tue 19/03/2024

Shostakovich

Scottish Ensemble, Glasgow Royal Concert Hall New Auditorium review - making a move

Continuing the relationship with choreographer Örjan Andersson – who choreographed their landmark project Goldberg Variations – Scottish Ensemble gave the first of their latest movement-inspired performance, Impulse: Music in Motion in Glasgow on...

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Faust, LSO, Rattle, Barbican review - violence and wit in Shostakovich, luminosity in Brahms

The LSO’s apéritif hour “Half-Six Fixes” have an informality that usually works and sometimes doesn’t. But the first of this two-night run of Dmitri Shostakovich’s monstrous and terrifying Fourth Symphony was unforgettable. Panels on the auditorium...

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Classical CDs: Herd girls, mojitos and mariachi

 Paavo Berglund: The Warner Edition (Warner Classics)Jean Sibelius’s presence looms over this box like a friendly giant. Paavo Berglund (interestingly, one of the few left-handed conductors to have achieved international fame) recorded the...

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Tetzlaff, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - something of a puzzle

Chief conductor John Storgårds’ first programme of 2024 in the Bridgewater Hall was notable for the visit of Christian Tetzlaff as violin soloist, but perhaps a little puzzling in the choice of Thomas Adès’ Violin Concerto as the vehicle for his...

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Classical CDs: Fringes, canons and contests

 Leif Ove Andsnes: The Warner Classics Edition 1990-2010 (Warner Classics)It’s good to review a compendious box set celebrating a musician who’s very much still around. The 36 discs in this set certainly aren’t what you’d call historical...

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Classical CDs: Peasant weddings, chilly vistas and bass drums

 Louise Farrenc: Symphonies 1-3 Insula Orchestra/Laurence Equilbey (Erato)Louise Farrenc (1804-1875) is not perhaps the best-known name among pre-20th century women composers garnering increased attention recent years – but she might be the...

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Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

Do we really need instrumental Shostakovich with lighting, movement, costumes and video projection? I might have said no before having seen what the Norwegian Chamber Orchestra could do with former leader Terje Tønnesen, performing the Chamber...

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Classical CDs: Beer, brio and tubular bells

 Shostakovich: Symphonies 8, 9 and 10 Berliner Philharmoniker/Kirill Petrenko (Berlin Phil Media)Potential purchasers worrying that the Berlin sound might be a little too well-upholstered for Shostakovich needn’t worry; one striking aspect of...

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Belcea Quartet, Chamayou, Wigmore Hall review - romantic winged beast soars over neobaroque chameleon

In search of relatively rare fabulous beasts like César Franck’s Piano Quintet – given a fantastical performance last night – you often have to take in the ubiquitous Shostakovich specimen, the modest work of a master using simple means to his own...

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Jerusalem Quartet, Leonskaja, Wigmore Hall review - freedom and rigour in perfect balance

It’s not often that the most bittersweet moment in a rich concert comes in the encore. Elisabeth Leonskaja had already played the generous extra in question, the Dumka movement of Dvořák’s A major Piano Quintet, with the Staatskapelle Quartet only a...

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Classical CDs: Musical saws, keyed fiddles and kestrels

 Dvořák: Symphonies 1-9, Legends, Slavonic Dances Bournemouth Symphony Orchestra/José Serebrier (Warner Classics)The advantage of having all the Dvořák symphonies in one handy box is that you can explore the works that rarely get an airing;...

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Classical CDs: Civil service, bassoon laments and a historic keyboard

 Mozart: The Piano Sonatas (Robert Levin, playing Mozart’s fortepiano) (ECM New Series)There is no doubt about the brilliant uniqueness of pianist, conductor, musicologist and one-time Nadia Boulanger pupil Robert Levin, an influential Harvard...

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