sat 26/09/2020

Egypt

Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

Tut in colour, and he is! The new painstaking technique of colourising vintage black and white photographs and film was touchingly exploited in this documentary for BBC Four to narrate the most thrilling and best-known archaeological discovery ever...

Read more...

The Prince of Egypt, Dominion Theatre review - Moses musical goes big and broad

The theatre gods rained down not fire and pestilence, but a 45-minute technical delay on opening night of this substantially revised musical – a stage adaptation of the 1998 DreamWorks animated movie. But nothing could entirely halt this juggernaut...

Read more...

Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight?

In 1922 Hussein Abdel-Rassoul, a water boy with Howard Carter’s archaeological dig in the Valley of the Kings, accidentally uncovered a step in the sand. It proved to be the breakthrough for which Carter, on the hunt for the final resting place of...

Read more...

CD: Land of Kush - Sand Enigma

Land of Kush are an ambitious 20-piece plus ensemble which features all manner of instruments from strings, horns, piano, guitar, santur, darbouka, oud and synths, as well as multiple vocalists and percussionists. Led by Sam Shalabi of the trippy...

Read more...

Berenice, Royal Opera/London Handel Festival review - luminous shenanigans in the Linbury

It might be the nature of Handel's operatic beasts, but performances tend to fall into two camps: brilliant in the fusion of drama and virtuosity, singing and playing, or boring to various degrees. If this handsome opening gambit in the 2019 London...

Read more...

Antony and Cleopatra, National Theatre review - Ralph Fiennes in marvellous throttle

You always wonder about those final scenes of Shakespeare’s tragedies. Are they really needed dramatically; do they work? We understand, of course, that a closing exhalation may add impact to high passions just witnessed. But is it just a romantic...

Read more...

DVD: The Nile Hilton Incident

The world was captivated by the Arab Spring – thousands of citizens rising up in unity against longstanding dictatorships, filling squares and refusing to bow. But for many of us, it was a world away; the crowds were a single organism, thinking and...

Read more...

Giulio Cesare, Glyndebourne review - no weak link

What a great show, on every level. David McVicar’s Glyndebourne production of Handel’s Giulio Cesare, originally staged in 2005, and in its third revival this year, has a cast without a weak link, and never fails to draw in the audience to the work’...

Read more...

Antony and Cleopatra, RSC, Barbican review - rising grandeur

Is there a key to “infinite variety”? The challenge of Cleopatra is to convey the sheer fullness of the role, the sense that it defines, and is defined by only itself: there’s no saying that the glorious tragedy of the closing plays itself out, of...

Read more...

Blue Planet II, BBC One review - just how fragile?

The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine — concentrated salt water five times denser than seawater — it is succumbing to toxic shock. As biomatter...

Read more...

Omar Robert Hamilton: The City Always Wins review - Egypt's revolution, up close and personal

A few days ago we learned that British taxpayers have unwittingly donated around £1m. in aid to the police and court systems of Egypt’s military dictatorship, via an opaque “Conflict, Stability and Security Fund”. That news only sharpens the topical...

Read more...

Clash review - 'a nation in crisis'

An Egyptian/French co-production directed by Egyptian film-maker Mohamed Diab, Clash is a fevered, chaotic attempt to portray some of the tangled undercurrents that fuelled Egypt’s “Arab Spring” and its subsequent unravelling. Knowing something...

Read more...
Subscribe to Egypt