wed 18/09/2019

drama

The Kitchen review – more gangsters' molls taking over the reins

Three women decide to take over their husbands’ criminal activities, proving more than a match for the men who dominate the underworld. If this outline of The Kitchen sounds familiar, it’s because it was just last year that Steve McQueen’s...

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Torch Song, Turbine Theatre review - impressive return for Harvey Fierstein's seminal gay drama

London’s latest theatre opening brings a stirring revival of Harvey Fierstein’s vital gay drama, which premiered as Torch Song Trilogy in New York at the beginning of the 1980s, the playwright himself unforgettable in the lead, before it opened in...

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The Souvenir review – Joanna Hogg's most emotionally wrenching film yet

Joanna Hogg’s melancholy autobiographical drama The Souvenir cuts too close to the bone. That’s a compliment: like Sally Rooney’s equally unsettling first novel Conversations With Friends, Hogg’s movie almost forces the viewer to relive that...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Animals ★★★★ Emma Jane Unsworth's novel becomes a riotous and unruly...

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Keeping Faith, Episode 4 Series 2, BBC One review - murders aplenty

Life on the Welsh coast isn’t getting any easier: defendant Madlen was found guilty of murder, husband Evan was coming home from prison, and Faith had just given Steve Baldini a rather uncomfortable snog on the beach. She’s probably pining for that...

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Photograph review - a fresh take on old love stories

“Movies are all the same,” says one character in Photograph, the latest film from India independent director, Ritesh Batra. It’s true, the plot feels familiar, but if stories are all the same, it’s how you play with the form that makes a film a...

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theartsdesk at the Three Choirs Festival - the beautiful and the damned

Our greatest Berlioz scholar, David Cairns, has called Le Damnation de Faust “an opera of the mind’s eye, not of the stage,” and I’ve certainly never seen a production that successfully staged its curious, episodic, actionless mixture of set piece,...

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Stranger Things 3, Netflix review - bigger, dumber, better

It sometimes feels like an age between Stranger Things seasons. Blame Netflix. The binge-watching trend that it helped solidify means that most people consume all eight hours of content in a single weekend. It comes and goes in a flash. But don’t...

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Support the Girls review - working class dramedy misses edge

A rambling portrait of 24 hours in the life of Double Whammies, an American sports bar where the waitresses entertain their TV-watching patrons by dressing in skimpy tops and tiny shorts. Apparently this is categorised as a ‘breastaurant’ (my...

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Mari review - bittersweet drama with flair

Mari is one part kitchen sink drama, one part dance performance, bringing a refreshing take on bereavement and family. Dancer Charlotte joins her mother and sister at her dying grandmother’s bedside, and tensions rise as cabin fever sets in.Director...

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Dirty God review - an important piece of filmmaking

With the continued prevalence of acid attacks in the UK, it was only a matter of time before they became the subject of a film. Thank goodness, then, it's handled with such unflinching care as it is in Dirty God. Director and writer Sacha Polak...

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Cannes 2019: Matthias & Maxime review - a gently charming new drama

It has been ten years since Canadian auteur Xavier Dolan first debuted I Killed My Mother at the Cannes Film Festival. A decade on he returns in competition with a title that shows an evolution of his filmmaking that leaves behind many of the...

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