tue 27/02/2024

pop

Album: Paloma Faith - The Glorification of Sadness

Paloma Faith is pretty much the dictionary definition of “full-on”. Always in elaborate hairdos and outré ruffles, big of personality and big of voice, she enthuses and emotes with firehose intensity at any opportunity. So it comes as no surprise...

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Album: Helado Negro - PHASOR

Floridian-born, longtime Brooklyn resident, now Asheville, North Carolina based Roberto Carlos Lange doesn’t rush things, but he gets them done. This is his ninth album in 15 years, during which time he’s built a substantial body of audiovisual /...

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Album: Gruff Rhys - Sadness Sets Me Free

Halfway through this album, “They Sold My Home to Build a Skyscraper” unlocks it. On first listen I’d been nodding along with the first few songs, enjoying how they find glimmers of more or less forlorn hope in amongst sadness and middle-aged...

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Album: The Vaccines - Pick-Up Full of Pink Carnations

Pick-Up Full of Pink Carnations is the Vaccines’ sixth studio album and their first since the departure of original guitarist Freddie Cowan. As with previous releases, it’s rammed with catchy hooks wrapped in in fizzy pop rock tunes – but despite...

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Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized sound

There was something misleading about the opening of this concert. As Andrew John Hozier-Byrne and his band stepped onstage, the stage was lit up by a single spotlight, focused around the microphone that the singer stepped up to. Yet the following...

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CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberance

There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way, for alongside the singing and dancing there was a helping of cheeky...

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Jambinai & Leenalchi, Southbank Centre review - contrasting faces of contemporary Korean music

Friday’s double-header at the Queen Elizabeth Hall on the Southbank was not only one of the final gigs in this year’s K-Music Festival – entering its tenth year with an eclectic range of Korean artists and bands performing across London and beyond...

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Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

Choruses rocked, choreo popped, and thousands of light sticks danced in unison, as an incredible lineup of nine acts lit up this fourth edition of Korea On Stage, celebrating 140 years of UK-Korea relations.The evening commenced with the beautifully...

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Album: James Blunt - Who We Used to Be

Who knew! James Blunt has sold 20 million records worldwide. Who to, I wonder? Back to Bedlam, his 2004 debut, was the biggest-selling album of the first decade of the 21st century. Call that progress? When pop was pap – think the Carpenters or...

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New Order, OVO Hydro, Glasgow review - a nostalgia trip with a modern feel

Early on in this arena gig by New Order, a youthful, enthusiastic voice could be heard to say gleefully, “They’re just so 80s!”. That statement was both accurate and yet also misleading, for as this near two-hour performance showcased New Order’s...

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Album: ¿Téo? - Luna

A little remarked fact of modern music is just how lush the sound of modern R&B and adjacent music is. A decade ago, the relative harshness of trap beats and EDM synths seemed to dominate sonically, or on the more bohemian fringes...

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The War On Drugs, OVO Hydro, Glasgow review - impressive musicianship but a lack of excitement

War might be good for absolutely nothing, but it does provide bands with some easy names. Before the War on Drugs headline set, Warpaint took to the stage, and despite a muted reaction to the quartet they were on enjoyable form. They’re unlikely to...

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