wed 27/10/2021

violin

Prom 3: Faust, COE, Haitink - Europeans tread air under 88-year-old master

The message must be getting through. On the First Night of the Proms, Igor Levit played as encore Liszt's transcription of the great Beethoven melody appropriated as the European Anthem; in Prom 2, Daniel Barenboim unleashed his Staatskapelle Berlin...

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Esther Yoo, Yekwon Sunwoo, Wigmore Hall review - Korean duo needs time to develop

The duo partnership between violinist Esther Yoo and pianist Yekwon Sunwoo is still at a very early stage. The announcements which both musicians made to the audience from the Wigmore Hall platform were almost completely inaudible, but it did sound...

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Viktoria Mullova, Misha Mullov-Abbado, Fidelio Orchestra Cafe review - a rainbow of brilliant artistry

There should eventually be a plaque on the outside of the Fidelio Orchestra Café in Farringdon, to the effect that London’s musical life after lockdown re-ignited here. And how, in early July, with Steven Isserlis exuberantly stepping up to play...

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Alina Ibragimova, Samson Tsoy, Fidelio Orchestra Café review – cataclysms and calm on the Clerkenwell Road

The Fidelio Orchestra Café is where you go for electric-shock and deep immersion therapy from the greatest of musicians. It happened last week with Steven Isserlis in Bach, and last night Alina Ibragimova sent high voltage shooting through the body...

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'She spoke through her violin': Steven Isserlis on extraordinary meetings with Ida Haendel (192?-2020)

So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.First, the playing: a film about her was aptly entitled: “I AM the Violin.” And she was! The violin was her...

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Frang, LSO, Pappano, Barbican review - hearing the silence

Three deep-veined masterpieces by two of the 20th century's greatest composers who just happened to be British, all fading at the end to nothing: beyond interpretations of such stunning focus as those offered by violinist Vilde Frang, conductor...

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Ibragimova, LSO, Stutzmann, Barbican review – grace and gravity

Alina Ibragimova’s solo journey (in 2015) through the peaks and abysses of Bach’s Sonatas and Partitas gave me vivid Proms memories to treasure for a lifetime. The Russian-born violinist’s Bach abounds in both majesty and tenderness, as well as a...

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O/Modernt Soloists, Sonoro Ensemble, Wimbledon International Music Festival review - pure instrumental poetry

If you're going to run a music festival with flair, it's not enough just to have a run of star performers who pop up for single events. The 11th Wimbledon International Music Festival can offer those – Christian Tetzlaff and Lars Vogt, for instance...

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Fischer, LPO, Jurowski, RFH review - total focus in shattering threnodies

Throughout his 11 years as Principal Conductor of the London Philharmonic Orchestra to date, Vladimir Jurowski has focused on two elements, programme-wise: tellingly-linked concerts of the rich and rare, and fine-tuned interpretations of the...

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Prom 12: Benedetti, National Youth Orchestra of Great Britain, Wigglesworth - adrenalin highs and string sound to die for

In the Netherlands, Mark Wigglesworth is already a musical legend for his work with Dutch youth orchestras. Hopefully, in addition to the year and a bit when he wrought miracles at English National Opera, he will become so in the UK after his...

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theartsdesk in Svalbard: cultural excellence at the top of the world

You should not die or be born on Svalbard, 1,985 kilometres above Norway's northernmost coast, and at 18 you work or leave for the mainland. Hunting is over, mining nearly so. Tourism, carefully managed, and Arctic research are the future; the...

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Bob Dylan Special - theartsdesk Q&A: Scarlet Rivera

As Martin Scorsese’s new feature film, Rolling Thunder Revue: A Bob Dylan Story, hits Netflix and cinemas, and a new 14 CD boxed set enters the official Bootleg Series, theartsdesk talks exclusively to Scarlet Rivera, the violinist on Desire and the...

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