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[field_event_date_value_1][field_event_date_value_2] Louise Bourgeois: The Return of the Repressed, Freud Museum	[field_event_date_value_1][field_event_date_value_2] Blood Car
[field_event_date_value_1][field_event_date_value_2] Black Gold	[field_event_date_value_1][field_event_date_value_2] One for the Road
[field_event_date_value_1][field_event_date_value_2] Laura	[field_event_date_value_1][field_event_date_value_2] Rampart
[field_event_date_value_1][field_event_date_value_2] Red Dog	[field_event_date_value_1][field_event_date_value_2] The Adopted
[field_event_date_value_1][field_event_date_value_2] Extremely Loud and Incredibly Close	[field_event_date_value_1][field_event_date_value_2] Hadewijch

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We are sorry there are no events to display at this time

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...