pop music
Kieron Tyler
After 15 seconds, it’s obvious who The New Adventures Of… is by. PP Arnold’s instantly recognisable, slightly cracked yet melodic, gospel-informed voice weaves through “Baby Blue” like a bird navigating thermal air currents. The song itself is no slouch too. Moody soul-pop with a baroque arrangement, rolling rhythm and swirling strings in keeping with her first two albums, the opener of her third is lovely. It’s followed by the similarly arresting, equally swoon-some “Though it Hurts me Badly”.While The New Adventures Of… is Arnold’s third album, both its predecessors were issued in 1968. Read more ...
Thomas H. Green
If you are between 13 and 17 years old, Mabel is pop royalty because she’s maintained a playlist/daytime radio presence for the last two years, culminating in her over-my-ex smash “Don’t Call Me Up” at the start of this year. With six Top 20 hits under her belt, two Brit Award nominations and a billion streams, she’s doing well. If you’re upwards of 35, Mabel is pop royalty because her mother is singer Neneh Cherry, her father is trip hop producer Cameron McVey, and her grandfather is jazz trumpet pioneer Don Cherry. If you’re in the former category, her debut album may satisfy. If you’re in Read more ...
Barney Harsent
Music can rile in a way that other artistic forms tend not to. It’s perfectly possible for people to take a dislike to someone they’ve never met based on no more than a Spotify playlist. Take any successful band and you’re guaranteed to find people who despise them for the heinous crime of making pop music that they don’t much care for. Kaiser Chiefs are one such band and the ire they draw from some quarters intensified after frontman Ricky Wilson’s tenure on TV talent show The Voice. All of a sudden indie credibility – whatever that is – was out of the window and he was Read more ...
Thomas H. Green
As this month’s edition of theartsdesk on Vinyl appears the sun is blazing outside, a heatwave hits, and our record collections must hide in the shadows or warp. Yet still we want more to join them in their sheltered rows and where better to seek the greatest new releases than the longest, most complete monthly round-up of new vinyl releases. As ever, we run the gamut. This time there’s everything from grunge to soul to trap to Qawwali and a whole lot more most of us never imagined could exist. Dive in!VINYL OF THE MONTHQasim Naqvi Teenages (Erased Tapes)Teenages, latest album from New York Read more ...
Lisa-Marie Ferla
If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front woman Beth Ditto introduced the band as being “not really together but we’re here”. The dance-punk trio - joined, for this short run of reunion shows, by pre-split touring members Chris Sutton on bass and Gregg Foreman on keyboards - were made to front sweaty rooms, with Ditto in particular a gleaming vision in a sleek black wig and metallic pink dress.The occasion may have been the 10th anniversary of the band’s Rick Rubin-produced 2009 album, Music For Men - hence the huge Read more ...
Russ Coffey
The first thing you notice about Guesswork is the sound. Or rather, what's missing: there are none of the usual jangly guitars. No trusty Rickenbackers. Instead, the singer-songwriter offers up a palette of synthesisers and drum machines. For those who grew up listening to his Eighties' classic, Rattlesnakes, it can be a little disorientating.Scratch beneath the surface, though, and things really aren't so different. Cole's cracked voice is still gloriously soulful and his words continue to ruminate on life's unfolding saga. Unsurprisingly now, at 58, the story has moved on. Read more ...
Veronica Lee
It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation of gay men and women, closeted or out, who felt it spoke directly to them. Straight people were welcome to the party too, of course; broken hearts don't discriminate.Ingénue remains her finest work, the first, she says, that she wrought from her personal experience rather than simply musical expression. Her previous albums had been influenced Read more ...
Kieron Tyler
Last month, this column pondered a vinyl-only R.E.M. reissue. Despite the mystifyingly high sales price of original pressings, reissuing a best-of mostly collecting easily available tracks seemed a tad unnecessary. Moreover, it lacked imagination. If vinyl is an ascendant format, why not do something interesting or say something new? The questions again become apposite with the arrival of two imaginative new vinyl comps which set the (relatively) recognisable in unfamiliar contexts and promote fresh appreciation of what might be repeatedly trodden ground.Jon Savage's 1965–1968 – The High Read more ...
caspar.gomez
As ever theartsdesk’s Glastonbury report arrives after all other media coverage. Despite management pressure Caspar Gomez refuses earlier deadlines. He told Editorial, “The press tent is like an office, a place of work, full of laptops and coffee. Who needs that?” His annual saga doesn’t attempt to compete with Tweeted micro-reviews or ever-available BBC iPlayer festival highlights. It takes a winding road, explores the scenery, the musical-chemical highs and body-worn lows, capturing in fuller form than anywhere else a most singular plunge into Glastonbury 2019.THURSDAY 27th JUNEIt’s been Read more ...
Katie Colombus
Janelle Monae says her show is all about making memories. She tells the crowd: “I hope that I can become a memory for you that you access when you’re feeling down – a memory that’s rooted in love and freedom.”Themes of #loveislove, courage to live your reality even if outside of the norm, and speaking truth to power are loud and proud in Dirty Computer – the album Janelle is touring Europe, with the London leg coming hot on the heels of a Glastonbury appearance.Her energy isn’t diminished as she takes to the stage in variations of a monochrome unitard, PVC cap and floor length coat, Read more ...
Lisa-Marie Ferla
“We didn’t come all the way from Nashville, Tennessee with just one fiddle,” says Carrie Underwood, halfway through her Glasgow show. The onetime American Idol turned multiple Grammy award-winning country superstar isn’t one for doing things by halves: hers is a show with a big band, big boots, big earrings and her gigantic, arena-filling voice.Despite hints to the contrary (Guns n Roses as her entrance music; feelgood Saturday night southern party anthem “Southbound” as the opening track) a breakneck opening streak hits all the country cliche greatest hits: good girls and casanova cowboys, Read more ...
Adam Sweeting
The price of fame and the value of artistic truth are among the topics probed in Danny Boyle’s irresistible comedy, a beguiling magical mystery tour of an upside-down world where The Beatles suddenly never existed. Richard Curtis’s screenplay features some of his characteristic trademarks, not least the protagonist’s slapstick sidekick Rocky the roadie, but it’s illuminated by his fascination with popular music and the emotional resonance it carries.The premise (Jack Barth gets a credit for “story”) is that the entire world has suffered a mysterious power blackout for 12 seconds, and when the Read more ...