tue 10/12/2024

Brighton

Ricky Gervais, Touring review - new show, not-so new gags

Ricky Gervais begins by bringing us up to date with the latest “outrage” he has caused; two Netflix specials, SuperNature and Armageddon, upset some people, he tells us, thus giving them even more attention than they might otherwise have had. So now...

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Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale

Kiri Pritchard-McLean has spoken on stage before about her interest in helping young people – including in her 2017 show, Appropriate Adult, in which she talked about being a mentor to a vulnerable youngster. In Peacock, her latest...

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Brighton Pride 2024 review - the UK's most fabulous festival

Brighton’s Preston Park came alive this weekend in the most magnificently colourful, sparkling and diverse celebration of love in all its forms for the UK's most famous LGBTQ+ community fundraiser.Saturday was the more hedonistic affair, seeing the...

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The Great Escape Festival 2024, Brighton review - 12 hours on the musical frontline of Day Three

If the weather’s good TGE Beach is a grand start to a day. As it sounds, it’s a purpose-built seafront space to the east of central Brighton, containing three stages as well as stalls selling vegan kebabs, Filipino street food and German sausage....

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The Great Escape Festival 2024, Brighton review - a dip into day one and the elephant-in-the-room

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like the trash compactor in the first Star Wars film.THE ELEPHANT IN THE ROOM BITThere is a boycott, by...

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Pop Will Eat Itself, Chalk, Brighton review - hip hop rockers deliver a whopper

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok, 1989), boasts a whopping guitar riff. Keys-player Adam Mole, his ushanka cap’s ear-covers flapping, leaps onto his seat, waves his synth aloft. Frontmen...

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Bill Bailey: Thoughtifier, Brighton Centre review - offbeat adventures with a whirling, erudite mind

I first saw Bill Bailey at least 30 years ago in the cabaret tent at Glastonbury Festival, the audience lying on hessian matting, a fug of hash smoke in the air. He seemed one of us, a bug-eyed, Tolkien-prog hippy with a stoned sense of humour and...

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Snayx/Shelf Lives/Monakis, Patterns, Brighton review - storming, punking triple-header

Patterns is a small, low-ceilinged, underground, seafront venue. Tonight it would be a feast for any passing ancient succubae who happens to feed on raw human energy. From 7.00 PM until 10.00 PM, the room plays host to a package tour of three rising...

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Album: Dexys - The Feminine Divine

In 2012 Dexys returned with their fourth album, and first in 27 years, One Day I’m Going to Soar. It was a concept piece, original and funny, chewing over the volatility of love, containing wonderful set-pieces, most especially a trio of songs at...

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Album: Maisie Peters - The Good Witch

Whether it’s the newly platinum tresses or the bubblegum production shimmer that make up Maisie Peters’ sophomore record, The Good Witch has a definite nod to The Wizard of Oz’s Glinda. Unlike that Good Witch of the North though, Peters’ career didn...

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Kieran Yates: All the Houses I've Ever Lived In, Brighton Festival 2023 review - home as comfort, and cruelty

The audience questions are when Kieran Yates’ talk boils over. Her book All the Houses I’ve Ever Lived In considers housing policy through autobiography and imaginative research, and the preceding interview has focused on its sometimes academic...

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Moby Dick, Brighton Festival 2023 review - way more than your average puppet show

Perhaps one of the most intriguing aspects of contemporary puppetry is its ability to skew our perception of reality so entirely that our senses become more heightened as we wait with meta-awareness in excited anticipation for what comes next –...

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