directors
Absolute Hell, National Theatre review - high gloss show saves over-rated classicThursday, 26 April 2018
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Absolute Hell was originally titled The Pink Room, and first staged in 1952 at the Lyric Hammersmith, where it got a critical mauling.... Read more... |
Wake, Birmingham Opera Company review - power to the peopleThursday, 15 March 2018
“Would you like a veil?” asked a steward, offering a length of black gauze, and when you’re at a production by Birmingham Opera Company it’s usually wisest to say yes. You get used to it - the frantic Google-mapping to locate the venue; the hike... Read more... |
Macbeth, National Theatre - Rufus Norris goes for drab, gory and tricksyThursday, 08 March 2018
Fair is foul and foul is drab, gory and tricksy in Rufus Norris’s first stab at Shakespeare direction at the National Theatre, Macbeth. It embodies the play's most clichéd quotation (the one about sound, fury, and nada), though whether that's... Read more... |
Summer and Smoke, Almeida Theatre - exquisite renaissance of Tennessee Williams's neglected playThursday, 08 March 2018
That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a... Read more... |
Peter Hall: A ReminiscenceTuesday, 12 September 2017
Theatre artist, political agitator, cultural advocate: Sir Peter Hall was all these and more in a career that defies easy encapsulation beyond stating the obvious: we won’t see his like again any time soon. He helped shape my experience and... Read more... |
Extract: Peter Brook - Tip of the Tongue: Reflections on Language and MeaningSunday, 10 September 2017
A long time ago when I was very young, a voice hidden deep within me whispered, "Don’t take anything for granted. Go and see for yourself." This little nagging murmur has led me to so many journeys, so many explorations, trying to live together... Read more... |
theartsdesk Q&A: Director Peter Kosminsky, Part 1Wednesday, 16 August 2017
The name will never trip off the public tongue. Millions watch his work - most recently his superb realisation of Hilary Mantel's Wolf Hall. But there is no hall of fame for television directors. It’s only on the big screen that they get to be big... Read more... |
Sunday Book: Nicholas Hytner - Balancing ActsSunday, 30 April 2017
After the first preview of Mike Leigh’s play Two Thousand Years at the National Theatre, a young Guardian reporter accosted an audience member for his view of the play. The audience member gave his name as Nigel Shapps, his... Read more... |
Obsession, Barbican review - Jude Law on serious form in Ivo van Hove's latestWednesday, 26 April 2017
There is a distinctive look, feel, even sound to a stage production directed by Ivo van Hove, which is becoming rather familiar to London theatregoers after two cult hits, A View From the Bridge and Hedda Gabler. You know you’re in van Hovenland as... Read more... |
Refugees and referendums: Ramin Gray on staging Aeschylus's The Suppliant WomenSunday, 05 March 2017
I’m sitting in a rehearsal room in Manchester preparing an Actors Touring Company’s new version of Aeschylus’ The Suppliant Women, listening to a group of young women raise their voices in praise of “untameable Artemis”. She’s the goddess of... Read more... |
10 Questions for Director Ellen McDougallThursday, 02 March 2017
In a few days' time, Ellen McDougall will become artistic director of the dynamic little Gate Theatre in Notting Hill where she is already an associate artist. She's not taking it easy in the run-up to her new responsibilities though: her production... Read more... |
10 Questions for Director Christopher LuscombeTuesday, 06 December 2016
When Shakespeare visits the bearpit of the West End, it is usually in the company of a big name: Judi Dench, Sheridan Smith, Martin Freeman. This Christmas the bard enters the Theatre Royal, Haymarket without any such support. And there is a... Read more... |
