Netflix
Bo Burnham: Inside, Netflix review - a masterpiece about lockdown angstMonday, 02 August 2021
Some people perfected their banana loaf or sourdough bread during lockdown. Others tried to learn a new language or how to play an instrument. Bo Burnham produced this masterpiece.He is listed as the sole performer, writer, camera operator, editor... Read more... |
Sex/Life, Netflix review - Mills & Boon for the YouPorn era?Tuesday, 13 July 2021
Has Netflix succeeded in reshaping Mills & Boon for the YouPorn era? Though situated in a contemporary New York where empowered women run investment companies, earn doctorates in psychology from Columbia University, and deliver forceful lectures... Read more... |
Lupin, Part 2, Netflix review - master of disguise versus racists and liesSaturday, 12 June 2021
Lupin isn’t really about the fictional character it’s named after (the gentleman thief Arsène Lupin, created in 1905 by French writer Maurice Leblanc), but about Assane Diop, who’s an obsessive fan of the Lupin novels. He’s also a gentleman thief... Read more... |
Ferry review - the making of a Dutch gangsterMonday, 17 May 2021
Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this... Read more... |
Milestone review - parable of an aging truckerMonday, 10 May 2021
Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still... Read more... |
Night in Paradise review - lukewarm bloodbathSunday, 11 April 2021
Since launching his directing career in 2011 with The Showdown, Park Hoon-jung has established himself as a promising devotee of the bloody gangster genre. The pandemic may have slowed the South Korean director’s momentum, as the producers were... Read more... |
Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaignSaturday, 20 March 2021
The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified... Read more... |
The One, Netflix review - the downside of scientific matchmakingThursday, 18 March 2021
Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book. The basic premise – that a corporation has invented a method of DNA testing which can match... Read more... |
Malcolm & Marie review - actorly grandstanding in beautiful black and whiteFriday, 05 February 2021
Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the... Read more... |
theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period dramaMonday, 25 January 2021
Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how... Read more... |
Call My Agent!, Series 4, Netflix review - the final bow for the Parisian showbiz saga?Friday, 22 January 2021
Sad to report, this fourth series of Call My Agent! (Netflix) will be the final outing for this caustically addictive saga of actors and their agents. The show’s unique trademark has been its success in attracting an impressive roster of A-list... Read more... |
Pieces of a Woman review - a home birth ends in tragedyFriday, 08 January 2021
This is not a film to watch if you’re pregnant. One of the first scenes, a 24-minute continuous take of a home birth that ends in tragedy, is extraordinarily powerful and painful to watch – almost unbearable sometimes – and Vanessa Kirby as... Read more... |
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