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Blood Knot, Orange Tree Theatre review - defining apartheid-...
London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing take on...
Vasari Singers, Backhouse, St Bride’s Fleet Street review -...
London performances of Alfred Schnittke’s Concerto for Choir are like Meaningful Votes: you wait a long time for one, then they come in...
The Best Films Out Now
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...
CD: Edwyn Collins - Badbea
Edwyn Collins is in a good mood. Perhaps it’s his 2014 move back to his native...
La forza del destino, Royal Opera review - generous voices,...
When "Maestro" Riccardo Muti left the Royal Opera's...
Pose, BBC Two review - transgender goes mainstream
NYC, 1987. AIDS is ravaging the city, Reagan’s in power,...
Emilia, Vaudeville Theatre review - shouting for change
Emilia Bassano Lanier is not a household name. But maybe she should be. Born in 1569, she was one of the first women in England to publish a book...
Minding the Gap review – profound musings on life
Where would you go for a devastating study on the human condition? The home ...
DVD/Blu-Ray: La Vérité
For admirers of Henri-Georges Clouzot or Brigitte Bardot, this Criterion restoration of their rarely seen 1960 collaboration is a must have. ...