Tom Priestley
Articles By Tom Priestley
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Pirates of Penzance, English National Opera review - fre...
“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...
Hansel and Gretel, Shakespeare's Globe review - too sac...
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I...
Album: The Unthanks - In Winter
By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...
Grand Theft Hamlet review - intriguing documentary about Sha...
On July 4, 2022, one of the most unusual performances in Hamlet’s lengthy and much travelled CV took place: an in-game stream...
Nightbitch review - Mother's life as a dog
Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its...
theartsdesk Q&A: filmmaker Payal Kapadia on 'All We...
Payal Kapadia’s lyrical fiction feature debut...
Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall...
A time must come again when British orchestras return to complete Tchaikovsky ballet scores in concert, as in the BBC glory days of the great...
Rumours review - pallid satire on geopolitics
It must have seemed such a delicious premise – a Buñuel-esque comedy about world leaders trapped at a luxury retreat as the apocalypse...