Ryan Gilbey
Bio
was named Reviewer of the Year in the 2007 Press Gazette Magazine Awards. He is the film critic of the New Statesman and also contributes to the Guardian and Sunday Times. He is the author of It Don’t Worry Me, about the American cinema in the 1970s, and a study of Groundhog Day in the BFI Modern Classics series.
Articles By Ryan Gilbey
latest in today
Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...
The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...
People, Places and Things, Trafalgar Theatre review - a scin...
It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...
Withnail and I, Birmingham Rep revenue - Bruce Robinson’s 19...
Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...
Jack Doherty, Soho Theatre review - warm and witty childhood...
For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star...
Album: Jack Savoretti - Miss Italia
It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds,...
Two Tickets to Greece review - the highs and lows of a holid...
Two women were best friends at school but they haven’t...
Hoard review - not any old rubbish
A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...
Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...
It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...
Blu-ray: Chocolat
Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect...
Coote, LSO, Tilson Thomas, Barbican review - the triumph of...
Programme notes for Mahler’s monumental symphonies will often...