mon 06/07/2020

politics

Hamilton, Disney+ review - puts us all in the room where it happened

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style,...

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On the Record review - #MeToo turns its lens to the music industry, gives the mic to women of colour

On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, the so-called ‘Godfather of Hip Hop.’ It...

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Album: Nadine Shah – Kitchen Sink

Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When...

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This House, National Theatre at Home review – timely revival of brilliant House of Commons drama

There is a line of argument that – unfairly – blames playwright James Graham for Dominic Cummings. Would Cummings, some might ask, have achieved the influence he has now if it hadn’t been for his depiction in Graham’s brilliant TV drama Brexit...

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Antony and Cleopatra, National Theatre at Home review – Fiennes and Okonedo triumph in dragging tragedy

Like an asp eating its own tail, the National Theatre's 2018 production of Antony and Cleopatra, streaming on YouTube until 14 May, begins as it will end. Director Simon Godwin's first tableau is the play's finale: Cleopatra (Sophie Okonedo) lies in...

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Album: The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase?

Drew Daniel is never short of concepts, invention or mischief. As one half of Matmos, with his life partner M.C. Schmidt, he has made some 10 official albums and many more collaborative ones – all pushing the boundaries of electronic bricolage and...

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#aiww: The Arrest of Ai Weiwei, Hampstead Theatre online review – imbued with an urgent new relevance

London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to a wider public – despite coronavirus. This week, it’s the turn of Howard Brenton’s #aiww: The Arrest of Ai Weiwei, which was first staged at this...

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

This week’s gem from the Hampstead’s vaults is Howard Brenton’s political drama from 2013, telling the extraordinary, stranger-than-fiction story of Cyril Radcliffe and his 1947 mission: to arrange the Partition of India in just five weeks. A tale...

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Wonderland, Hampstead Theatre online review - a major play about the miners

The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s that marks the...

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Mark Townsend: No Return review - a masterclass in journalism

When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer, an intelligent and creative 18-year-old who had once...

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ReMastered: Tricky Dicky and the Man in Black, Netflix review - dynamic saga of music and politics

Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in Black first aired, it has proved to be a solidly well-made set of music documentaries.  Some of its subjects have...

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Bacurau review – way-out western

After his two mysterious, tightly-coiled and idiosyncratic first features, Neighbouring Sounds and Aquarius, the masterful Brazilian director Kleber Mendonça Filho lets his hair down with an exhilarating, all-guns-blazing...

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