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Julian Baggini: How the World Thinks review - a whirlwind to...
The intrepid philosopher Julian Baggini has travelled the world, going to academic conferences, interviewing scores of practicing philosophers...
CD: Gaye Su Aykol - Istiklarli Hayal Hakikattir
When, as an artist, you live under the power of a quasi-dictatorship, you choose to stay rather than go into exile, and you want to avoid being...
theartsdesk in Stockholm: the Birgit Nilsson Prize unites tw...
Why are great Wagnerian singers the most down-to-earth and...
LFF 2018: Roma review – Alfonso Cuarón’s triumphant return t...
It’s not for nothing that Alfonso...
Triumph of Time and Truth, Higginbottom, Kings Place review...
You can always depend on Handel to turn verbal dross into musical gold. The chasm between lumbering doggerel and soaring sound can seldom have...
LFF 2018: The Favourite review - Queen Anne's bizarre l...
Olivia Colman will in due course be appearing as Elizabeth II in ...
Wise Children, Old Vic review - Emma Rice in fun if not quit...
"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed by a...
CD: Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E...
“Caustic motherfucker”. There it is, right up in the first few lines of...