sat 09/08/2025
Home > users

Ryan Gilbey

Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.

Articles By Ryan Gilbey

Youth in Revolt

Tuesday, 02 February 2010 Read more...

Film: Crude

Friday, 15 January 2010 Read more...

Unmade Beds

Wednesday, 09 December 2009 Read more...

Cold Souls

Wednesday, 11 November 2009 Read more...

A Christmas Carol

Monday, 02 November 2009 Read more...

Film: Johnny Mad Dog

Monday, 19 October 2009 Read more...

Le Donk & Scor-Zay-Zee

Monday, 05 October 2009 Read more...

Film: The Soloist

Monday, 21 September 2009 Read more...

Film: Adventureland

Wednesday, 09 September 2009 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...
Eight Postcards from Utopia review - ads from the era when 1...

If you saw it blind, with no information about its origins, Eight Postcards from Utopia might look like 70 minutes of outtakes...

Every Brilliant Thing, @sohoplace review - return of the com...

The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the...

Edinburgh Fringe 2025 reviews - Lily Phillips / Ayoade Bamgb...

Lily Phillips, Monkey Barrel ★★★★

Lily Phillips is keen to tell us at the top of her...

The Kingdom review - coming of age as the body count rises

The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer...

Peaky Blinders: The Redemption of Thomas Shelby, Rambert, Sa...

If you have never watched a single episode of the BBC period gangster drama Peaky Blinders, I am not sure what you would make...

Mogwai / Lankum, South Facing Festival review - rich atmosph...

Running as part of the South Facing Festival in Crystal Palace Bowl, Thursday’s headliners, Mogwai, and their friends across the water, Lankum,...

Edinburgh Fringe 2025 reviews: The Beautiful Future is Comin...

The Beautiful Future is Coming, Traverse Theatre ★★...

Weapons review - suffer the children

Weapons’ enigmatic title, as with Zach...

Classical CDs: Hamlet, harps and haiku

 

...