sci-fi
Adam Sweeting
As a capsule description of Pacific Rim, "giant monsters versus giant robots" will do nicely. It tells the fantastical story of mankind's battle for survival against a bunch of enormous killer reptiles from outer space, known manga-ishly as "Kaiju", which now live in a "dimensional rift" at the bottom of the Pacific ocean.These things keep lumbering ashore and laying waste to cities around the eponymous Pacific Rim, and though they're not quite indestructible, conventional tanks and planes can't get the job done. Thus the earthlings fight back by building vast fighting machines the size of Read more ...
Adam Sweeting
The most interesting thing about this movie is what it says about the changing relationship between film and television. It's becoming commonplace to hear actors, writers and directors claiming that TV is now the place to be for powerful drama with narrative scope and rounded characters. Brad Pitt's zombie flick - directed by Marc Quantum of Solace Forster - falls short all round, and makes the evolving characters and storylines of TV's The Walking Dead look positively Shakespearean by comparison.Spoilers are of course to be deplored, but the story here is so predictable that there's not a Read more ...
Adam Sweeting
The story goes that Ben Affleck was in the running to direct the latest Superman "reboot", but decided against. "A lesson I've learned is not to look at movies based on budget," he said. "Story is what's important."And so it came to pass that Man of Steel was directed by Zack Snyder (who made Watchmen and 300, among others), cost £145m and clocks in at a sprawling 143 minutes. It's already recouped £110m through product placements, so somebody in the back end has their head screwed on, but nonetheless it's living proof of Affleck's Law. The flick is technologically dazzling and Henry Cavill Read more ...
Simon Munk
Gaming's equivalent of Cormac McCarthy's The Road – here we see a post-apocalyptic zombie invasion not as an excuse for all-out gory action, but downbeat introspection, gentle character interaction and moral tests in the face of true, human horror.The Last Of Us is an absolute must-play game, that doesn't entirely hit every note, but at least aims far higher than most videogames not just in terms of narrative ambition and grown-up storytelling, but also visual and action realism.The story is of hardened survivor Joel, who ends up grudgingly entrusted with the care of teen Ellie. She was born Read more ...
Simon Munk
Memory is fertile ground for dystopian science fiction. After all, if you can't remember the past properly, if your memories are fake, implanted, then you can't trust your own beliefs or the history that you are being told informs the current political discourse.Charlie Brooker's excellent Black Mirror series looked at this with "The Entire History Of You" episode and science fiction writer (and paranoid schizophrenic) Philip K Dick was a master of memory games ‑ see both Total Recall and Bladerunner. At the core of Remember Me is a brilliant, interactive take on implanted memories.Nilin is Read more ...
Simon Munk
Man is, of course, the worst monster of all in this bleak, post-apocalyptic first-person shooter based on the best-selling "Metro" novels of Russian author Dmitry Glukhovsky. In Metro: Last Light, the last few of mankind are bunkered down in the old Moscow Metro stations, while the surface is only briefly navigable with a gasmask, and populated mostly by irradiated mutant creatures.If this was a Hollywood treatment of post-apocalypse woe, humanity would unite in the face of such horrors. Here, the survivors have splintered into factions based on past ideologies – busy tearing each other to Read more ...
Stuart Houghton
Controversy is a fickle mistress. When Carmageddon first appeared on PC in 1997, publishers Interplay were forced to cut its copious gore and replace dismembered pedestrians with nice, family-friendly zombies after a publicity-courting submission to the British Board of Film Classification went a bit wrong.Despite the changes - and thanks to some easily installed patches to put the blood back in - the game was still shocking and salacious enough to sell over two million copies and spawn ports for numerous consoles plus a sequel and several add-on packs. Sixteen years on, Carmageddon has Read more ...
Adam Sweeting
If JJ Abrams's first shot at reinventing the Star Trek franchise in 2009 was a memorable coup de cinéma, blending a plausible back story with a fresh cast imbued with the spirit of the TV originals, this follow-up is more about consolidation. There's bags of vertiginous interstellar action, retina-scorching 3D effects and earth-in-peril terror, though by the time you totter from the multiplex 130 minutes older, you may be asking yourself where the big payoff went.Still, to Abrams's credit, his cast is terrific and he wrings more genuine actorly mileage out of them than you might reasonably Read more ...
Simon Munk
An invincible army of cybercommandos, neon-pink pulsing colour schemes and the throbbing sounds of a Morodor-style baseline – Far Cry 3: Blood Dragon is every bit the dumb Eighties action game on the surface, but underneath it might actually be one of the most interesting approaches to mainstream gaming in a while.Blood Dragon is "downloadable content" – an extra expansion pack served up after the main event (the game of the year, Far Cry 3). The phrase is normally a dire enough idea it should send gamers scurrying in the opposite direction.Most downloadable content packs are hastily- Read more ...
Simon Munk
It has to have been the trailer, there's really no other explanation. Before the original Dead Island came out, there was a trailer. And not just a trailer, but the trailer – probably the most finely-crafted, greatest piece of teaser content ever created for film, TV or games. It's the only possible reason why Dead Island sold as well as it did... and unfortunately, there isn't a similarly brilliant trailer for its sequel, Riptide.The original trailer (see it here) used some beautifully heart-tugging music and a time-running-backwards schtick to pick apart a holidaying family's descent into Read more ...
emma.simmonds
Director Joseph Kosinski's second film feels dispiritingly like his first, the bastion of excitement and originality that is TRON: Legacy. That film was an empty shell which at least managed not to be catastrophically irritating. Oblivion stars Tom Cruise, proving yet again that his ego is in inverse proportion to his physical stature. He plays "one of our best" in a soulless film which has the gall to place tangible cultural pursuits on a pedestal whilst clonking you round the head with sterile CGI.The year is 2077 and, yes, Tom Cruise is still an action-man. His Jack Harper bounds about Read more ...
Simon Munk
The bassline starts, "1979" flashes up on screen and, over a scratchy recording, the voice intones "Walking down the street, I get punched; you're walking down the street, you get punched".PunksNotDead's not going to hold your attention for more than a few minutes, but in those few minutes, this hyperkinetic, luridly day-glo explosion of punk attitude and violence encapsulates everything that's great about the indie games scene – it's the ideas, stupid (and they're free).PunksNotDead sees your stickman ambling along a street filled with fluoro-pink people, cars and lampposts, except some of Read more ...