ROH
Ruination, Linbury Theatre review - Medea gets a makeoverWednesday, 07 December 2022
At a time when every other theatre is offering an alternative Christmas show, what to make of the Royal Opera House’s first collaboration with Lost Dog, aka director-choreographer Ben Duke, who has come up with the most un-merry topic imaginable?... Read more... |
Mavra/Pierrot Lunaire, Linbury Theatre review - operatic madness tempered with plenty of methodFriday, 13 May 2022
A blink-and-you’ll-miss-it domestic farce and a fever-dream fantasy of a song-cycle: Stravinsky’s Mavra (1922) and Schoenberg’s Pierrot Lunaire (1912) make for an unexpected double-bill. But, if the two stand slightly awkwardly next to one another,... Read more... |
Swan Lake, Royal Ballet review - a magnificent revivalSaturday, 05 March 2022
In a week that saw the Royal Opera House lit up in the colours of the Ukrainian flag and its orchestra playing the Ukrainian national anthem, many theatres and concert halls found ways to express their sympathy for that country’s desperate plight.... Read more... |
Ariodante, Royal Opera online review – stylish, but confinedMonday, 23 November 2020
“After black and gloomy night, the sun shines all the brighter,” sings hero Ariodante after a life-threatening bout of jealousy nearly scuppers a royal wedding. There’s a snag in Handel’s dramaturgy: all that sunshine in preparation for the nuptials... Read more... |
The Bright Stream, Bolshoi Ballet review - a gem of a comedyThursday, 08 August 2019
Why is Alexei Ratmansky one of the greatest living choreographers of classical ballet? Well partly because, as last night's performance of The Bright Stream by the Bolshoi at the Royal Opera House proved, he can do comedy. To adapt the famous... Read more... |
War and Peace, Welsh National Opera, Royal Opera House - bold epic weakened by loosely-directed characterisationsWednesday, 24 July 2019
On the UK's biggest day of shame, it was some relief to tap in to the fury of the Russian people at a much greater national degradation (Napoleon's invasion in 1812, Hitler's in 1941). Though it works even better at the end of the first, "Natasha... Read more... |
DVD/Blu-ray: Pet Shop Boys - Inner SanctumTuesday, 23 April 2019
Pet Shop Boys are never shy of producing stylishly conceived fan mementos. Coming not long after Faber & Faber’s hardback collection of Neil Tennant’s lyrics, this four-disc set is just such a slice of lovingly rendered memorabilia. After well... Read more... |
Salome, Royal Opera review – lurid staging still packs a punchTuesday, 09 January 2018
David McVicar may seem too gentle a soul for the lurid drama of Strauss's Salome, but his production, here returning to Covent Garden for a third revival, packs a punch. He gives us plenty of sex and violence – or at least nudity and blood – but... Read more... |
Best of 2017: OperaTuesday, 26 December 2017
It may not have been the best year for eye-popping productions; even visionary director Richard Jones fell a bit short with a tame-ish Royal Opera Bohème, though his non-operatic The Twilight Zone is something else. Instead there's been time to... Read more... |
Kenneth MacMillan: A National Celebration, Programmes 2 & 3, Royal Opera House review - abhorrent to sublimeFriday, 27 October 2017
The choreographer Kenneth MacMillan was a man of many modes and moods, and it’s tempting to wonder how many more he might have revealed had he not been felled by a heart attack at the age of 62. Two retrospective programmes staged this week –... Read more... |
Die Zauberflöte, Royal Opera review – enjoyable revival of much loved productionWednesday, 13 September 2017
This is the sixth revival of David McVicar’s production of Die Zauberflöte at Covent Garden since its debut in 2003. It was heard most recently in 2015, and is modestly described in the Royal Opera’s own publicity as a “classic”. Having not seen it... Read more... |
The Exterminating Angel, Royal OperaTuesday, 25 April 2017
"But is any of this normal?," asks poor Beatriz at the end of Act One. Of course not. She and 14 other grand creatures are crossing the space of an aristocratic drawing-room from which, they are coming to realise, there is no escape. At the same... Read more... |
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