TV
fisun.guner
You might justifiably argue that Jamie Oliver’s lack of academic prowess (he left school with just two GCSEs – we’re not told what in) did him no harm whatsoever. Yet he’s keen that youngsters today should be switched on to education in a way that he clearly wasn’t. So he’s recruited 20 kids to take part in Dream School – kids who, like him, all failed to attain the requisite five GCSEs at grade C and above. And he’s recruited some pretty impressive names to teach them.Who wouldn’t put their hand up for an anatomy lesson with Robert Winston? Or to polish up their Shakespeare with Simon Read more ...
Veronica Lee
For those whose only knowledge of the form is the Royal Variety Performance, this programme (part of BBC Four’s variety season) gave a nice, if all too brief, overview. The first of a two-parter was presented by Michael Grade, whose family is variety royalty - generations of Grades were performers and agents, and latterly television executives.Grade is not a natural TV performer but knew to keep his pieces to camera to a minimum (clearly a memo that failed to reach Alan Yentob’s desk) and instead was happy to listen to the anecdotes - and joyfully there were lots of them. Ken Dodd, Roy Hudd, Read more ...
alexandra.coghlan
Meet Tom. He’s an Essex geezer with all the charm of a used toothpick, whose idea of romance is a cheeseburger on a bench in the Sainsbury’s car park. He can’t hold down a job, spends all girlfriend Cherelle’s money down the bookies, and expects her to cook, clean and run his bath – once she’s finished working two jobs of course. Enter the gum-chewing, ratings-chasing BBC Three guardian angel, ready to solve the problem in the most dramatic, exploitative and tabloid way possible. With the help of three “inspirational” female mentors, Tom must repent, change his wicked ways, and learn the Read more ...
Adam Sweeting
Now nearing the end of its sixth series, Wild at Heart has quietly parked itself in the middle of the Sunday-evening schedules, where it goes about its task of hoovering up ratings with single-minded efficiency. Last week's debut of South Riding on BBC One was considered a triumph with 6.6 million viewers, but Wild at Heart pipped it with 6.8 million. The week before it scored over seven million.How does it keep doing this? Evidently Stephen Tompkinson, playing Bristol vet Danny Trevanion who has transplanted himself to the Leopard's Den game reserve in South Africa, has a loyal legion of Read more ...
Veronica Lee
For those not of Jewish heritage and who may not know the significance of the title, Friday-night dinner is the hub of a Jewish family’s week, when they gather together for a special dinner and prayers. It’s a (very) rough cultural equivalent of a Sunday roast or the Thanksgiving meal, and even for many non-religious Jews who dispense with the traditional menu and prayers, there’s a three-line whip on attendance.Creator and writer Robert Popper grew up in a non-religious north-London Jewish family and freely admits Friday Night Dinner is about his family, if a little exaggerated for comic Read more ...
howard.male
Why on earth did I volunteer to review this? I suppose it was because it would show me a world I had little knowledge of and therefore would be able to offer a fresh, objective perspective on. But 15 minutes in and I’m feeling like Malcolm McDowell in A Clockwork Orange being subjected to images of sex and violence, his eyes clamped open and his head held fast so there’s no escape. Except of course that would be loads more fun than this new reality TV show set in a London modelling agency, which unfortunately is more like watching nail varnish dry.And the Clockwork Orange comparison isn’t as Read more ...
Jasper Rees
There was a moment in last night’s Silk when a young solicitor turned up late for a trial. He was also an actor, he explained to his client’s counsel, and had to attend an audition. For a Head & Shoulders ad. The USP of Peter Moffat’s courtroom dramas is that, more than any writer since John Mortimer, he knows whereof he speaks. Having once been a barrister himself, the serpentine ins and outs of chambers, the politicking and skulduggery etc etc are his area of expertise. So you take it on trust that the events dramatised here are the truth and nothing but.Thus a barrister Read more ...
fisun.guner
Ross Kemp won a Bafta for his documentary about being on the frontline in Afghanistan, so perhaps I should begin by saying all due respect, and all that, but how much can you ratchet up the hardman image before it threatens to dissolve into self-parody? And with a title like Ross Kemp: Extreme World showing on Sky 1, well, where else could we be heading?For this new series we’ll see him talking to child soldiers and victims of mutilations and rape in the Democratic Republic of Congo, he’ll be sniffing out bloody turf wars in Mexico, and then he’ll be back on home turf with sex trafficking Read more ...
Adam Sweeting
You can see why the BBC's drama gurus wanted to have a go at remaking South Riding, which last came around in 1974's hit version from Yorkshire Television. It has drama, romance, social conflict, lofty ideals and looks a bit like a parable for our cash-strapped times. Processed through the screenwriting circuitry of Andrew Davies, TV's novel-adapter par excellence, it has emerged as a superior soap tailored with mercenary expertise for that demographic sweet spot that is 9pm on a Sunday night.Winifred Holtby's 1936 novel, which was published the year after its author's death, is a story of Read more ...
Adam Sweeting
The legal drama has become a staple of stage and screen, for a variety of excellent reasons. All of human life really is there, from love and hate to good and evil, crammed into the claustrophobic cockpit of the courtroom. Adding an extra squirt of kerosene to an already explosive mix is the fact that, as Dr Gregory House likes to say, “Everybody lies.”The latest cab on the telly-lawyer rank is Silk, BBC One’s sizzling new six-parter from Peter Moffat. A former barrister himself, Moffat has carved out a prestigious legally orientated screenwriting career, which has taken him from Kavanagh Read more ...
Adam Sweeting
When Treme debuted on HBO in the States, some excitable critics watched the pilot episode and instantly proclaimed it a masterpiece superior even to The Wire. David Simon, who created both shows, may have been delighted. Or on the other hand, he might have wondered how anybody could assess a complex, long-term portrayal of New Orleans in the aftermath of Hurricane Katrina so categorically on so brief an acquaintance.Now Treme is here, though at the moment sadly confined to the elite mini-monde of Sky Atlantic. Having watched the pilot, I felt ill equipped to deliver a definitive judgment of Read more ...
graeme.thomson
There is little danger of our nation wasting away for the lack of culinary-themed televisual roughage: hairy bikers, domestic goddesses, campaigning wide boys, chicken-liberating poshos, alpha-male bully boys, Michelin-starred French fusspots. Channel hopping some nights feels more like flicking through the world's least coherent cook book.But it’s Masterchef – and its inevitable D-list-led Celebrity offshoot – that has become the firm favourite of the armchair gourmand. It's not fine dining by any stretch of the imagination but it's reliable and terribly moreish. Part contrived reality telly Read more ...