There’s life in the old overture-concerto-symphony format yet – especially if the conductor not only shapes every phrase but takes care over the number of string players needed for each work, the soloist lives every bar of a concerto you thought you knew inside out, and the symphony is a relatively rare neighbour to another regularly on concert programmes.

It does need saying: the RPO may receive less frequent plaudits than some of their London peers, but this is a fine and wonderfully responsive orchestra with a distinctive character.

Gidon Kremer: The Warner Collection (Warner Classics)

Prokofiev: The Symphonies Bergen Philharmonic Orchestra/Andrew Litton (BIS)

Two households, both alike in dignity … and both launching their respective seasons with a production of Kenneth MacMillan’s Romeo and Juliet.

As the Statue of Liberty appears in Charlie Chaplin’s The Immigrant, our improvising pianist proclaims “The Star-Spangled Banner”, only for it to slide dangerously.

What does it mean to be Classical? It’s the question award-winning Icelandic pianist Víkingur Ólafsson has consistently asked in a career that has collided music from Bach to Debussy, presenting them as part of a single conversation and continuum. Here, in a striking BBC Proms debut, he continued to probe and challenge, with a little help from the Philharmonia Orchestra and Paavo Järvi.

Martha Argerich Edition (EuroArts)

André Previn: The Warner Edition – Complete HMV & Teldec Recordings (Warner Classics)

Janáček: The Cunning Little Vixen, Sinfonietta Lucy Crowe, Gerald Finley, Sophia Burgos London Symphony Orchestra and Chorus/Sir Simon Rattle (LSO Live)