Shostakovich
Alban Gerhardt, Markus Becker, Wigmore Hall review - long shadows and rich soundsTuesday, 15 September 2020
It wouldn’t be true to say I’d forgotten what a solo cello in a fine concert hall sounds like; revelation of an admittedly sparse year will undoubtedly remain Sumera’s Cello Concerto played by young Estonian Theodor Sink at the Pärnu Music Festival... Read more... |
Classical CDs Weekly: Ives, Plakidis, ShostakovichSaturday, 18 July 2020
Ives: Universe, Incomplete (Accentus DVD)Charles Ives’s Universe Symphony, conceived for 4,000 musicians positioned on different mountain tops, never saw the light of day. Sketches for the work span his creative life, some made as late as 1948... Read more... |
Classical CDs Weekly: Rachmaninov, Shostakovich, Aisha OrazbayevaSaturday, 09 May 2020
Rachmaninoff in Lucerne – Rhapsody, Op. 43, Symphony No. 3 Behzod Abduraimov (piano), Luzerner Sinfonieorchester/James Gaffigan (Sony)I’m the only person I know who rates Walton’s Symphony No. 2 as highly as his first, and I’m probably also... Read more... |
Joanna MacGregor, Adrian Brendel, Gildas Quartet, Wigmore Hall review - gold and silverTuesday, 25 February 2020
Startlingly high levels of expression and focused fire made this rich concert worthy of the dedicatee who radiated those qualities, Jacqueline du Pré. Beyond even that, this Wigmore Hall special was an oddly synaesthesic experience – or maybe I'm... Read more... |
Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factorThursday, 20 February 2020
There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just keep listening to over and over again. It’s in Fritz Reiner’s 1960 Chicago Symphony recording of Respighi’s The... Read more... |
Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican review - an eagle's-eye viewMonday, 27 January 2020
"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. High-level human integrity seems a given when great pianists essay epics:... Read more... |
Cargill, BBCSO, Saraste, Barbican review - less is more in ShostakovichSaturday, 25 January 2020
Jukka-Pekka Saraste doesn’t visit London much these days. He was Principal Guest Conductor of the BBC Symphony Orchestra, and there were rumours that he was in line for the top job. That didn’t happen, and his career soon took him elsewhere – which... Read more... |
National Youth Orchestra of Great Britain, Martín, Barbican review - songs of protest and resilienceMonday, 06 January 2020
In youth we trust. That can be the only motto worth anything for 2020, as the world goes into further meltdown. So it was startling, stunning and cathartic, two days after the big downer of 3 January - the American horror clown seemingly in... Read more... |
Classical CDs Weekly: Schubert, Shostakovich, Berlinskaya-Ancelle Piano DuoSaturday, 04 January 2020
Schubert: Symphony No 9 Scottish Chamber Orchestra/Maxim Emelyanychev (Linn)There’s a telling photo of Maxim Emelyanychev on page 11 of Linn's booklet, the conductor beaming at the camera, the body language suggesting he's having a hard time... Read more... |
theartsdesk Q&A: Conductor Olari Elts in TallinnSunday, 22 December 2019
Arriving in Tallinn hotfoot from Paavo Järvi's inaugural concert as chief conductor of Zurich's Tonhalle Orchestra, and expecting the limelight to belong to composer Erkki-Sven Tüür on his 60th birthday, I found another Estonian bonus in store. Not... Read more... |
Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calmMonday, 28 October 2019
Mieczysław Weinberg – where to begin? The composer died in obscurity in 1996, but his music has enjoyed a huge surge in popularity over the last ten years, culminating in this year’s global celebrations for the centenary of his birth. His music is... Read more... |
Concerto/Enigma Variations/Raymonda Act III, Royal Ballet review - time to cheer the corps de balletWednesday, 23 October 2019
As a mood-lifter, it’s hard to beat the opening of Concerto. Against a primrose sky, figures in daffodil, tangerine and brick form lozenges of fizzing colour, foregrounded by a leading couple so buoyant their heels barely ever touch down. Kenneth... Read more... |
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