wed 20/08/2025

London

J'Ouvert, Harold Pinter Theatre review - formless yet fabulous

A welcome West End upgrade is the order of the day at J'Ouvert, the debut play from Yasmin Joseph whose 2019 premiere at South London's Theatre 503 additionally marked the directing debut of the actress Rebekah Murrell. And now here it is, all but...

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Out West, Lyric Hammersmith review – not quite a hat trick

It is an index of the ambition of some venues that they are not only reopening their doors, but also staging plays that remind us of the talents of our best writers and actors. Although the stage monologue has recently been almost as infectious as...

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Bank Job review - an inspirational look at finance

A fun film about finance – really? From the very first frame I was hooked on this can-do documentary; it’s that good. A young family – parents, Dan Edelstyn and Hilary Powell, two kids and two dogs – gather at the front door of their Victorian...

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The Death of a Black Man, Hampstead Theatre review - blistering theatre with an unflinching vision

This blistering, fearless play about an 18-year-old black entrepreneur on the King’s Road raises a myriad of uncomfortable questions that resonate profoundly with the Black Lives Matter debate. It’s just one remarkable aspect of The Death of a Black...

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Gweneth Ann Rand, Simon Lepper, Wigmore Hall review - a richly hued collection of songs

In the final concert marking the Wigmore Hall’s 120-year anniversary, soprano Gweneth Ann Rand and pianist Simon Lepper gave a programme of songs curated by Rand, titled "An Imperfect Tapestry". Described by Rand as "a personal reflection of black...

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Album: Wolf Alice - Blue Weekend

When Wolf Alice appeared a decade ago, you’d have to have been a soothsayer of Merlin-like proportions to predict the career trajectory they’ve had since. Certainly, prior to their debut album, this writer took them for just another female-fronted...

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Album: Greentea Peng - Man Made

Greentea Peng is a south Londoner, heavily tattooed, heavily spiritual, heavily anti-establishment, and very, very heavily into basslines. She cuts a singular figure in many ways, but her rebel dub soul style also makes her a particularly British...

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Surge review - jittery and joyless

Seventeen years after Ben Whishaw shot to attention playing Hamlet, this terrific actor is again playing someone "mad-north-northwest". Marking TV director Aneil Karia's feature film debut, Surge casts Whishaw as a jittery wreck called Joseph, whose...

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András Schiff, Wigmore Hall review - mystery marvels mesmerise

As András Schiff remarked from the stage early in this fairly remarkable evening, his usual audience knows he’s not about to play Rachmaninov. The idea for this concert last night and his return visit today, is that we turn up not knowing exactly...

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Cruella review - fabulous fashions, creaky narrative

Is Cruella the escapist blockbuster the Covid-blighted world has been waiting for? Well, it’s a feast for the eyes but 20 minutes too long, and for an origin story of the despicable Cruella De Vil of The Hundred and One Dalmations fame, it lacks the...

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Harm, Bush Theatre review – isolation, infatuation and intensity

After months of watching theatre on screens large, medium and tiny, I definitely feel great about going to see a live show again. Of course, it’s not the usual theatre experience, you know, the one with crowds milling around the bar, people...

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We Are Lady Parts, Channel 4 review - female Muslim punk band rocks the house

It’s crazy, but could it possibly work? Writer Nida Manzoor (a veteran of Doctor Who and BBC Three’s sitcom Enterprice) grew up in a Muslim family, but that didn’t stop her being a fan of punk rock, Blackadder and This Is Spinal Tap. She also writes...

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