thu 21/11/2019

drama

'Shakespeare is mistakenly considered something for the elite': director Claire McCarthy on 'Ophelia'

Ophelia is one of Shakespeare's most enduring characters in both literature and art, and yet her part in Hamlet is limited to few lines and fewer motivations. Based on Lisa Klein's novel, the new film Ophelia challenges this interpretation. Daisy...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.After the Wedding ★★★★ Starry cast bring gravitas to knotty drama...

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The Report review - searing political drama

It should come as no surprise that the writer of Side Effects and Contagion, Scott Z. Burns, is capable of directing a whip-smart drama like The Report. Known for his collaborations with Steven Soderbergh, most recently on...

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Marriage Story review - superior weepie

Forty years after the classic, multi-Oscar winning Kramer v Kramer comes another divorce drama involving two young Americans and a son caught in the crossfire. And this one is even better. Marriage Story is a sublime film, a...

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'I’m having too much fun writing novels': author Nicolas Searle on The Good Liar

"Surreal" is how the man calling himself Nicholas Searle describes the last five years of his life. He began working on his debut novel The Good Liar in 2014 at the age of 57, having recently retired from the Civil Service. The nature of his former...

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The Irishman review - mobster masterclass

Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more ...

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The Aeronauts review - up, up and okay

Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything.Redmayne gives an earnest performance as the real-...

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After the Wedding review - a high-tension gut punch

How long can one decision follow you? How long can you hide from it? This is what underpins After the Wedding, a remake of Susanne Bier’s Efter brylluppet. It’s a drama shaped like a thriller, driven by emotion rather than intrigue. We’re introduced...

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Sorry We Missed You review – Ken Loach's unapologetic assault on the gig economy

If the recent period of British history that has involved recession, austerity, the hostile environment and Brexit is to have chroniclers, who better than Ken Loach and his trusty screenwriter Paul Laverty. Their blend of carefully researched social...

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Official Secrets review – powerful political thriller

Early in the political drama Official Secrets, Keira Knightley’s real-life whistleblower Katharine Gun watches Tony Blair on television, giving his now infamous justification for the impending Iraq War, namely the existence of weapons of mass...

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LFF 2019: Le Mans '66 review - Matt Damon, Christian Bale and the Ford Motor Company go to war

While recent motor racing movies have been built around superstar names like Ayrton Senna and James Hunt, the protagonists of Le Mans ’66 (shown at London Film Festival) will be barely recognisable to a wider audience. They are Carroll Shelby, the...

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Joker review – a phenomenal Joaquin Phoenix on the mean streets of Gotham

When Joker won the Golden Lion in Venice in September, it was an unprecedented achievement, the first time a comic book-related film had won such a prestigious prize. But then, isn’t your typical comic book film. Starring a phenomenal...

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