tue 18/12/2018

Tom Priestley

Articles By Tom Priestley

latest in today

The Box of Delights, Wilton's Music Hall review - capti...

If you’re looking for a Christmas with more pagan edge than saccharine cheer, where the wolves are howling and the mythological characters are...

L'enfance du Christ, BBCSO, Gardner, Barbican review -...

Like the fountains that sprang up in the desert during the Holy Family's flight into Egypt - according to a charming episode in the Gospel of...

Mahan Esfahani / Richard Goode, Wigmore Hall review - clarit...

Two successive nights, two contrasted solo keyboard...

Albums of the Year 2018: The Prodigy - No Tourists

2018 has been a quietly encouraging year for fans of music that doesn’t kowtow to...

Kreator / Dimmu Borgir, Roundhouse review - explosive extrem...

It’s about to begin. The final performance on the final night – and only UK date – of the European Apocalypse package tour featuring four...

Free Solo review - unbearable and glorious

Alex Honnold is part of a unique and often mythologised faction of the rock climbing community. To “free solo” is to climb without ropes or...

Epiphoni Consort, Reader, St Paul's Covent Garden revie...

Like a supermarket "Christmas Dinner" sandwich, cramming the delights of a full festive lunch into every bite, Epiphoni Consort’s...

Albums of the Year 2018: Nightports w/Matthew Bourne

Matthew Bourne has been a significant experimental and collaborative presence on the scene since 2001, when he won the Perrier Jazz...