sun 21/07/2019

Southwark Playhouse

Other People's Money, Southwark Playhouse review - onetime Off Broadway hit retains its sting

Deft and funny and nicely cast, what's not to like about Other People's Money, the era-defining Jerry Sterner play in revival at Southwark Playhouse? The play's 1989 premiere Off Broadway allowed for a contemporary skewering of the roaring,...

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Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible Fats Waller-inspired, Manhattan-set musical revue (a co-production with Colchester’s Mercury Theatre, where it opened last month). Though originating in the Seventies,...

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The Rubenstein Kiss, Southwark Playhouse review - slick spy drama doesn't quite come together

It's an ideal time to revive James Phillips's debut The Rubenstein Kiss. Since it won the John Whiting Award for new writing in 2005 its story, of ideological differences tearing a family apart, has only become more relevant. Joe Harmston directs a...

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Bodies, Southwark Playhouse review - shaky revival misses the mark

Bodies is the latest in Two's Company's series of what they deem "forgotten masterworks", this one making a less-than-triumphant return to the London stage after almost 40 years away. Written by James Saunders in 1977, it opened at the Orange Tree...

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All in a Row, Southwark Playhouse, review - soapy and shrill pity party

Time once again to roll out that line about the road to hell being paved with good intentions. The creators of All in a Row, a new play at Southwark Playhouse about the last evening at home for an autistic non-verbal 11-year-old before his...

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Aspects of Love, Southwark Playhouse review - discourse keeps passion at bay

“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last...

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The Sweet Science of Bruising, Southwark Playhouse review - boxing clever

There are not that many plays about sport, but, whether you gamble on results or not, you can bet that most of them are about boxing. And often set in the past. Joy Wilkinson's superb new drama, The Sweet Science of Bruising, comes to the Southwark...

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The Rink, Southwark Playhouse - lesser-known musical lands afresh

Two dynamite lead performances and the chance to savour an underappreciated score give genuine charge to The Rink, a decades-old Broadway flop that feels reborn for Southwark Playhouse. A short-lived star vehicle for Chita Rivera (who...

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The Country Wife, Southwark Playhouse review – knowing Restoration update

Even in its successful early days Wycherley’s 1675 comedy was notorious, but it was considered too lewd to be staged at all between the mid-Eighteenth Century and 1924. Although the play has found an affectionate place in the canon in more recent...

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Angry, Southwark Playhouse review – wondrously roaring Ridleyland

Monologues are very much the flavour of the start of this theatrical year. At the Royal Court, we have Carey Mulligan in Dennis Kelly’s brilliant Girls & Boys, coming hot on the tottering heels of Anoushka Warden’s My Mum’s a Twat, while at the...

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Collective Rage, Southwark Playhouse review - a rollicking riot

“Pussy is pussy” and “bitches are bitches” but Jen Silverman’s Collective Rage at Southwark Playhouse smashes tautologies with roguish comedy in a tight five-hander smartly directed by Charlie Parham.The play is set in New York and follows the ad...

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Dear Brutus, Southwark Playhouse review - a judicious mix of comedy and sadness

Confused people, some of whom may have made the wrong choices in life and love, find themselves in an enchanted wood at Midsummer. Dear Brutus has long been seen to echo Shakespeare’s comedy of metamorphosis, A Midsummer Night’s Dream. A huge...

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