electronica
Thomas H. Green
Orbital, one of the great electronic dance acts, had a run of albums during the 1990s that encapsulate that decade in the UK (at least, for those willing to ignore the historical revisionism around tired, retro-tastic Britpop by the same media "arbiters of taste" who invented it).Those five albums remain gorgeous. The run came to an end with the flabby The Altogether album in 2001, featuring a vocal by David Gray among other unlovable things. Their latest album, though, is their first to feature a welter of guest vocalists. It could have been a disaster, but it’s not.The 21st century has seen Read more ...
Kieron Tyler
In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it, letting yourself go or sprawling all over the floor. Follow this route and life won’t be a mess.Barefoot On Diamond Road is the third album from the Netherlands’s Amber Arcades, the recording persona of Annelotte de Graaf. Away from music, her work as a lawyer has brought a role in the international war crimes tribunal. Previously, her music was a form of Eighties-ish indie with touches of shoegazing. Beyond her glass-like voice, guitar was a main Read more ...
Kieron Tyler
It’s the sound of the sun. Panda Bear – born Noah Lennox – is singing in a voice with the purity and warmth of Brian Wilson. Beside him, Sonic Boom – Pete Kember – has more of a growl, a timbre which might make announcements in a railway station. The contrast works well. Sweet and slightly sour.And, in another way, it is the sound of the sun. Kember and Lennox both live in balmy Portugal and here they are in Aalborg, at the top end of Denmark at the Northern Winter Beat festival. It’s freezing out, with the Jutland wind coming off the Limfjord a few streets away bringing it down to a level Read more ...
Thomas H. Green
The Waeve is the debut album from life partners Rose Elinor Dougall (long ago in The Pipettes) and Graham Coxon (of Blur), working with James Ford (of Simian Mobile Disco), who co-produces and provides occasional bits of instrumentation. Their album is a woozy thing, underpinned with analogue synths and elegant Krautrockin’ rhythms, emanating a mystic melancholia. The sound is luscious but the whole could maybe do with a little more oomph.Perhaps that’s not the point. Perhaps this listener’s opinion has been skewed by expectations based on the garage sneer of their great debut single, last Read more ...
Thomas H. Green
Let me start by being pretentious and self-referential, spending ages doing that rather than reviewing the album. My theory is that most male music journalists aged between 45-65, like me, don’t PROPERLY love the music of 21st century female pop stars – Gaga, Dua Lipa, Beyoncé, Britney, MØ, Kesha, whoever – for reasons that are idiomatic. In fact, possibly most males of that age, full stop (and a good few women too).They cannot get beyond the form, beyond timbre, beyond cultural notions of authenticity or lack of it connected to the innate sound, rather than the song. If the same song Read more ...
Barney Harsent
It’s always hard to choose one album to spotlight come the annual Best Ofs, and 2022 has given us an extraordinary embarrassment of riches to choose from – the bountiful bastard…January brought with it a small but perfectly formed under-the-radar gem in Bed Wetter’s A Life in the Day. A deeply personal piece, it saw producer Geoff Kirkwood removing his Man Power mask and letting us in to his world of gorgeous, atmospheric sound sculptures.Andy Bell’s Flicker followed. A double album of wide-eyed eclecticism, Bell’s second solo outing felt simultaneously new and nostalgic. It was, without Read more ...
joe.muggs
Want an antidote so forced seasonal cheer and the catchiness of Christmas pop? How about some almost entirely atonal drone, clatter and throb with titles like “Fish Death”, “Tales for Violent Days” and “Dissonance Émancipee”?Music presented as a “lucid nightmare” fuelled by “toxic relationships; job insecurity and exploitation; immateriality of the future, translated into frustration, exhaustion/desperation, claustrophobia and a desire to escape; anguish, panic and a sense of powerlessness towards nature and disease”?Well here’s the funny thing: this album by a Rome-based audiovisual artist Read more ...
Thomas H. Green
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his hand twisting about under his tee-shirt as if suffering from an untenable itch, he spits “endless depression” and “suicide” into the mic on a jarring loop, backed up every inch by harsh, dark, techno-adjacent battering. It’s a moment that sums the night up.Appearing a couple of years ago from rural Yorkshire, Working Men’s Club are a contradiction Read more ...
Thomas H. Green
Carl Cox is one of the key DJs of his generation, the generation that propagated the club culture which blossomed from the European acid house/rave scene (and originally, of course, from black American house and techno).Going through various musical stages Cox ended up as “the three-deck wizard”, focusing on tougher techno-centric sounds. These are the core of his fifth album, and first in over a decade. Utilising analogue equipment dug out of his garage, he achieves mixed results, but the best of Electronic Generations, despite its uninspiring title, has solid exhilarating whip-bang foot- Read more ...
Thomas H. Green
Christeene is not so much a musical entity, as a performative assault, an artist who pushes drag somewhere visceral, caustic, wilfully edgy and defiantly unpolished. The creation of New York-based, Louisiana-raised Paul Soileau, her videos and shows have thus far probably been more important than her albums, but her third raises the bar.Where previously her music has been rap-laden, post-electroclash, the excellently titled Midnite Fukk Train is more fully-formed, in New York’s underground punk rock tradition. And she nails it.Accompanied by her Fukkn Band, the album has eight tracks and is Read more ...
Thomas H. Green
After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in!VINYL OF THE MONTHEdrix Puzzle Coming of the Moon Dogs (On the Corner)Nathan Curran is an in-demand session drummer for the likes of everyone from Elton John to Kano. Ah, but like Hong Kong Phooey before him, he has an alter-persona that will surprise. Unlike Hong Kong Phooey, though, it’s not a canine crime-fighter cashing in on a global craze for martial arts. No, it’s a demented attempt to weld the fringes of jazz to retro sci- Read more ...
joe.muggs
The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s Youssou N’Dour, Malie's Fatoumata Diawara, the queen of Cuba Omara Portuondo – but the emphasis was emphatically not on any kind of beads-and-bongoes authenticity.Far from it: even in just the three days I was there the culture on offer in venues across Oslo felt more like a trip into a giddy sci-fi vision than the worthy anthropologist’s guide to other Read more ...