Jessica Payn
Articles By Jessica Payn
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Lear, Barbican Theatre review - a very stormy saga, Korean-s...
What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...
Monet and London, Courtauld Gallery review - utterly sublime...
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...
Joker: Folie à Deux review - supervillainy laid low
“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...
A Tupperware of Ashes, National Theatre review - family and...
Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...
First Person: conductor Robert Hollingworth on a four-choir...
I’m sitting in a café in Kraców, Poland, rehearsals finished for the resurrection of a mass setting written nearly 400 years ago in...
The Battle for Lakipia review - why post-colonial Kenya is a...
The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is...
Album: Coldplay - Moon Music
From the very first chords of "Yellow" in 2000, Coldplay have been an ever present at the summit of popular music's hierarchy. Their uncanny knack...
The Old Man and the Land review - dark secrets of a farming...
The Old Man and the Land depicts a worn-out sheep farmer going about his dreary business as the seasons pass, darkly and dankly. He does...
BBC Singers, BBCSO, Jeannin, Barbican review - from stormy w...
“Bold, ambitious, and good for the sector.” So said Charlotte Moore, the BBC chief content officer, who currently earns £468,000, in March last...
Nobodaddy, Teaċ Daṁsa, Dublin Theatre Festival review - supe...
Nobodaddy, taking its title from Blake’s violent dark-god “Father of Jealousy”, is much more than a dance piece, and Michael Keegan-Dolan...