England
Kimon Daltas
In the year of his 85th birthday, and his 60th season as a conductor, Bernard Haitink is hardly taking it easy, with concerts with various orchestras around Europe and the US including an appearance at the Proms. In this visit to London with the Chamber Orchestra of Europe he may not have been bounding up the steps to the stage, but his powers with the baton remain undimmed.His is a stately and commanding presence at the podium, almost still apart from the arms and the occasional emphatic step forwards. This proved plenty with which to wring out the tragic drama from the two works in the Read more ...
Adam Sweeting
Great idea. Round up a dozen 20-something American girls whose idea of a royal family is the Kardashians, whisk them off to a stately pile somewhere in the south of England, and put them in a beauty contest to see which one can take the fancy of a bloke who might just be Prince Harry.... but a terrible programme. Matt Hicks, the fey posh chap with slightly Harry-esque ginger hair who (oddly) looks like both Wills and Harry after they've been processed through a Photoshop blender, is a personality-vacuum blessed with the chat-up skills of the Speaking Clock ("er... you're a bit brazen"). Also Read more ...
Adam Sweeting
With the 70th anniversary of D-Day following hard on the heels of the extensive World War One commemorations, battle fatigue is becoming a very real concern for TV-watchers. Breaking the mould of retrospective war documentaries becomes increasingly difficult, as Messrs Enfield and Whitehouse demonstrated with deadly satirical accuracy in Harry and Paul's Story of the 2s, so all kinds of credit are due to National Geographic's frequently devastating record of the D-Day landings and their immediate aftermath.Although this was a multinational collaborative effort, the premise was straightforward Read more ...
Kimon Daltas
Antonio Pappano addressed the audience before the start of the concert to explain the thinking behind this rather unusual programme, first performed in the early nineties and now a perfect fit for the Accademia Nazionale di Santa Cecilia orchestra and chorus, where he has been music director since 2005.Having spent a period of time "exploring works themed around conflict", he had wanted to take on Luigi Dallapiccola’s one-act opera Il prigioniero ("The Prisoner") but needed companion pieces to make a concert’s worth. In figuring out how to create a programme that would function Read more ...
Adam Sweeting
This had all the makings of a celebrity backslapathon of nauseous proportions, but it turned out to be a painfully touching exploration of the fragility of fame. Not that this means we have to feel sorry for filthy-rich pop stars and happy-chappy light entertainers, but it does mean we have to grudgingly accept that some of them may be human after all.Corden and Barlow made an improbably well-contrasted pair. Corden came on like a chubby labrador puppy, almost peeing himself with delight at the chance to spend quality time with his favourite pop idol. Barlow remained laconic and slightly Read more ...
David Nice
For those of us who’d held fast to the generalisation that Michael Tippett went awry after 1962, it seemed emblematic that pianist Steven Osborne and the Heath Quartet were never to meet in a concert of two halves. After all, didn’t Tippett’s music split and splinter into a thousand, often iridescent atoms after his second opera, King Priam? Its satellite piece, the Second Piano Sonata, seems to sit restlessly, and quite deliberately, on the fault line. Yet I take at least some of it back when confronted live, for the first time, with the drive and visions of the Third Sonata composed in the Read more ...
Adam Sweeting
In a hectic writing career spanning theatre, radio, film and TV, Sarah Phelps can lay claim to such milestone moments of popular culture as both the return of Den Watts to EastEnders and his subsequent demise in 2005, and writing the screenplay for BBC One's adaptation of Dickens's Great Expectations at Christmas 2011, which starred Ray Winstone and Gillian Anderson. Her work for the stage includes Angela Carter at the Bridewell Theatre (an adaptation of a brace of Carter's stories) and Tube at Manchester Royal Exchange (which won her an Arts Council Award), while her armful of TV credits Read more ...
Adam Sweeting
It's been six years since Peter Flannery's lurid Civil War series The Devil's Whore, which ended shortly after the death of Oliver Cromwell. This sequel, co-written by Flannery and Martine Brant, speeds us forward to 1680, which means Charles II is on the throne and, in between attending bawdy Restoration plays, is hell-bent on tracking down the people who executed his father.To avoid getting stuck in any kind of rut, however, the writers have introduced a transatlantic dimension to the story. We catch up with Angelica Fanshawe, heroine of the first series (she was played by Andrea Read more ...
Mark Kidel
On Sunday night, you can hear Martin Amis sound off about Englishness. An advance selection of extracts from the interview were published in the Radio Times on Tuesday. The reaction from the press was instantaneous: Amis is always good copy. The writer’s reflections – out of the context of the film, which none of the journalists appeared to have seen – excited a series of predictable responses, constrained by the ideological straightjacket of both right and left – and, no doubt, the patriotic sensitivities of this island nation. The surprising thing is that, although the film will be Read more ...
Adam Sweeting
Thirty years ago this month, the National Coal Board announced the closure of 20 pits that were deemed "uneconomic", a decision which would incur the loss of 20,000 jobs. Arthur Scargill, president of the National Union of Mineworkers, responded by calling a strike that would become the longest industrial dispute in British history. It was also probably the most bitter, as the recollections of the former miners and their wives assembled for this documentary painfully demonstrated.Even with its furry low-definition quality, the 1980s news footage of the striking miners and their clashes with Read more ...
Tim Cumming
Ealing Studios was known for comedy, but when it released Dead of Night in 1945, it unleashed on movie-goers the classic template of portmanteau horror for decades to come. The film comprises six tales – five supernatural stories and a framing narrative in which architect Walter Craig (Mervyn Jones) arrives at a country house, only to find he recognises not only the house and its rooms but everyone in it, as figures from half-remembered nightmares that slowly, inexorably come to life as each one embarks on a tale of the uncanny.This nightmarish, circular framing device is part of what gives Read more ...
Andy Plaice
In its infancy back in 1997, Jonathan Creek felt fresh and inventive, with clever little swipes at the entertainment industry and a new take on crime drama: not who or why, but more of a howdunnit. Its star Alan Davies, he of the duffel coat and the tumbling hair, was rather good at narrowing his eyes and staring into space while we let our hot chocolate go cold waiting to discover not only who carried out one of those incredibly theatrical murders, but to see its baffling mechanism unpicked.And now he’s back for series five, doing rather nicely in marketing and with his days as a deviser of Read more ...