tue 26/03/2019

Young Vic

A Man of Good Hope, Young Vic

The first thing you hear are the marimbas – music that’s pounded, punched out of the air by hundreds of fists. Later the instruments give us dances and songs, but this musical violence is never truly absent from an orchestra made up entirely of...

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First Person: A Man of Good Hope

To begin writing a book is to start something over which you are going to lose control. As it comes to life, a book acquires its own quiddity, its own interior authority, and if the writer does not obey this authority she ruins the book. A Man of...

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theartsdesk Q&A: Playwright Katori Hall

Is Katori Hall (b. 1981) the embodiment of Martin Luther King’s dream? She was born in Memphis, the city where King died. The Mountaintop, her play about his last night alive, had its world premiere at Theatre 503, a tiny pub stage in south London....

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The Emperor, Young Vic

She gave us the most moving King Lear years before the news broke that Glenda Jackson would be playing the role. Only Mark Rylance has recently matched the malicious wit of her Globe Richard III. Now Kathryn Hunter spellbinds in a very Shakespearean...

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Yerma, Young Vic

Billie Piper vaults to the top rank of British theatre actresses with Yerma, Australian writer-director Simon Stone's rabidly free rewrite of Lorca's 1934 play that posits its young star as the sort of take-no-prisoners talent whose gifts come not...

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Blue/Orange, Young Vic

Joe Penhall’s Blue/Orange is one of the best plays of the past two decades. First staged at the National Theatre in 2000, with the dream cast of Chiwetel Ejiofor, Andrew Lincoln and Bill Nighy, it won an Olivier Award for Best Play and has been...

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10 Questions for Playwright Joe Penhall

Joe Penhall first thwacked his way to the attention of British theatregoers more than 20 years ago with a series of plays about schizos and psychos and wackos. An iconoclastic laureate of lithium, his early hit Some Voices (1994), about a care-in-...

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If You Kiss Me, Kiss Me, Young Vic

It’s easier to say what Jane Horrocks’s new musical dance-drama isn’t that what it is. Horrocks makes a short speech at the beginning and the end about the mysteries of love, as depicted in her selection of Mancunian heartbreakers from Gang of Four...

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Battlefield, Young Vic Theatre

Legendary director Peter Brook makes theatre that teaches audiences to be human. Now 90 years old, he brings his latest project to London from Paris, where he has been based at the Bouffes du Nord since quitting the UK more than 40 years ago. Called...

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Macbeth, Young Vic

Events have overtaken this Macbeth, dramatically heightening its queasy topicality. Not just brutal beheadings and torture, but the cost and collateral damage of conflict without end, and the scourge of a tyrant slaughtering his own people, strike...

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An Open Book: David Lan

This year’s Olivier Awards saw the Young Vic trounce its South Bank neighbours, with Ivo van Hove’s revolutionary A View from the Bridge leading 11 nominations and four wins; the production opens on Broadway next week. It reflects an extraordinary...

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Song from Far Away, Young Vic

“My brother died.” That’s the reality New York-based banker Willem struggles to inhabit when he returns to his estranged family in Amsterdam. There is no sense in Pauli’s loss – a sudden heart attack at 20, cradled by a stranger in the street – nor...

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