Shostakovich
The Bright Stream, Bolshoi Ballet review - a gem of a comedyThursday, 08 August 2019
Why is Alexei Ratmansky one of the greatest living choreographers of classical ballet? Well partly because, as last night's performance of The Bright Stream by the Bolshoi at the Royal Opera House proved, he can do comedy. To adapt the famous... Read more... |
Prom 15: Bavarian RSO, Nézet-Séguin review - perfect Beethoven, nuanced ShostakovichWednesday, 31 July 2019
While we wish the great Mariss Jansons a speedy recovery, no-one of sound heart and soul could be disappointed by his substitute for the two Bavarian Radio Symphony Orchestra Proms, Yannick Nézet-Séguin, whose supreme art is to show the score's... Read more... |
Philharmonia, Salonen, RFH review – bittersweet BerlinMonday, 10 June 2019
Esa-Pekka Salonen and the Philharmonia kicked off their series of concerts devoted to the edgy culture of the Weimar Republic with a programme that featured three works (out of four) derived in some way from the musical stage. That included, as a... Read more... |
Shostakovich Trilogy, San Francisco Ballet, Sadler's Wells review - less than the sum of its partsSaturday, 01 June 2019
Alexei Ratmansky stands out among contemporary choreographers for two reasons: he still creates genuinely classical dance, and he's more conscious than most that art is dependant on the society it's created in. His Shostakovich Trilogy, which... Read more... |
'I wrote a letter to Björk in Icelandic and it did the trick': Helgi Tomasson on an intervention that saved a balletTuesday, 28 May 2019
Visits from major foreign ballet companies are always news, but a two-week London season by one of America’s “big three” is something to get excited about. San Francisco Ballet doesn’t rest on its laurels. Eight of the 12 pieces offered in the... Read more... |
Classical CDs Weekly: Brahms, Shostakovich, Johannes PramsohlerSaturday, 27 April 2019
Brahms, orch. Schoenberg: Piano Quartet No 1 in G minor, Parry: Elegy for Brahms Gävle Symphony Orchestra/Jaime Martín (Ondine)Schoenberg's flamboyant take on Brahms's G Minor Piano Quartet sounds less and less authentically Brahmsian the more... Read more... |
Lady Macbeth of Mtsensk, Birmingham Opera Company review - searing music-theatre for allThursday, 14 March 2019
A rum cove sidles up pimping with a tatty business card offering the services of Sonyetka. Not for me, I say, pointing out that in any case she’ll be dead three hours later. "That's more than I know," he says and wanders off to hook other possible... Read more... |
Classical CDs Weekly: Mendelssohn, Shostakovich, Bernstein in ParisSaturday, 05 January 2019
Mendelssohn: Symphonies 1-5, Overtures, A Midsummer Night’s Dream London Symphony Orchestra/Sir John Eliot Gardiner (LSO Live)That Mendelssohn wrote five symphonies is widely known, though I'd wager that 99% of listeners only know 40% of them... Read more... |
Best of 2018: Classical CDsSaturday, 29 December 2018
Record shops may be thin on the ground, but CDs are still very much with us. No sensible soul would ever rate listening to a recording over experiencing music live. But if, like me, time, money and geography limit one’s opportunities to nip out to... Read more... |
Ed Vulliamy: When Words Fail review - the band plays onSunday, 23 December 2018
If you're seeking ideas for new playlists and diverse suggestions for reading - and when better to look than at this time of year? - then beware: you may be overwhelmed by the infectious enthusiasms of Ed Vulliamy, hyper-journalist, witness-bearer,... Read more... |
CBSO, Kremerata Baltica, Gražinytė-Tyla, Symphony Hall, Birmingham review - numb laments and life after deathMonday, 26 November 2018
Mirga Gražinytė-Tyla, the City of Birmingham Symphony Orchestra's latest dynamo of a music director and communication incarnate, doesn't believe in taking it easy. Newly returned from maternity leave, she plunged straight back into a big world... Read more... |
Fröst, BBCSO, Oramo, Barbican review - blood, sweat and sweetnessThursday, 18 October 2018
Single adjectives by way of description always sell masterpieces short, and especially the ambiguous symphonies forged in blood, sweat and tears during the Stalin years. The Barbican's advance blurb hit one aspect of Shostakovich's Ninth Symphony... Read more... |
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