Czech
graham.rickson
Released in 1965, Pearls of the Deep (Perličky na dně) is that rare beast, a successful portmanteau movie. Five young Czech film makers each directed a segment, with two more contributions excised for reasons of length and later released separately.The individual chapters are based on short stories by Bohumil Hrabal (whose Closely Observed Trains was adapted by Jiří Menzel a year later), mostly taken from his 1963 collection Pearls of the Deep. Peter Hames’ booklet essay points out that Hrabal’s pithy tales “are about situations rather than narrative”, tending to focus on the oddballs and Read more ...
graham.rickson
As films involving cats go, The Cassandra Cat (Až přijde kocour) is up there with the best. Part fairy-tale, part political satire, Vojtěch Jasný’s 1963 fantasy, shot on location in the picturesque village of Telcis, is an offbeat, unclassifiable gem. Unsurprisingly, the post-1968 Czech authorities disapproved, withdrawing it from circulation.Jasný’s characters have their lives turned upside down by the titular feline, a hefty tabby wearing dark glasses. If they're removed, those who the cat gazes at will change colour according to their nature.A prologue features Jan Werich’s affable Read more ...
David Nice
Psychological depths in the myth of the water nymph who yearns for the human world, with disastrous results, have led to some unusual settings for Dvořák’s operatic masterpiece on the theme: a nursery, a hotel room (both successful), a brothel (not so much). What, though, when a production returns to the fairy-tale, developing at the same time the ecological devastation implied in the opera?Well, Melly Still at Glyndebourne did just that - and without featuring what looks here like the filthy underside of a toilet seat in the deracinated setting of the third act. It’s difficult for those of Read more ...
David Nice
Salome was not to get her head on a silver platter: Jennifer Davis, due to sing the bloody final scene of Strauss’s opera, had been experiencing abdominal pains during her first pregnancy – mother and child are fine – and had to withdraw at a late stage. Yet Jakub Hrůša, witness to her potential in the Royal Opera revival of Wagner’s Lohengrin which led to his appointment as Pappano’s successor there, took the Philharmonia all the way in a still-dazzling programme.In fact this performance of the replacement work, Strauss’s Don Juan, a familiar test-piece of interpretative skills, would have Read more ...
graham.rickson
Hailed by Miloš Forman as “the spiritual father of the Czech New Wave”, Czech film director Vojtěch Jasný’s long career began in the early 1950s and spanned five decades. All My Good Countrymen (Všichni dobří rodáci), based on a screenplay originally written by Jasný in 1956, was released in 1968 and won him a Best Director award at Cannes a year later.Alas, following the Soviet invasion in 1968, the film ended up as one of a handful of 1960s Czech features to be “banned forever”, unsurprising given Jasný’s assertion that, “with Countrymen, I showed real life from 1945 to 1968. It was the Read more ...
graham.rickson
Jiří Menzel's Larks on a String (Skřivánci na niti) was in production while Soviet tanks rumbled into Prague in August 1968. Predictably, the film was banned by the new Czechoslovak regime and it remained unreleased until 1990, though illicit video copies were circulating for several years before.Like Menzel’s Oscar-winning Closely Observed Trains, Larks on a String took inspiration from the writings of Bohumil Hrabal, Menzel and Hrabal’s screenplay here based on a collection of short stories written in the 1950s. Set in the industrial town of Kladno, Hrabal’s characters are dissident members Read more ...
Graham Fuller
As a title, Coach to Vienna suggests an opulent Boule de Suif-like drama directed by Max Ophüls and starring the likes of Danielle Darrieux and Michel Simon. But Karel Kachyňa’s film is no Viennese waltz. It’s a bleak end-of-World War II drama in which a semi-conscious German soldier, Günther (Luděk Munzar), mutters about a woman, or women, he slept with – abused – in the “hellhole” of Ukraine. This long-buried 1966 Czechoslovakian New Wave gem is horribly relevant to 2022.Günther has been shot and is lying in the back of a two-horse hay wagon driven by its owner, a Czechoslovakian Read more ...
Boyd Tonkin
“The past is never dead,” William Faulkner famously wrote. “It’s not even past.” Funny to think that I approached 2022 bored in advance with all the glib celebrations of post-WWI international modernist breakthroughs that the centenary of Ulysses and co. heralded. Yet here we are, the year only a couple of months old, standing eagerly for a national anthem in a packed concert hall. It comes in the middle of a programme that delivers not just a fervent, but a nearly ecstatic, celebration of European cultural identities in all their Romantic passion and singularity. The anthem, of course, Read more ...
graham.rickson
Released in 1962, František Vláčil’s The Devil’s Trap (Ďáblova past) is the first in a loose trilogy of historical epics, the second instalment of which (Marketa Lazarová) is often cited as among the greatest of all Czech films.Shorter and sparer than its successor, The Devil’s Trap is no less enthralling, Vláčil’s visual style and unusual use of sound fully evident. Based on a novel by Alfréd Technik and set in rural Bohemia during the 17th century, the film follows Probus the priest (Miroslav Machácek, pictured below), charged by Cestmír Randa’s Regent with investigating Spálený ( Read more ...
Pavel Šporcl
It is taken for granted today that Paganini is almost a God-like figure for violinists. After all, he epitomises the ultimate virtuoso figure, both as someone whose technique outshone (so we are told!) every other player of his time, and who oozed charisma.That’s the image, one that he carefully cultivated himself, and we know much of it to be true. But how that mythology built to a point where even in somewhere like the Czech Republic – where he had by his standards a terrible failure when he visited – I as a Czech violinist would shape much of my career around the idea of him and dedicate Read more ...
David Nice
Comparisons might have been odious between three of the world's most cultured players – pianist Jitka Cechová, violinist Jan Talich and cellist Jan Páleníček of the Smetana Trio – and the young, British-based Minerva Piano Trio (Annie Yim, Michal Ćwiżewicz and Richard Birchall).Not a bit of it. Quotients of sheer joy were high in both the Wigmore Hall Sunday morning programme and the launch of a concert series in classy Christ Church Kensington, but if anything even higher in the Minerva’s double bill by virtue of an extraordinary, heart-overflowing masterpiece, Schumann’s Second Read more ...
graham.rickson
Beauty and the Beast? Not quite; the Czech title of Juraj Herz’s 1978 fantasy is Panna a netvor, which translates, much more fittingly, as The Virgin and the Monster. This new release has a 15 certificate, a clear hint that the film wasn’t aimed at the under-tens. Ota Hofman’s version of poet František Hrubín’s stage script had been adapted as a children’s television film in 1971; Herz was initially unenthusiastic about directing a further adaptation, feeling that Jean Cocteau’s La Belle et la Bête couldn’t be improved upon. Panna a netvor makes for a darker, chillier companion piece to Read more ...