tue 07/04/2020

Britten

The Turn of the Screw, Opera North, OperaVision review - claustrophobic visions of terror and beauty

Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly insistent ghosts, plagued by nightmares, unable even to get out into the garden or walk down to the lake....

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Frang, LSO, Pappano, Barbican review - hearing the silence

Three deep-veined masterpieces by two of the 20th century's greatest composers who just happened to be British, all fading at the end to nothing: beyond interpretations of such stunning focus as those offered by violinist Vilde Frang, conductor...

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Watkins, Clayton, Philharmonia, Salonen, RFH review - a rainbow cornucopia

Horns fanfared, coasted and chorused through yet another Philharmonia winner of a concert to match the impressive planning of its Weimar season last year and no doubt a plan close to the heart of principal conductor Esa-Pekka Salonen, who started...

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Classical CDs Weekly: Schubert, Shostakovich, Berlinskaya-Ancelle Piano Duo

 Schubert: Symphony No 9 Scottish Chamber Orchestra/Maxim Emelyanychev (Linn)There’s a telling photo of Maxim Emelyanychev on page 11 of Linn's booklet, the conductor beaming at the camera, the body language suggesting he's having a hard time...

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Tynan, Clayton, Murray, Aurora Orchestra, Dean, Wigmore Hall review - Britten lives!

Benjamin Britten died on 4 December 1976. Last night’s Wigmore Hall concert, on the 43rd anniversary of his passing, proved that his real legacy lies not in inert acts of homage but a living engagement both with his work, and the unruly energies...

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Peter Grimes, Bergen Philharmonic Orchestra, Gardner, RFH review - more instrumental than vocal intensity

"Sadler's Wells! Any more for Peter Grimes, the sadistic fisherman?," a cheery bus conductor is alleged to have called out around the time of this towering masterpiece's premiere in 1945. The side of a "Grimes bus" today would probably proclaim over...

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Death in Venice, Royal Opera review – expansive but intimate evocations

Death in Venice is usually a dark and claustrophobic affair. It lends itself to small-scale staging with minimal props and suggestive, low-key lighting. But for this new production at the Royal Opera, director David McVicar has taken a different...

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Fischer, LPO, Jurowski, RFH review - total focus in shattering threnodies

Throughout his 11 years as Principal Conductor of the London Philharmonic Orchestra to date, Vladimir Jurowski has focused on two elements, programme-wise: tellingly-linked concerts of the rich and rare, and fine-tuned interpretations of the...

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Kolesnikov, Britten-Shostakovich Festival Orchestra, Latham-Koenig, Symphony Hall, Birmingham review - cross-country friendships flourish

Celebrating the friendship between the two great 20th-century composers, the Britten-Shostakovich Festival Orchestra launched this year. Founded by British conductor Jan Latham-Koenig and British Ambassador to the Russian Federation Sir Laurie...

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Last Night of the Proms, Barton, BBCSO, Oramo review – woke not broke

The BBC put social and ethnic diversity at the heart of this Last Night programme. The concert opened with a new work, by Daniel Kidane, called Woke, and the first half was dominated by the music of black and female composers. In the second half,...

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theartsdesk at the Southrepps Music Festival - world-class young musicians return to North Norfolk

When you've found some of the best young musicians in the world, and they've found that they love working in the peaceful surroundings of a magical spot in North Norfolk, you don't let go. Tenor Ben Johnson and pianist Tom Primrose focused for a...

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theartsdesk at Incontri in Terra di Siena: galloping concertos and Stravinsky by starlight

July in Tuscany and the heat is intense. Oak-forested hills offer tempting shade; pale dust flies from the roads; in the houses curtains are drawn against the ferocious sun and around irrigated gardens the mosquitos are growing plump. If you love...

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