childhood
bruce.dessau
Co-directors Rupert Goold and Michael Fentiman have not taken an easy option here. Given the wintry setting and the cameo from Father Christmas, The Lion, The Witch and The Wardrobe would have made a great posh panto in December. Instead this ambitious attempt at event theatre has opened in May, with London gently grilling in a heatwave. Luckily Threesixty Theatre's state-of-the-art circus-style tent stayed airily cool, although the production was a little tepid at times.Every well-read fantasy fan must surely know the CS Lewis tale of the four frightfully English Pevensie siblings, (pictured Read more ...
Kieron Tyler
She Monkeys comes with a “note of intent” from its Swedish director Lisa Aschan. “She Monkeys plays with rules that surround human behaviour. I want to explore society’s contradictions by allowing young women to perform brutal actions. To show these taboos in contrast to the innocent and what seems to be naïve. The story’s focus is a power play between two teenage girls and the world around them. They’re in constant competition.”Aschan continues, but that about sums up this dispassionate, spare and disquieting Gothenburg-filmed examination of teenage interaction. The note of intent Read more ...
Demetrios Matheou
There are many directors who profess (or have claimed for them) one sort of naturalistic cinema or another, from Ken Loach in the UK, to Bruno Dumont in France and Lisandro Alonso in Argentina. It’s an odd characteristic of the Belgian brothers Luc and Jean-Pierre Dardenne, that one feels almost discourteous to give them any such label. To do so would suggest at least some degree of artificiality, of self-conscious and discernible design; but when you watch a Dardenne film, there isn’t a single moment that doesn’t ring true.The Kid With a Bike is no exception. As with The Promise, Rosetta, Read more ...
Emma Dibdin
Novelist Jonathan Safran Foer once described his approach to the writing process as “trying to stop making sense, and create something that just has an effect”. It’s an intention that’s easy to track in his sophomore novel Extremely Loud and Incredibly Close, which uses an idiosyncratic mix of prose, pictures and blank pages to spin its two narrative strands.The first of these, following a nine-year-old boy grieving his father’s death in the 9/11 attacks, is intact here while the second is all but entirely excised. The course from stage to screen seldom did run smooth and cuts are inevitable Read more ...
Jasper Rees
What is it about Denmark? What, specifically, is it about Danish drama? I am currently fourth in the queue to borrow a box set of The Killing ( I know, I know: late), which all experts advise is as lethal as crack and to which Jennifer Saunders lately paid hilarious homage in Absolutely Fabulous. Borgen has just started trafficking across our screens, and last autumn there was the piercingly good low-budget film The Silence, partly German but also robustly Danish in its aesthetics and ethics. And now there’s In a Better World, best film at last year’s European Film Academy. And deservedly.It Read more ...
bruce.dessau
Four children allowed to go off in a boat on the Lake District by their mother without a responsible adult or lifejackets? If this happened today Social Services would be down on mum like a ton of bricks. But this is 1929, long before the tyranny of parental paranoia, which may go part of the way to explaining why Arthur Ransome's story of childhood adventure, unfettered by adult interference, is such an enduring hit. And another reason why this West End transfer from the Bristol Old Vic is such a hit is the music from The Divine Comedy's Neil Hannon.The involvement of Hannon inevitably Read more ...
emma.simmonds
In JJ Abrams’s retro sci-fi Super 8, a group of budding film-makers are terrorised by a mysterious creature. With credible camaraderie and poignant performances from its young leads, it’s as much about growing up and the thrill of first-time film-making as it is a dalliance with the fantastical.It’s 1979 in the small American town of Lillian, and Joe Lamb (saucer-eyed newcomer Joel Courtney) has just lost his mother in an industrial accident. Neglected by a father struggling to cope with his own grief, Joe escapes by helping with his friend’s zombie film and, in the process, he falls for Read more ...
Thomas H. Green
The Rhythm Method by Nicky Forbes dives into the working, gigging, cash-free underbelly of real rock’n’roll life. Whereas most music biographies are written by or about those who’ve made it, who live in the gilded cage of pop stardom and all that entails, The Rhythm Method is about Forbes’s life as drummer in The Revillos, a cartoonish post-punk outfit born from the ashes of the more successful Rezillos. It is a chattily told saga of bad decisions, misfortune, dissolution and a persistent inability to realise when the game is over.One example of The Revillos’ bad luck is when their rising ( Read more ...
carole.woddis
WC Fields once famously cautioned against working with children or animals. He might very well have gone crazy had he been involved with the RSC’s hit musical production Matilda, which started out in Stratford-upon-Avon last November, garnering fistfuls of rave reviews, and has just won this year’s Evening Standard and Theatrical Management Association awards for Best Musical.The animals are otherwise engaged, but this is a show where the kids absolutely rule the roost. At Wednesday night’s West End press performance they were led by a tiny sprat of a thing, Kerry Ingram (pictured below Read more ...
Jasper Rees
The life-swap doc comes in sundry guises. Emissaries of simpler cultures visit our broiling cities to gawp at streets swimming in fresh spew and rivers of piss every Saturday night. Alternatively our lot pop off to places where people shit in holes and praise the Lord. Whichever way the story gets sliced, it’s always about the same thing: holding up a mirror to ourselves and not tending to like the view. Here’s what we look like when we stand next to this or that person with whom we wouldn’t change places for anything.Last year a programme called Amish: The World’s Squarest Teenagers brought Read more ...
emma.simmonds
Rich with cinematic life but existing doggedly in the shadow of death, Lynne Ramsay’s epically disquieting adaptation of Lionel Shriver’s bestseller is fluid and imaginatively realised. It's an emotional ambush, but executed with extraordinary precision. Steeped in a magnificent malice and caked in frosty beauty, We Need to Talk About Kevin deals with the lead up to and aftermath of a high-school massacre, and gives us every parent’s worst nightmare – spawning a monster.In We Need to Talk About Kevin Tilda Swinton plays Eva, the mother of the titular antagonist. Though it darts back and forth Read more ...
David Nice
Those of us un-Zeitgeisty enough to miss the Royal Ballet’s first new full-length ballet in 20 years during its first run can now catch up. Opus Arte’s DVD release of the televised Alice’s Adventures in Wonderland tells a different story from the one any audience members other than front-of-stalls ticket holders would have caught. With more focus on the characters and less on the potentially overwhelming special effects, we probably get a better deal.Jonathan Haswell’s stylish screen direction is dominated, as it should be, by the loveable mug of Lauren Cuthbertson's Alice. She guides us in Read more ...