thu 18/04/2024

Balanchine

Apollo/ A Midsummer Night's Dream, Mariinsky Ballet, Royal Opera House

The ballerina claque wars that generally accompany visits here by the Mariinsky Ballet are raging particularly feverishly this year, but it all falls silent when Uliana Lopatkina makes one of her increasingly rare appearances. So much noise is...

Read more...

theartsdesk in Paris: San Francisco Ballet 1

In 2005, San Francisco Ballet were the first company to visit Paris as part of a new summer dance festival, Les Étés de la Danse. Helped not only by this auspicious start, but by the obvious demand for live dance in a month traditionally barren for...

Read more...

Serenade/Sweet Violets/DGV, Royal Ballet

Some artists acquire (or create) cults of personality because – Byron, Wagner or Van Gogh – they are just so obviously fruity. Some others, though less fruity, are venerated because their work is so tear-prickingly astonishing that we are desperate...

Read more...

theartsdesk Q&A: Choreographer Hofesh Shechter

Israeli-born choreographer Hofesh Shechter has had a meteoric rise. Ten years ago, he was a dancer in somebody else’s company who had just taken a couple of steps into choreography. Now he has his own full-time company, can pack out Sadler’s Wells...

Read more...

Jewels, Royal Ballet

It has been said that Mozart, so prodigiously talented so young, seemed to be merely a vessel through which God, or the music of the spheres, or whichever higher being one chooses, channelled the sounds of heaven. So, too, sometimes, does Balanchine...

Read more...

Jewels, Bolshoi Ballet, Royal Opera House

The Bolshoi’s summer season in London has so far been straight-down-the-line trad: Swan Lake as an opener, Bayadère, Sleeping Beauty. Now, however, with Balanchine’s Jewels, they’ve at least dipped a pointe shoe into the 20th century, if rather...

Read more...

Ballo della Regina/ La Sylphide, Royal Ballet

Ballo della Regina is a strange piece, for many reasons. A piece of minor Balanchine, it was created late in life for a dancer he clearly admired but who was not core to his vision. Strangest of all, he used music by Verdi, a composer whose music he...

Read more...

Armitage Gone! Dance, Queen Elizabeth Hall

I wasn’t around to see when Karole Armitage won her spurs in her twenties as a punk ballet choreographer in America in the 1970s and early Eighties, so we must rely on her programme-sheet biography to explain to us that she is “seen by some critics...

Read more...

Ballo Della Regina/ Live Fire Exercise/ DGV, Royal Ballet

Current affairs can be an on-trend choreographer's nemesis. In the new triple bill at the Royal Ballet last night, you could watch a new video-game war-ballet by Wayne McGregor, while blotting out thoughts of the Taliban suicide massacre in...

Read more...

American Ballet Theatre, Prog 2, Sadler’s Wells

Jardin aux Lilas is one of ABT’s great calling cards, and it was danced with great seriousness of purpose and devotion by an admirably schooled cast. This short ballet, to "Poème" by Chausson (admirably played by a pick-up orchestra), is one of...

Read more...

Apollo's Angels: A History of Ballet

'Apollo's Angels' by Jennifer Homans: 'A book that every dance lover should read'

It is rare that you read a book, and mentally shout “Yes! Yes!” as you tick off all the things you agree with, but had never actually verbalised. It is even rarer to read a book where, in a subject you know pretty well, on almost every page you...

Read more...

Serenade & Giselle, Bolshoi Ballet, Royal Opera House

We’re getting used to expecting the extraordinary from Natalia Osipova - and then getting some more. With her impish face and farouche capriciousness, with a spring like a high-jumper and shoulders like a swimmer, she is without doubt the most...

Read more...
Subscribe to Balanchine