Janáček
The Makropulos Case, English National OperaTuesday, 21 September 2010
Opera spends so much of its time killing off female protagonists that it's refreshing to come back to The Makropulos Case. In it Janáček, in one of his many moments of generosity, imagines what might happen if you allowed a woman not just to live... Read more... |
Vogt, Czech Philharmonic Orchestra, Gardiner, Royal Albert HallMonday, 30 August 2010
Short of rolling around the podium like a delirious pig in a mudbath, Sir John Eliot Gardiner couldn't have hidden his enjoyment of the warm, plush sounds and well-upholstered vibrato of this wonderfully old-fashioned orchestra, the Czech... Read more... |
Ivana Gavrić, Wigmore HallThursday, 15 July 2010
There are some recitals where you think only about the abstracted music - the harmonic arguments, the structural cleverness, the textural ingenuity - and there are others where you are forced to confront the presence of a set of living,... Read more... |
Sir Charles Mackerras, 1925-2010Thursday, 15 July 2010
Sir Charles Mackerras has died at the age of 84. In tribute to one of the most highly respected and best-loved of conductors, theartsdesk republishes here an interview he gave on the eve of conducting Benjamin Britten's The Turn of the Screw for the... Read more... |
Classical Music CDs Round-Up 9Saturday, 19 June 2010
This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable... Read more... |
The Seckerson Tapes: Catherine Malfitano InterviewSunday, 09 May 2010
She was the Tosca who played live to an audience of one billion in 107 countries; she is the director of English National Opera's new staging of the opera they once dubbed Puccini's "shabby little shocker". How times change. In this exclusive ENO... Read more... |
Szymanowski Focus, Wigmore HallWednesday, 05 May 2010
Poland's most imaginative composer after Chopin, and his natural heir in the realm of sensual reverie, certainly knew how to yoke a full orchestra to his dreams and fantasies. Yet the work by Szymanowski I've most longed to hear in concert is the... Read more... |
The Cunning Little Vixen, Royal OperaSaturday, 20 March 2010
I have no compunction laying into vastly overrated composers, crazily overpaid conductors or lazily over-employed directors. I feel slightly more guilty doing the same to struggling singers or musicians. But a cast of tiny children dressed up as... Read more... |
1954 Cunning Little VixenFriday, 19 March 2010
Filmed extracts of a fantastically vivid 1954 production of Janáček's The Cunning Little Vixen have been unearthed by the great blogger Doundou Tchil of Classical Iconoclast. Václav Neumann is the conductor; Berlin's Komische Oper is the house.... Read more... |
Katya Kabanova, English National OperaMonday, 15 March 2010
It's amazing how much you can tell of what lies ahead from the way a conductor handles a master composer's first chord. Katya Kabanova's opening sigh of muted violas and cellos underpinned by double basses should tell us that the Volga into which... Read more... |
The Seckerson Tapes: David Alden InterviewFriday, 12 March 2010
On the eve of his brand-new staging of Janáček's Katya Kabanova for English National Opera, David Alden - the one-time "bad boy" of opera - talks about first-night riots, Britten and Donizetti triumphs, and the dramatic potency of Janáček. Live and... Read more... |
theartsdesk Q&A: Sir Charles MackerrasThursday, 22 October 2009At 84 years of age, Sir Charles Mackerras is one of the best-respected and best-loved operatic conductors working in the world today. He conducts Benjamin Britten's The Turn of the Screw for the English National Opera tonight and, despite bouts of... Read more... |
