wed 19/09/2018

drugs

CD: Hawkwind - Road to Utopia

Implausible times call for implausible music, and it doesn't come much more unlikely than this. Hawkwind, the die-hard troupers of gnarly cosmic squatter drug-rock, have re-recorded highlights from their catalogue, arranged and produced by Mike Batt...

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Yardie review - Idris Elba shoots straight in his directorial debut

The first significant British film to explore the influence of Jamaican sound systems in London was Babylon. Shot in 1980, its street patois was deemed impenetrable enough to merit subtitles. Times change. Yardie revisits the same world and era – it...

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Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age

The Dark Web has an intriguing sound about it. Like something out of JRR Tolkein or JK Rowling, it suggests a netherland peopled by strange creatures, and maybe even dangerous monsters. As indeed it is. Television writer Alex Oates’s 60-minute...

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Sicario: Day of the Soldado review - violent, explosive and nihilistic thriller

The issue of immigrants being smuggled across the Mexican border into the USA is currently live and inflammatory, and this second instalment of the feds-versus-drugs cartels saga hurls us right into the centre of it. This explosive thriller is...

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CD: Kanye - Ye

Would it come as a terrible surprise to learn that this record is highly problematic? Well, duh. Kanye West is the sad clown narrating the global tragicomedy, a troll on an epochal scale, a bundle of contradictory drives all attempting to express...

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theartsdesk Q&A: Musician Nick Mulvey

Nick Mulvey (b.1984) is a singer-songwriter who draws from a refreshing and unexpected palette of global roots music, modernist classical and electronica. His second album, Wake Up Now, was released earlier this year, and showcases a man on a quest...

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Mae Martin, Soho Theatre review - life is a drug

She’s only 30, but Mae Martin has been at this comedy lark for a long time. By her own admission she was a rather strange child; she became obsessed with stand-up after her parents took her to a comedy club when she was 11, and she started...

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Sigrid Rausing: Mayhem review - you want it darker?

There is fictional Nordic noir. And then there is this, the real thing. Subject matter really couldn’t be much darker than that of Mayhem: A Memoir in which publisher, philanthropist and heiress Sigrid Rausing gives her perspective on her younger...

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American Made review - Tom Cruise flies again

How funny are gun-running, drug-smuggling and money-laundering? It depends who’s doing them. In American Made none other than Tom Cruise gets behind the controls of a twin-engine plane and flies back to the 1980s, a sepia-tinted yesteryear when all...

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It's So Easy and Other Lies, Sky Arts review - uneven rock bio outstays its welcome

Duff McKagan is a survivor. He’s a bass player too, from the fledgling Seattle punk/proto-grunge outfit 10 Minute Warning to the stadium-filling behemoth of Guns N’ Roses, but if you were judging by the narrative weight of this 2015 documentary, you...

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theartsdesk at Glastonbury Festival 2017

It’s a Tweet-age Glastonbury aftermath. It’s monsooning grey outside. The real world’s back, consensus reality fast encroaching. Everything’s moved on, spun to the next thing as we A.D.D. onto Wimbledon, Hard Brexit or whatever. Even my 14-year-old...

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

Broadway so frequently fetes its visiting Brits that it's nice when the honour is repaid. That said, it's difficult to imagine audiences anywhere remaining unmoved by Audra McDonald's occupancy – "performance" seems too mundane a word – of the...

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