes: Messiah, ENOThursday, 05 November 2009With its powerfully emotive stagings of Bach's St John Passion and Verdi's Requiem English National Opera has built something of a reputation for bringing sacred masterworks to the secular stage. Award-winning director Deborah Warner, conductor and Handel specialist Lawrence Cummings, and ENO's indefatigable chorus master Martin Merry tell Edward Seckerson about the challenges of making a credible stage spectacle... Read more... |
Pages
inside classical music
latest in today
Towards the end of David Haig’s new adaptation of Philip...
It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...
First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...
Isabelle (Eva Green) leans over, her long hair catches fire from a candle, and Matthew (Michael Pitt) devotedly snuffs it out. She doesn’t miss a...
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...