Adam Sweeting
Bio

Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One). He is a regular obituarist for The Guardian.

articles by Adam Sweeting

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
“Lincoln, you have not been a Monday night crowd, they can be a bit funny,“ says Suede frontman Brett Anderson just before then band exit…
Emerald Fennell’s latest film begins with a sly joke. As the production company credits roll, the sound of distinctive creaking overlays…
Jill Scott is neo-soul royalty, without any doubt whatsoever. In fact, her debut album, Who Is Jill Scott? remains a monumental release…
Perfectly at one in matching tone and response, this phenomenal duo who are both formidable solo personalities in their own right also took…
The jury was out when Ballet Nights first made its pitch to the dance-curious – a potential audience, the thinking went, that might be…
There are always a few drawbacks to being a support act. For Allie X, the biggest issue was simply finding space to stand onstage, with so…
An evening in the company of the smiley Russell Howard always lifts one’s spirits and his latest show, Don’t Tell the Algorithm, …
“I was not a bad man. Nowhere near it. But they said I was anyway.”Makenna Goodman’s second novel (her first, The Shame, a brilliant…
The Straight Story is the slowest of road movies, its elderly protagonist crawling 240 miles from Iowa to Wisconsin at just five miles per…