America
sue.steward
Los Tigres del Norte, Grammy-winning Tex-Mex Superstars
Latin Music USA is a long-overdue exploration of the Latino influence on American popular music. The four-part BBC Four Friday-night series zooms in on the bicultural American populations rooted in Cuba, Puerto Rico and Mexico, but living in their original entry points, Miami, New York, LA and the Tex-Mex border. The series examines the lifestyles and politics behind the music and their impact in the US beyond Spanish-speaking neighbourhoods. “Each programme looks and feels different, matching the cultures,” explains the London director, Jeremy Marre. In the early days, the Cubans and Puerto Read more ...
Adam Sweeting
On Daniel Ellsberg's first day in his new job at the Pentagon in 1964, working under Secretary of Defence Robert McNamara, the Gulf of Tonkin incident occurred. This engagement between American destroyers and North Vietnamese torpedo boats was used as the pretext for President Lyndon Johnson's escalation of the Vietnam war, and marked the start of one of the most traumatic eras in recent American history. For Ellsberg, it was a period in which he was transformed from a strategic analyst enthusiastically committed to America's global struggle against Communism into an anti-war activist Read more ...
theartsdesk
Our February DVD releases are light on stars, heavy on variety. We range from the Amazon rain forest to female wrestling and killer futons (we're not joking) in Japan and clandestine video reportage in Burma; from Pushkin’s Russia to Darwin’s England and the French criminal underworld. The Americans are under siege in love and war. Our DVD of the Month finds Britain's Sam Mendes taking a quizzical look at the all-American dream. Peter Watkins's Privilege, exhumed from the Age of Aquarius, is the selected re-release. And our reluctant choice of turkey is the thriller that caught Bertrand Read more ...
Ismene Brown
You don’t usually find ballerinas in Monument Valley. Cowboys, maybe, but not a pale, slender girl in a glistening golden tutu alighting like an exotic butterfly briefly on a silk-shod toe in the very same red dust that John Wayne rattled across in Stagecoach. The cover pictures for the Royal Opera House season brochures have fielded some spectacular pictures, but the new spring image is symbolic of the enduring nature of the dancer's will to survive. Sarah Lamb, the translucent blonde from the US, is back on pointe after a year when her career appeared to be over.Breaking her foot in a Manon Read more ...
Ismene Brown
The great dancer Mikhail Baryshnikov (b. 1948) marked his 62nd birthday last Wednesday. Even more than Nureyev, Baryshnikov entered the popular mind as something more than a matchless ballet dancer. With his popstar looks and magnetic attraction for women, he has been embraced the world over as a cultural icon of his era, a symbol of political freedom, a Soviet paragon turned go-getting American capitalist, an Oscar-nominated film star and a Tony-nominated stage actor, as well as an irresistible, airborne fantasy lover. In ballet Baryshnikov is the lodestar of male dancing, his videos and Read more ...
igor.toronyilalic
George Crumb (b.1929) is one of the great American experimental composers of the 20th century. His delicate scores are characterised by a child-like sense of wonder and an array of instrumentation that appears to have hitched a ride from outer space. Crumb first came to the fore in the 1960s with Songs, Drones and Refrains of Death (1968), Night of the Four Moons (1969), inspired by and composed during the Apollo 11 space flight, the savage string quartet Black Angels (1970) and Ancient Voices of Children (1970). In 1968 he won a Pulitzer for Echoes of Time and the Read more ...
peter.quinn
Watching some jazz musicians play live, you're made acutely aware of the intense effort that goes into their performance. Conveying a non-verbal message that roughly translates as “this shit is really hard, you know”, tell-tale signs include the pained rictus of deep concentration, the sotto voce grunts, groans and exhalations, and the self-communing, head-down-to-the-floor mode adopted for solos of five minutes or longer.Observing Esperanza Spalding's sunny disposition in the hallowed confines of Ronnie Scott's, on the other hand, you get the impression that she's barely breaking a sweat. Read more ...
gerard.gilbert
Hung is about a teacher with an enormous penis who becomes a gigolo, which might sound like prime Judd Apatow real estate, but is a surprisingly tender foray into the male and female sexual psyches.  Part two of HBO’s current male midlife crisis fixation is a completely different kettle of fish-out-of-water to Eastbound & Down – quirkier and less boisterous – and its pedigree (written by the creators of The Riches and shot by the director of Sideways) tells you a lot of what you need to know. Oh, except did I neglect to say that it’s deeply, satisfyingly funny?It was also a bit slow Read more ...
edward.seckerson
theartsdesk.com presents The Seckerson Tapes, a series of live and uncut audio interviews from acclaimed broadcaster Edward Seckerson. We start with Jamie Bernstein - Leonard Bernstein's eldest daughter - who has been in London launching the year-long Bernstein Project at the South Bank. Seckerson, a long-standing Bernstein devotee and disciple, sat down for a frank and open discussion about exactly who her "dad" was.This is the uncut interview.
Ismene Brown
Rubies is a ballet for a girl comfortable with her curves, who can slink her hips and tip her bottom and relish seeing the men’s eyes widen. That the said girl is a ballerina, for whom curves are usually anathema, shows the personality challenge that this snazzy, jazzy George Balanchine ballet sets to its leading lady.That Sophie Martin, Scottish Ballet’s French leading lady, had enough personality to suggest Bette Midler curves, despite her refined build, is a measure of what fun she was to watch when the company hit Sadler’s Wells last night.Musical values were good, with Stravinsky, Berio Read more ...
Matt Wolf
Away We Go is the name of Sam Mendes's fifth film, released in Britain this week. But the title could also serve as the buccaneering mantra of a Cambridge-educated Englishman whose career continues to shed any whiff of his home country. On stage or screen, the director is continually drawn to stories culled from across the Atlantic, where he now lives. And why not? If you had directed a first film called American Beauty that would lead to five Oscars and America eating out of your hand, you, too, might well return for more. Mendes's output isn't merely a reflection of his taste, although that Read more ...
ryan.gilbey
Superbad was a modern-day coming-of-age comedy with inexplicable 1970s trimmings (the title, groovy credits sequence, Richard Pryor references and so on). Now its director, Greg Mottola, has made a period piece proper in the form of Adventureland, set in the mid-1980s in a cheesy, dilapidated Pittsburgh theme park where the rides make you throw up, and the stalls are rigged against any customer hoping to win more than a dying goldfish.The movie is breezy and well-observed, but also deeply conventional. It may poke fun at a tacky nightclub called Razzmatazz, which bills itself as “A Read more ...