Visual arts
Sarah Kent
It’s impossible to think about Jean Cooke’s work without taking into account her relationship with her husband, the painter John Bratby, because his controlling personality profoundly affected every aspect of her life.Had it not been for him, she might never have become a painter at all. She studied sculpture and pottery and, when they met in 1953, was running her own pottery in Sussex. They married the same year, but Bratby didn’t want a potter for a wife, so Cooke went to the Royal College of Art to study painting.Bratby’s attitude was still ambivalent, though. He would only allow her Read more ...
James Birch
In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet system". At a time of powerful political tension and suspicion, but also optimism and opportunity, the process of exhibiting Bacon was riddled with difficulties, careful negotiations, joys and disappointments.In this extract, we find James in 1988 and perestroika is in full bloom: General Secretary Gorbachev appears to be at the height of his popularity and power, and a possible democracy beckons. James Read more ...
Sarah Kent
At 94, Yayoi Kusama is said to be the world’s most popular living artist. People queue for hours to spend a few minutes inside one of her Infinity Rooms, spaces with walls mirrored to create infinite reflections.Inviting her to inaugurate Manchester’s new Aviva Studios is an astute move, then. Her installation You, Me & The Balloons (main picture) is bound to attract crowds to the nearly finished venue built to house Factory International, organisers of the Manchester International Festival (MIF), and to host exhibitions, theatre and music gigs.Reminiscent of Tate Modern’s Turbine Read more ...
Mark Kidel
The artist Brian Clarke, surely one of the leading British artists of our time, has been all too readily dismissed as a mere craftsman. So much for being an outstanding and highly original painter who’s also done more for contemporary stained glass than any other artist in the world.His ability to transcend boundaries and follow his own path rather than court marketable fashion and fame, has led to him being side-lined and ignored when he should be celebrated as vigorously as David Hockney and other art world giants of his generation.He is now the subject of a large exhibition, “A Great Light Read more ...
Sarah Kent
Carrie Mae Weems is the first live black artist to have a solo show at New York’s Guggenheim Museum, yet she is hardly known here at all. So the Barbican’s retrospective is timely, especially since, at 70, Weems is making her best work yet.The climax of the show is The Shape of Things: a Video in 7 Parts 2021(main picture). This vast, multi-screen experience enfolds you in a panoramic take on American society. Sitting enthroned at the centre is performer, Okwui Okpokwasili. Sheets of paper drift around her like snow flakes – documents, perhaps, recording life in America. And her role is to Read more ...
Sarah Kent
Dear Earth, Art and Hope in a Time of Crisis is a mixed show of artists who address the parlous plight of our planet. The issue obsesses me, so anyone who braves the pitfalls of exploring this difficult subject has my sympathy.One challenge: how to create work about climate change that doesn’t make your audience suicidally depressed? Another: how to translate anger, despair and activism into good art that can inspire as well as enlighten? The exhibition amply demonstrates how hard this is.One of the most impactful pieces is shown outside. Peter Kennard who, for decades, has made politically Read more ...
Sarah Kent
Standing just inside the door of the Whitechapel’s downstairs gallery is a luggage trolley laden with parcels (pictured below, right). This forlorn object looks as if it’s waiting to be collected, but the owner seems to have gone AWOL.The packages are labelled, not with names and addresses but descriptions of the contents, as if they had come from a museum archive.“Bima curtain,” reads one label. “Large, dark blue velvet cloth with heavy gilt ribbon trim and gilt fringing. Condition: torn in several places, much stained, creased and damp when found.” The items were retrieved from the gutter Read more ...
Sarah Kent
Billed as “a journey through painting and photography”, Capturing the Moment reveals many ways in which artists have responded to photography – either by taking up the camera themselves, as did Candida Höffer, Andreas Gursky, Louise Lawler and Thomas Struth, or by making some superb paintings.By way of introduction, the first room makes no sense, though. Picasso once said – probably as a riposte to anyone criticising his disregard for surface appearances – “photography has arrived at a point where it is capable of liberating painting from all literature, from the anecdote, and even from the Read more ...
Mark Sheerin
A visitor to the city wishes to gain access to the law, but a gatekeeper blocks his entrance. The man petitions this imposing figure, who is only one of a series of legal bouncers. He is told there is gate after gate. He sits, he waits, he lies down, and eventually he expires. But not before making a close study of this implacable representative of the law. He even notes the fleas in the gatekeeper’s collar.Such is the fate of a character in Franz Kafka’s paranoid short story Before the Law. It comes to mind since visitors to the Carey Young show at Modern Art Oxford are invited to spend, if Read more ...
Hannah Hutchings-Georgiou
It is fitting that I watch Otobong Nkanga’s performance on a stranger’s smartphone screen. Solid Maneuvers, 2015, is about the extraction of precious resources from the Namibian landscape. It is about the long-term devastation humans wreak on the natural world and the equally devastating consequences nature revisits on us. But it is also concerned with the more than symbiotic relationship we have with the land itself – the very soil we depend upon, are made of and to which we will return. Scattering mineral and metallic sands – the exact elements found in our Read more ...
Helen Hawkins
Who created the term “electronic superhighway”? First described a system of linked communication that would become the internet? Envisioned a multichannel TV system where viewers chose for themselves what to tune into? Watch Amanda Kim’s excellent documentary Moon Is the Oldest TV and you find that the correct answer to all those questions is Nam June Paik.A diminutive impish South Korean, Paik was born into an eminent wealthy Seoul family, on a par with the Samsungs, and by 17 knew he had to get out. He had become a Marxist, then a communist. His intellectual interests would take him to Read more ...
Sarah Kent
One of the great things about Artangel is the interesting sites which they seek out for the artworks they commission. The latest find is the disused waiting room at Peckham Rye station, a once gracious space with a vaulted ceiling, arched windows and two fireplaces, now ripped out. The space was later converted into a billiard hall, the sign for which is still visible on the staircase wall, but when that closed down in 1962, the room was left to rot.Artangel always works with top notch artists, the latest of whom is the American Sarah Sze. It’s 25 years since she created an installation in Read more ...