Emma Simmonds
Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.
Articles By Emma Simmonds
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Giulio Cesare, The English Concert, Bicket, Barbican review...
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...
Hallé, Elder, Bridgewater Hall, Manchester review - premiere...
Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...
DVD/Blu-ray: Slade in Flame
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....
Riefenstahl review - fascinating fascism? Portrait of the Na...
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...