sat 24/07/2021

LPO

Matthews, LPO, Ticciati, Glyndebourne review - out of this world

Why travel to Glyndebourne for a concert? Well, for a start, none of us has heard a Mahler symphony live in full orchestral garb for at least 15 months, and though the Fourth is smaller-scale than some, its innocent beginnings belie the cosmic...

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Swan Lake, LPO, Jurowski, Marquee TV review - full Tchaikovsky score perfectly paced

Two regrets and a tentative hope before full praise for what has to be the best complete Swan Lake in concert ever. Not everyone will be sorry, as I am, that Jurowski chose for his grand leavetaking as music director of the London Philharmonic...

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Il turco in Italia, Glyndebourne review – who knew 1950s neorealism could be such fun?

The new Glyndebourne production of Rossini's Il turco in Italia has a truly winning smile on its face and a spring and a dance in its musical step. It is brimful of fun and good ideas, conveying the sense that a lot of joy has been had in its making...

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Isserlis, LPO, Elder, Southbank Centre online review – songs of life and death

The Southbank Centre automatically stuck the trusty “Bohemian Rhapsodies” headline on this London Philharmonic Orchestra concert of Czech music streamed from the still-deserted Royal Festival Hall. Given Janáček’s presence on the bill, they should...

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Bevan, LPO, Jurowski, RFH online review – never-ending stories

The LPO, and its soon-to-depart chief conductor Vladimir Jurowski, began its 2020 Vision season back in February. It set out to mix and match the music of three centuries and show how it echoes in contemporary works. Well, little of that turned out...

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L'enfant et les sortilèges, VOPERA, LPO, Reynolds online – Ravel and Colette reimagined

Colette’s sharply fantastical libretto for Ravel’s second one-act opera imagines wrongs exercised upon objects and animals by a naughty child revisited by the victims upon the perpetrator. In a giddying venture which may be the most imaginative use...

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Finley, LPO, Gardner, Royal Festival Hall (p)review - special magic ready for streaming

There was a rainbow over the Royal Festival Hall as I crossed one of the Hungerford foot bridges for the first time in six months. The lights and noises inside did not betray the augury. Was it the sheer hallucinatory pleasure of being within the...

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Radio 3 In Concert, BBC Sounds - a wonderful week of music

The absence of live concerts is not just affecting the "in the flesh" audiences, but also having a knock-on effect for the Radio 3 audience, used to hearing a live or as-live concert every night of the week. The BBC have instead gone to the archive...

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Denk, LPO, Vänskä, RFH review - 200 years of joy and sorrow

Three works two centuries apart, two of them rarities, with 100/200 years between each: that's no guarantee for programming success, and no way to fill a hall (though the London Philharmonic Orchestra admin deserves a good medal for the intricacy of...

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Blaauw, LPO, Jurowski, RFH review - Beethoven seen in '2020 Vision'

It’s Beethoven with everything for 2020, the composer’s 250th anniversary year. But the London Philharmonic has devised an interesting approach for their Beethoven-themed programming. “2020 Vision” is a series of concerts which couple a work by...

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Siegfried, LPO, Jurowski, RFH review - an incandescent journey to the mountain top

Of Wagner's four Ring operas, Siegfried poses the biggest casting problem. Most heroic tenors with the lungs to last the evening are not going to be ideal incarnations of the stroppy adolescent who learns and fights his way through an often...

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Wegener, LPO, Jurowski, RFH review – on the revolutionary road to Mahler

For better or worse, because of Visconti’s classic film the Adagietto of Mahler’s Fifth Symphony now inevitably means Venice in its gloomiest moods. So there turned out to be a grim timeliness in a performance on an evening that coincided with the...

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