thu 22/05/2025

Jessica Payn

Articles By Jessica Payn

Devin Jacobsen: Breath Like the Wind at Dawn review – the disturbances of the Civil War

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10 Questions for writer Lucia Osborne-Crowley

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Kate Lebo: The Book of Difficult Fruit review - a rich, juicy delight

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Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meet

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theartsdesk Q&A: Amina Cain on her first novel and her eternal fascination with suggestion

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10 Questions for Poet and Critic Rebecca Tamás

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Margarita García Robayo: Holiday Heart review – understated and acute

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Maria Reva: Good Citizens Need Not Fear review - tales of gloomy humour and absurdist charm

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Marieke Lucas Rijneveld: The Discomfort of Evening review - lovelessness, loneliness, bodies and their limits

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Olivia Laing: Funny Weather review - essays on art, framed as antidote

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Fitzcarraldo Editions wins Republic of Consciousness Prize

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Jenny Offill: Weather review - the low hum of misgiving

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Kapka Kassabova: To the Lake review - Macedonia's lacustrine heart

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Ilya Kaminsky: Deaf Republic - silence as 'a soul's noise'

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Elizabeth Strout: Olive, Again review - compassion, honesty and community

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Irenosen Okojie: Nudibranch review - daring and surreal

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

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Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...

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A society ruled by hysteria. Lurid lies that carry more currency than reality. There’s no shortage of reasons that...

Pixies, O2 Academy, Birmingham review - indie veterans pack...

Pixies might just be the ultimate Radio 6 Dad band. They’ve been around (on-and-off) for around 40 years; they’ve got a fine back catalogue of...

Album: Sports Team - Boys These Days

How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

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Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...