Shostakovich
Cargill, BBCSO, Saraste, Barbican review - less is more in ShostakovichSaturday, 25 January 2020
Jukka-Pekka Saraste doesn’t visit London much these days. He was Principal Guest Conductor of the BBC Symphony Orchestra, and there were rumours that he was in line for the top job. That didn’t happen, and his career soon took him elsewhere – which... Read more... |
Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican review - an eagle's-eye viewMonday, 27 January 2020
"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. High-level human integrity seems a given when great pianists essay epics:... Read more... |
National Youth Orchestra of Great Britain, Martín, Barbican review - songs of protest and resilienceMonday, 06 January 2020
In youth we trust. That can be the only motto worth anything for 2020, as the world goes into further meltdown. So it was startling, stunning and cathartic, two days after the big downer of 3 January - the American horror clown seemingly in... Read more... |
Classical CDs Weekly: Schubert, Shostakovich, Berlinskaya-Ancelle Piano DuoSaturday, 04 January 2020
Schubert: Symphony No 9 Scottish Chamber Orchestra/Maxim Emelyanychev (Linn)There’s a telling photo of Maxim Emelyanychev on page 11 of Linn's booklet, the conductor beaming at the camera, the body language suggesting he's having a hard time... Read more... |
theartsdesk Q&A: Conductor Olari Elts in TallinnSunday, 22 December 2019
Arriving in Tallinn hotfoot from Paavo Järvi's inaugural concert as chief conductor of Zurich's Tonhalle Orchestra, and expecting the limelight to belong to composer Erkki-Sven Tüür on his 60th birthday, I found another Estonian bonus in store. Not... Read more... |
Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calmMonday, 28 October 2019
Mieczysław Weinberg – where to begin? The composer died in obscurity in 1996, but his music has enjoyed a huge surge in popularity over the last ten years, culminating in this year’s global celebrations for the centenary of his birth. His music is... Read more... |
Concerto/Enigma Variations/Raymonda Act III, Royal Ballet review - time to cheer the corps de balletWednesday, 23 October 2019
As a mood-lifter, it’s hard to beat the opening of Concerto. Against a primrose sky, figures in daffodil, tangerine and brick form lozenges of fizzing colour, foregrounded by a leading couple so buoyant their heels barely ever touch down. Kenneth... Read more... |
Dariescu, Moscow Philharmonic Orchestra, Simonov, Symphony Hall, Birmingham review - Soviet fear and loathingThursday, 17 October 2019
It remains some of the most terrifying music ever written. Shostakovich’s Tenth Symphony - the composer’s portrayal of the fear and anxiety felt under Stalin's regime - is a horrifyingly brutal musical portrayal of life lived under a totalitarian... Read more... |
Ólafsson, Hallé, Mäkelä, Bridgewater Hall, Manchester review - exciting new facesFriday, 20 September 2019
The Hallé Orchestra has a good track record when it comes to bringing in young talents with exciting prospects, and its 2019-20 season begins with the newly appointed Finnish chief conductor designate of the Oslo Philharmonic, Klaus Mäkelä, on the... Read more... |
Prom 69: Stikhina, Czech Philharmonic, Bychkov – dark textures and powerful passionsWednesday, 11 September 2019
Semyon Bychkov was a surprising choice to take over the Czech Philharmonic last year, a conductor with few obvious connections to Czech music. But on the strength of this visit to the Proms, they make a good team. Bychkov communicates fluently with... Read more... |
The Bright Stream, Bolshoi Ballet review - a gem of a comedyThursday, 08 August 2019
Why is Alexei Ratmansky one of the greatest living choreographers of classical ballet? Well partly because, as last night's performance of The Bright Stream by the Bolshoi at the Royal Opera House proved, he can do comedy. To adapt the famous... Read more... |
Prom 15: Bavarian RSO, Nézet-Séguin review - perfect Beethoven, nuanced ShostakovichWednesday, 31 July 2019
While we wish the great Mariss Jansons a speedy recovery, no-one of sound heart and soul could be disappointed by his substitute for the two Bavarian Radio Symphony Orchestra Proms, Yannick Nézet-Séguin, whose supreme art is to show the score's... Read more... |
- 1 of 14
- ››
