Los Angeles
CD: Flying Lotus - FlamagraSunday, 19 May 2019
It's five years since Steven Ellison aka Flying Lotus released an album, and it's not entirely clear how far he's moved creatively. To be fair he's been busy branching out in other directions, producing for superstar rapper Kendrick Lamar, making... Read more... |
CD: Billie Eilish - When We All Go To Sleep Where Do We Go?Saturday, 30 March 2019
Billie Eilish is a vaudevillian. Crack that and everything else falls into place. Her impossible precociousness (at 17, she's a superstar and has been in the public eye for four years) and voraciousness (her and her brother Finneas's writing swerves... Read more... |
Under the Silver Lake review - fascinating LA noir follyThursday, 14 March 2019
Disappointment is instant, anyway. David Robert Mitchell’s second film, It Follows, was a teenage horror tragedy of perfectly sustained emotion. His third, Under the Silver Lake, seems superficial and scattershot, a callow effort at a magnum opus,... Read more... |
Time Is Love/Tiempo es Amor, Finborough Theatre review - sultry yet staticMonday, 14 January 2019
Confessions first: I fell asleep mid-way through Time Is Love/Tiempo es Amor, from too much time on trains and planes over the New Year. I was kindly allowed back for a second visit to the Finborough Theatre show, for a Sunday matinee, dosed with... Read more... |
On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'rollFriday, 11 January 2019
On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. In vintage film and contemporary interviews his chosen musicians... Read more... |
CD: Aloe Blacc - Christmas FunkWednesday, 12 December 2018
Egbert Nathaniel Dawkins III – Aloe Blacc – is one shrewd dude. He's extremely adept at reaching out beyond the confines of his natural beat of funk and soul, whether that's credible (covering The Velvet Underground's “Femme Fatale”) on his... Read more... |
Michael Connelly: Dark Sacred Night review - a pairing of loner detectivesSunday, 04 November 2018
The master of the Southern California police procedural is back. In Dark Sacred Night Michael Connelly puts centre stage his oldest creation, the Vietnam veteran turned original, ethical policeman who marches to his own moralities, Hieronymous – aka... Read more... |
Imagine... Becoming Cary Grant, BBC One review - contemplative portrait of a starWednesday, 31 October 2018
Mark Kidel has made a beautiful, ethereal film projecting his version of Cary Grant and as such it’s destined to be picked over by the actor’s legions of fans, each of whom will have a different version. But what would the man himself have thought... Read more... |
CD: Ex Mykah - 16, 17Wednesday, 24 October 2018
Ex Mykah is a multi-instrumentalist and producer on the LA music scene who’s worked with the names such as Mark Ronson and Miike Snow. His own debut album sounds very far from either of those. Instead it comes from the warped, alt-hip hop end of the... Read more... |
CD: Rod Stewart - Blood Red RosesMonday, 24 September 2018
Rod Stewart continues to hit the spot: he never fails to deliver well-crafted music that draws from the wide range of styles that he clearly loves. Apart from being a megastar and a lovable performer, he has always been a musician with a great deal... Read more... |
Tartuffe, Theatre Royal Haymarket review - dual-language production loses its wayThursday, 31 May 2018
The idea of producing a classic play in a mix of two languages is pretty odd. What kind of audience is a bilingual version of Molière’s best-known comedy aiming at, you wonder. Homesick émigrés? British francophiles with rusty A-level French?... Read more... |
Los Angeles Philharmonic, Dudamel, Barbican review - brilliant if overwhelming showcaseThursday, 03 May 2018
Insistence was the name of the LA Phil's first game in its short but ambitious three-day Barbican residency - insistence honed to a perfect sheen and focus, but wearing, for this listener at least, some way in to the Shostakovich Fifth Symphony... Read more... |
