sat 24/08/2019

violin

Prom 12: Benedetti, National Youth Orchestra of Great Britain, Wigglesworth - adrenalin highs and string sound to die for

In the Netherlands, Mark Wigglesworth is already a musical legend for his work with Dutch youth orchestras. Hopefully, in addition to the year and a bit when he wrought miracles at English National Opera, he will become so in the UK after his...

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theartsdesk in Svalbard: cultural excellence at the top of the world

You should not die or be born on Svalbard, 1,985 kilometres above Norway's northernmost coast, and at 18 you work or leave for the mainland. Hunting is over, mining nearly so. Tourism, carefully managed, and Arctic research are the future; the...

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Bob Dylan Special - theartsdesk Q&A: Scarlet Rivera

As Martin Scorsese’s new feature film, Rolling Thunder Revue: A Bob Dylan Story, hits Netflix and cinemas, and a new 14 CD boxed set enters the official Bootleg Series, theartsdesk talks exclusively to Scarlet Rivera, the violinist on Desire and the...

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Benedetti, SCO, Birmingham Town Hall review - a powerful musical alliance

Playing with such energy, such synergy and such general camaraderie at the start of a tour must surely pave the way for even greater things to come. The Scottish Chamber Orchestra with Nicola Benedetti kicked off their European tour at Birmingham...

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CD: Eliza Carthy - Restitute

Restitute, from its music down to its title, is much about its own back story. Three years ago Eliza Carthy, a key figure in British folk music, made a well-liked album called Big Machine with her group, The Wayward Band. They lost their funding...

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Benedetti, BBCSO, Oramo, Barbican review - Elgar challenges, Dvořák soothes

Among the greatest violin concertos in the repertoire, the Elgar is far too rarely performed. One of the reasons is its huge dramatic scale and almost hour-long duration – Sakari Oramo wisely programmed it here with Dvořák’s relatively modest...

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Classical CDs Weekly: Martinů, Prokofiev, Sullivan

 Martinů: The Complete Music for Violin and Orchestra Bohuslav Matoušek (violin), Czech Philharmonic Orchestra/Christopher Hogwood (Hyperion)You can't overdose on Martinů: four reissued discs of concertante music for violin and orchestra might...

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Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heaven

Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after...

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Janine Jansen, Alexander Gavrylyuk, Wigmore Hall review - a totally convincing recital

Can it happen? That one comes away from a concert with the sense that all of the truth, the shape, the beauty and the urgency of some great works from the classical repertoire has been conveyed as well as is humanly possible? That the programme...

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Classical CDs Weekly: Artyomov, Mozart, Smith

 Vyacheslav Artyomov: In Memoriam, Lamentations, Pietà, Tristia I (Divine Art)Born in 1940, Vyacheslav Artyomov trained as a physicist before switching to music. He joined forces with fellow composers Sofia Gubaidlina and Viktor Suslin in the...

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Sarah Chang, Ashley Wass, Cadogan Hall review – a virtuoso's disturbing 'inner game'

“My first recital in about a gazillion years in London!” wrote Sarah Chang a week ago for her 140,000 Twitter followers. “I usually work with orchestras whenever I'm in town so what an absolute joy+pleasure to be playing a duo program with piano!”...

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Schumann Series 3 & 4, LSO, Gardiner, Barbican review - upstanding brilliance

Schumann revitalized by John Eliot Gardiner and the London Symphony Orchestra last year left us wanting more: namely two of the four symphonies (transcendently great, as it turns out from these revelatory performances). But those concerts also...

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