dance theatre
Cats, The Shows Must Go On review - a purr-fectly theatrical experienceSaturday, 16 May 2020
Cats is, declares composer Andrew Lloyd Webber, a show that doesn’t really have a story, but was beloved on stage because it’s “the ultimate theatrical experience”. That’s the point which Tom Hooper’s grotesque, nightmarish movie adaptation so... Read more... |
Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiencesMonday, 06 April 2020
The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the shutdown – is balletLORENT’s family-friendly dance-theatre production Rumpelstiltskin. It was... Read more... |
Michael Keegan-Dolan, MÁM, Sadler's Wells review - folk goes radicalWednesday, 12 February 2020
The Dingle Peninsula is a thumb of land that protrudes into the Atlantic as if trying to hitch a ride from Ireland to America. The choreographer Michael Keegan-Dolan recently moved there, and its crags and vales and unspoilt coast have sucked him... Read more... |
Edinburgh Fringe 2019 review: BirthFriday, 09 August 2019
Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant... Read more... |
The Mother, QEH review - Natalia goes psychoSaturday, 22 June 2019
The publicity said it would be dark. But who would have guessed The Mother would be this dark? With its tally of dead and dying babies, gouged eye sockets and flayed skin, Arthur Pita’s latest dance-drama vehicle for the phenomenal Natalia Osipova,... Read more... |
Bronx Gothic, Young Vic review - fervid intensityMonday, 10 June 2019
It’s hard, and finally fruitless to attempt to describe Okwui Okpokwasili’s Bronx Gothic in conventional terms of genre: combining elements of dance and theatre, this visceral solo performance transcends both. It engages with frantic movement at the... Read more... |
Tribe//Still I Rise, Brighton Festival 2019 review - an evening of poetic movementWednesday, 22 May 2019
Maya Angelou’s iconic poem Still I Rise is a good starting point for many things in life. But it’s a particularly good beginning for a piece of contemporary dance choreography, and Victoria Fox has done a great job of bringing the poet’s words to... Read more... |
Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight formSaturday, 20 October 2018
"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed by a director, Emma Rice, who must have asked herself precisely that query at many points in recent years.... Read more... |
Poet in da Corner, Royal Court review - mind-blowing energy plus plus plusWednesday, 26 September 2018
There was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, Dizzee Rascal is less a herald of riot and revolt, and more of a national treasure, exuding charm from every pore, even if his... Read more... |
Edinburgh Festival 2018 reviews: Ulster American / Cold BloodMonday, 06 August 2018
Ulster American ★★★★★ David Ireland’s brand new, brutally incendiary black comedy gleefully tosses a grenade into any lazy liberal sensibilities at the festival (and, let’s face it, there are plenty of those). Race, gender, rape, prejudice... Read more... |
Elizabeth, Barbican review - royal romance under scrutinyThursday, 17 May 2018
Everyone knows that Elizabeth I was a monarch of deep intelligence and sharp wit. Fewer know how good she was at the galliard. This was a virile, proud, demandingly athletic dance, usually performed by the men at courtly gatherings, and the fact... Read more... |
NoFit State Circus present Lexicon, Brighton Festival review - a wild eye-boggling jamboreeSaturday, 05 May 2018
When an acquaintance heard my first review of the Brighton Festival was a circus event they snorted, “Oh dear.” It’s strange; for a couple of decades there’s been a default setting among broad swathes of otherwise artistically-inclined Boho sorts:... Read more... |
