sat 27/07/2024

Ireland

Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

This UK premiere of the award-winning, Dublin-born vocalist and composer Christine Tobin’s latest project, Returning Weather, presented an otherworldly ode to finding home – casting multiple perspectives on our yearning for connection and human...

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theartsdesk at Wexford Festival Opera - four operas and a recital in one crazy day

Imagine a Glyndebourne season where all those promising young singers in the chorus get to be principals in a series of fringe operas. At Wexford, they already have their work cut out, though this year not so much in the three main rarities – hence...

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Dance First - the travails of Samuel Beckett

Dance First takes its title from a line in Samuel Beckett’s most famous work Waiting for Godot. “Perhaps he could dance first and think afterwards,” says the tramp Estragon of Pozzo’s slave Lucky, who then proceeds to do both in a typically absurd...

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Lies We Tell review - fear and gaslighting in 1860s Ireland

It is 1864 and the lush green lawns of Knowl, the stately home in Ireland that Maud Ruthyn (Agnes O’Casey) will inherit when she reaches the age of 21, are beautifully kept. Everything is in its place. Maud expects deference, especially from...

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The Miracle Club review - unchallenging but enjoyable Irish drama

If I had to condense the Catholic faith of my upbringing in one sentence, I would say that it essentially comes down to two things: we're all sinners, but we are all capable of redemption. (Theological experts may take a different view.) That boiled...

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The Woman in the Wall, BBC One review - deliciously dark murder mystery with a tragic hinterland

Ruth Wilson possibly hasn’t had as much to get her teeth into on-screen since she vamped it up in Luther. Her performance as Lorna Brady in The Woman in the Wall is an object lesson in the way a performer in demand for her engaging looks and edgy...

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Apocalypse Clown review - going out with a laugh

Here we are in rural Ireland and on the other side of bonkers. Apocalypse Clown is billed as an "end-of-the-world road movie with clowns". It’s hilarious, off the wall, beyond the cringe.The protagonists are three washed-up members of the circus...

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Edinburgh Fringe 2023 reviews: Heaven / Lie Low / After the Act

Heaven, Traverse Theatre ★★★★★It’s a rare show that combines form and content to quite such devastatingly potent effect. The storyline of two-hander Heaven from Dublin-based Fishamble theatre company might seem simple: a middle-aged couple...

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'The music business was created for people like me who are not criminal enough to go to jail, and not mad enough to go to the nuthouse'. Sinéad O'Connor, 1966-2023

Sinead O’Connor, who has died aged 56, was, the world agrees, a brilliant, unstable, unique talent, a provocateur with an angelic voice. The Mirror’s front page yesterday was a moody black and white picture with the headline  “Nothing Compares...

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Album: Brigid Mae Power - Dream From The Deep Well

The cover versions on Dream From The Deep Well include “I Know Who is Sick,” most familiar from the Clancy Brothers and Tommy Maken interpretation, and “Down by the Glenside,” which The Dubliners incorporated into their repertoire. The first opens...

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Happy Days, Landmark Productions, Cork Opera House - to the end of the earth

Siobhán McSweeney is to be loved as a person for her speech when she received a BAFTA for Best Female Performance in a Comedy Programme earlier this year, bringing up the way Derry people had weathered the “indignities, ignorance and stupidity of...

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Róisín Murphy, Royal Albert Hall review - shamanic razzle dazzle keeps us on our feet

In one sense you know what you’re going to bet with Róisín Murphy. Disco beats, a lot of bright colours, costume changes, goofing about, kick-arse vocals, and hats – lots and lots of hats. And yes, all that was present and correct at the Royal...

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