Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One). He is a regular obituarist for The Guardian.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The new version of Ibsen’s classic by Anya Reiss at the Almeida prompted me to wonder at times whether wrenching a play out of its era and…
A concert by the National Youth Orchestra is like no other. For one thing, there are 160 of them – you simply don’t get the kind of power…
When Jim Jarmusch won the Golden Lion at last year’s Venice film festival, it came as something of a surprise. The best film award had been…
“Welcome” reads a sign hidden behind a metal screen whose spider-web of bars is designed to keep out unwelcome visitors (pictured below:…
“He’s got a brother who’s a brotha!” exclaims an ecstatic Anna (Halle Bailey; The Little Mermaid; The Colour Purple) to her bestie (Aziza…
Lincolnshire singer Holly Humberstone, now London-based, was awarded the Brit for Rising Star in 2022. A UK Top 5 album followed, Paint My…
Communication devices have long been taken over by unwelcome entities in scary movies. Maybe it was the bedevilled TVs in David Cronenberg’…
It feels fitting that this latest revival of Copenhagen should open so soon after Arcadia at the Old Vic. These masterworks by,…
James McAvoy’s directing debut has a plot that’s so implausible, it would probably be laughed out of pitch meetings. But the story is…