thu 21/06/2018

biopic

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.City of Ghosts ★★★★ Chilling but inspiring report on Syria's citizen...

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Michel Hazanavicius: 'Losing himself is how he found himself'

French director Michel Hazanavicius made a name for himself with his OSS 117 spy spoofs, Nest of Spies (2006) and Lost in Rio (2009), set in the Fifties and Sixties respectively and starring Jean Dujardin as a somewhat idiotic...

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Crowhurst review - plucky indie wins race with rival

Perhaps it’s fitting that Donald Crowhurst should once more find himself in a race. Even more aptly, it’s a race against himself. You wait half a century for a biopic about the round-the-world yachtsman who disappeared off the face of the earth, and...

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I, Tonya review - Margot Robbie shines in over-complicated oddity

Tonya Harding and the kneecapping of Nancy Kerrigan – what a story it was, back in 1994. Even if you knew nothing about figure skating, you followed the tale of Tonya, the red-neck, white-trash Olympic hopeful from Oregon, her more elegant rival...

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Joe Orton Laid Bare, BBC Two review - charming look at theatre's irresistible upstart

Laid Bare – it has a lurid implication which is all too suitable for Joe Orton’s work. During a time where the straight-laced British struggled to ease into sexual liberation, Orton stretched acceptability to its very limits. Salacious acts had been...

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DVD/Blu-ray: Montparnasse 19

The myth of Modigliani, the archetypal tortured artist, was set in train while he was still alive and remains potent almost a century after his death. Every so often a few game academics try to put things straight, and now Tate Modern’s exhibition...

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Film Stars Don't Die in Liverpool review - Annette Bening mesmerises

Screen biographies are tricky things to pull off when the person portrayed has left behind an indelible screen presence. It was hard to love Michelle Williams dragging up for My Week with Marilyn; Grace of Monaco was Nicole...

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Breathe review - heroic but airbrushed struggle against disability

It’s a challenge to review this film without resorting to adjectives like “plucky” and “well-meaning”, and its mainstream comfiness made it a strangely cautious choice for the opening night of the recent London Film Festival. Breathe is not only...

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Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visuals

Loving Vincent was clearly a labour of love for all concerned, so I hope it doesn't seem churlish to wish that a Van Gogh biopic some seven or more years in the planning had spent more time at the drawing board. By that I don't mean yet further...

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Final Portrait review - utterly convincing portrayal of an artist at work

I hate biopics about artists in which the portrayal of “genius” is hyped to the point where it becomes a ludicrous cliché. Although I appreciate that, as far as entertainment goes, seeing pigment brushed onto canvas is on a par with watching paint...

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Coming soon: trailers to the next big films

Summer's here, which can only mean Hollywood blockbusters. But it's not all Spider-Man, talking apes and World War Two with platoons of thespians fighting on the beaches. There's comedy, a saucy menage-à-trois, a film about golf and even a ghost...

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Maudie review - intriguing and irritating in turn

The little-known Canadian folk artist Maud Lewis is the Maudie of the title of Aisling Walsh's grim-faced biopic, which feels frustratingly incomplete where it really counts. Sally Hawkins's committed occupancy of this sweet-faced if largely...

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