Hollywood
Demetrios Matheou
It’s always struck me as an odd sort of desire: to go to see a movie in which you know someone is going to die a long and painful death, while someone else – or maybe a whole gaggle of people – stand and watch, shedding tears and beating breasts. Of all genres, the “terminal illness movie”, if we can call it that, seems altogether perverse.We see a romantic comedy because we all hope to be in love again, and find it helpful to laugh about the times we thought we were and botched it; sci-fi fuels our imaginations and desire for wonderment; action movies and war films get the adrenalin pumping Read more ...
Adam Sweeting
It's a problem many a cash-strapped Premier League football manager is familiar with. The über-teams like Chelsea and Manchester United have loads more money than you, and can simply spend you out of contention. Over in California, this was what was happening to the Oakland A's baseball team as they headed into the 2002 season, as their top players were picked off by wealthier squads and they couldn't afford to replace them with stars of equal quality. "We're organ donors for the rich," as Oakland's general manager Billy Beane puts it.A true story based on the bestselling book by bond-trader- Read more ...
Matt Wolf
Everyone is working against type, or so it would seem, in Roland Emmerich's deeply bizarre Anonymous, which asks us to accept a celluloid slob (Rhys Ifans) as an aristocrat, a vaunted republican (Vanessa Redgrave) as Elizabeth I and a highly successful action film-maker (Emmerich) as a putative man of letters: well, one has to have something to read between set-up shots on Godzilla and Independence Day, so why shouldn't it be a Shakespeare sonnet or two to the Earl of Southampton?If you can accept the above catalogue of incongruities, then the film's central premise should come as a Read more ...
Veronica Lee
If you were to play a game as to who should play former US President Bill Clinton in a fictionalised account of his life, then George Clooney – liberal, politically active and drop-dead gorgeous – would surely be your number-one choice. So he must have been a shoo-in for the role of Democratic presidential hopeful Governor Mike Morris - who is charming, decent, ironic and very attractive - in The Ides of March.The film, which has shades of All the President's Men, Nixon and Primary Colors (and indeed Julius Caesar), is adapted from Beau Willimon's play Farragut North, said to be based on Read more ...
Matt Wolf
What goes around, well, goes around in Steven Soderbergh's Contagion, which manages the dual feat of being at once scare-mongering (hypochondriacs should stay well clear) and stultifyingly dull. A variant on the we're-all-essentially-connected school of cinema that includes Babel and the recent London Film Festival opener, 360, the film charts a virus's progression from a seemingly inoffensive cough to a pandemic capable of felling one in 12 people on the planet, in which case I assume Hollywood itself might have to call it quits.That would be no bad thing if this represents the best that Read more ...
Nick Hasted
Green Lantern was meant to make Ryan Reynolds a major star, and ignite another superhero franchise. Expectations deflated so quickly on its cinema release that, if this DVD didn’t exist, it would be hard to be certain it came out at all.Warners have dug fatally deep into the superhero second division, drawing on an unmemorable character’s 1959 revival, in which fearless test pilot Hal Jordan (Reynolds) proves to have the Right Stuff to join the Green Lantern Corps. This GLC, quite unlike Ken Livingstone’s lamented Earth counterpart, is an intergalactic police force dedicated to enforcing “ Read more ...
Adam Sweeting
A movie about advertising and product placement entirely paid for by advertising and product placement? It's a Koh-i-Noor diamond of a concept, and zealous documentarian Morgan Spurlock has applied himself to his task with the efficiency of a Dyson vacuum cleaner and the tenacity of a corporate Salesman of the Month.Spurlock, who survived a 30-day eatathon of McDonald's food despite his liver partly turning to fat and emerged with the splendid Super Size Me, has made one of the most entertaining films of the year, a far funnier one than the stuff that's routinely palmed off on us as " Read more ...
Matt Wolf
The human spirit won't be easily vanquished, or so we're led to believe from Cool Hand Luke, which in itself should provide succour to those trapped at this stage adaptation of the novel that inspired the movie - still with me? - in the days and weeks to come. Marc Warren works hard in the role of the famously fettered Luke Jackson that brought Paul Newman a 1967 Oscar nod, and the Hustle star deserves credit first off for getting his American accent down pat.But as adapted by Emma Reeves from the 1965 book from Donn Pearce, who co-authored the film (and was himself put up for an Oscar), the Read more ...
Matt Wolf
"I'm going to help you rediscover your manhood," a self-described sexual "tomcat" called Jacob (Ryan Gosling) tells his new friend, and project, Cal (Steve Carell). And with that, the awkwardly titled Crazy, Stupid, Love sets off on its none too surefooted way. Might some equivalent to Jacob's confidence and expertise have been of use behind the camera, as well? Without a doubt, and one worries only that there may be those who actually do take this film as some sort of sexual and social primer for our troubled age.On the other hand, no movie with Gosling's singular charisma and insouciance Read more ...
Matt Wolf
A time-tested formula gets tantalisingly tweaked in Friends with Benefits, in which Justin Timberlake and Mila Kunis attempt to confine their relationship to the purely sexual without the ick factor of emotions getting in the way. Here's a Hollywood film confident enough to poke fun at Hollywood conventions - take that, Katherine Heigl! Kunis lets cry at one point - while following a not hugely dissimilar path. The difference is that this one benefits from actually being sparky and entertaining. Can you imagine that?In fact, it's not hard to guess at the good will generated by the two leads, Read more ...
Nick Hasted
After 10 minutes in the company of Fright Night’s vacuous US teens I was thinking, like Colonel Kurtz, “Kill them all!” One of the several virtues of this remake of the 1985 vampire horror-comedy is that its writer, Marti Noxon, feels the same way. Partnering this Buffy veteran with Craig Gillespie, the director of sensitive man-and-sex-doll romance Lars and the Real Girl, makes this deeply unpromising entry in the current cycle of Eighties horror reboots surprisingly engaging. A keen cast including Colin Farrell as king vampire Jerry and David Tennant as a burnt-out Vegas magic act add to Read more ...
Matt Wolf
Warning to hunky French jazz pianists: beware a slim, raven-haired Englishwoman who looks like Anne Hathaway but goes by the name of Emma and will up and leave you the second her long-standing chum, Dex, crosses la Manche to extend rather more than a main by way of welcome. Sound unfair? Sure, but love - indeed life, as it is honestly and genuinely lived - hasn't a prayer up against the breathtakingly vacuous conceit that drives One Day, a film that makes zero sense except where these things matter most: the box office. I recognise that not all will share my scepticism, if the reaction Read more ...