Shostakovich
Fröst, BBCSO, Oramo, Barbican review - blood, sweat and sweetnessThursday, 18 October 2018
Single adjectives by way of description always sell masterpieces short, and especially the ambiguous symphonies forged in blood, sweat and tears during the Stalin years. The Barbican's advance blurb hit one aspect of Shostakovich's Ninth Symphony... Read more... |
Prom 69, Skride, Boston SO, Nelsons / Proms at...Cadogan Hall 8, Berlin Philharmonic Soloists review - sophisticated limitsTuesday, 04 September 2018
Crazy days are here again – many of us are lucky not to have been born when the last collectve insanity blitzed the world – and nothing in Shostakovich seems too outlandish for reality. On the other hand, there's a growing movement to liberate his... Read more... |
Classical CDs Weekly: Berlioz, Shostakovich, Turnage, La Maîtrise de ToulouseSaturday, 01 September 2018
Shostakovich: Symphonies 4 &11 Boston Symphony Orchestra/Andris Nelsons (DG)Shostakovich's 4th Symphony was famously withdrawn before its 1936 premiere, the composer wisely recognising that this violent, sprawling work might not do his... Read more... |
Prom 4, Simpson, BBCPO, Mena review - terrific Lindberg, brooding ShostakovichTuesday, 17 July 2018
The fourth Prom of this season featured only two contrasting pieces, pitching the unabashed joyfulness and good humour of Lindberg’s Clarinet Concerto against the angst and defiance of Shostakovich’s “Leningrad” Symphony. It was the former that left... Read more... |
Benedetti, LSO, Noseda, Barbican review – power and focusMonday, 25 June 2018
Shostakovich is ideal for Nicola Benedetti. His music requires effortless and understated virtuosity, as well as a confident and commanding maturity of interpretation. Benedetti has been demonstrating these qualities since her late teens, and all... Read more... |
Classical CDs Weekly: Messiaen, Shostakovich, Berlin Philharmonic OrchestraSaturday, 02 June 2018
Messiaen: Catalogue d’Oiseaux Pierre-Laurent Aimard (Pentatone)The title Catalogue d’Oiseaux suggests a dusty ornithological textbook. And Messiaen implied that all he’d done to compose this ear-tickling sequence of piano pieces was to... Read more... |
Los Angeles Philharmonic, Dudamel, Barbican review - brilliant if overwhelming showcaseThursday, 03 May 2018
Insistence was the name of the LA Phil's first game in its short but ambitious three-day Barbican residency - insistence honed to a perfect sheen and focus, but wearing, for this listener at least, some way in to the Shostakovich Fifth Symphony... Read more... |
Violinist Eldbjørg Hemsing: 'in the moments when magic happens, you think, that's why we do this'Saturday, 28 April 2018
In a classical recording industry seemingly obsessed with marketing beautiful young female violinists, but very often presenting them in repertoire to which most of them seem to have little individual to add, how do you make your mark? Norwegian... Read more... |
Classical CDs Weekly: Borgström, Shostakovich, Tchaikovsky, Alec Frank-GemmillSaturday, 28 April 2018
Borgström: Violin Concerto, Shostakovich: Violin Concerto No. 1 Eldbjørg Hemsing (violin), Wiener Symphoniker/Olari Elts (BIS)Hjalmar Borgström sounds like the name of a BBC Four gumshoe, a melancholy detective solving crimes in downtown... Read more... |
Wang, RSNO, Oundjian, Usher Hall, Edinburgh review - percussion sets Shostakovich's 'Leningrad' ablazeMonday, 23 April 2018
Featuring two Russian composers, the two halves of the Royal Scottish National Orchestra’s programme could hardly have been more different. In the first, pianist Xiayin Wang (pictured below) joined the RSNO for Scriabin’s florid, rarely-heard... Read more... |
Andsnes, LPO, Jurowski, RFH review - dazzling symphonic contrasts, plus odditiesThursday, 19 April 2018
Kudos, as ever, to Vladimir Jurowski for making epic connections. Not only did he bookend a rich LPO concert with two very different symphonies from the late 1930s by Stravinsky and Shostakovich; he also masterminded and attended the early evening... Read more... |
Lady Macbeth of Mtsensk, Royal Opera review - bleak rigour and black comedy still cast a spellFriday, 13 April 2018
Anyone who's seen Richard Jones's rigorous production before will remember the makeover – Katerina Izmailova, bored and brutalised housewife released by sex and murder from her shackles, having her drab bedroom expanded and redecorated in deliberate... Read more... |
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