sun 27/05/2018

drama

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.A Fantastic Woman ★★★★★ From Chile with heat, a powerful romance...

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DVD/Blu-ray: The Post

Spielberg’s prequel to All the President’s Men was filmed at speed, and aimed squarely at the press-hating Trump, not the late Tricky Dick. This contemporary intent is already fading. What remains is the director’s second return, after Munich, to...

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The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's muse

They say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much – if not more so – the championing of the unsung hero in this story of the famous early modernist artist, Marc Chagall. His wife, Bella – early muse...

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The Wound review - gay love hurts in strong South African drama

The title of South African director John Trengove’s powerful first feature works in more ways than one. In its literal sense, it alludes to the ritual circumcision, or ukwaluka, that accompanies the traditional rite of passage for young Xhosa men,...

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True Horror, Channel 4 review - a Ronseal approach to ghost stories

As if the real world wasn’t scary enough... Ghost stories are en vogue at the moment, and after the BBC’s hit-and-miss Requiem, Channel 4 brings True Horror to the small screen – a collection of "real" ghost stories, told by witness interviews and...

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Custody review - unflinching and masterful

Divorce proceedings turn sour in this devastating debut from writer/director Xavier Legrand. Using the full palette of human behaviour, Custody expertly balances high tension and grounded realism to create a timely and lingering film.We start at a...

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The Plough and the Stars, Lyric Hammersmith review - trenchant reimagining of Irish classic

Sean Holmes is artistic director of the Lyric Theatre, Hammersmith, yet his revival of this seminal Irish play has taken two years to come home to him. The production was commissioned by the Abbey Theatre, Dublin, to mark the centenary of the Easter...

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Before We Die, Channel 4 review - underwhelming and unengaging Scandi noir

The new import is the latest procedural from Scandinavia, this time focusing on Stockholm’s biker gangs. The first episode aired Tuesday night, with the rest of the series available on All4 now. In the age of the boxset binge, this availability is...

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Joe Orton Laid Bare, BBC Two review - charming look at theatre's irresistible upstart

Laid Bare – it has a lurid implication which is all too suitable for Joe Orton’s work. During a time where the straight-laced British struggled to ease into sexual liberation, Orton stretched acceptability to its very limits. Salacious acts had been...

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Godless, Netflix review – a proper wild west ride

There’s a storm heading to La Belle, the small forgotten town in the heart of the American West. As black clouds flash above the prairie, the injured body of Roy Goode (Jack O’Connell) falls at the door of widowed rancher Alice Fletcher (Michelle...

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Peaky Blinders, series 4, BBC Two review - new threats, same thrills

BBC Two’s flagship crime drama Peaky Blinders returns for another guilty dose of slo-mo walking, flying sparks and anachronistic soundtracks. In the opening episode “The Noose”, we’re served a familiar course of family disputes, sinister threats and...

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theartsdesk Q&A: Steven Knight and Cillian Murphy of Peaky Blinders

Like a lot of people, I came late to Peaky Blinders, bingeing on the first two brutal, but undeniably brilliant, series like the proverbial box-set sensation it quickly became. With its focus on the turmoil and fortunes of a particularly unruly...

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