America
Karen Krizanovich
In 1994, a boy vanishes from Texas. Over three years later, he is found by Interpol alive in Spain and shipped back to his family in San Antonio. As improbable as this is in itself, it marks the beginning of an even more incredible story revealed in gobsmacking glory by writer/director Bart Layton. This documentary proves not only that truth is stranger than fiction, but that sometimes truth is so strange it makes even the wildest imagination cower in the corner.The Imposter, which opens on Friday in the UK, has done the rounds of film festivals and has earned plaudits for its story and Read more ...
Markie Robson-Scott
MoMa and the Met, the Whitney and the Guggenheim – all very fine, but if you crave something different when in NYC, it’s worth braving Penn Station’s circles of hell to get a train to Philadelphia (takes just over an hour) to visit the mind-boggling Barnes Foundation. This private art collection, worth around $30 billion, is in a league of its own. Dr Albert Barnes owned the largest number of Renoirs in the world - 181, acquired between 1912 and 1942; 69 Cézannes - more than the Louvre - 59 Matisses, 46 Picassos, many works by Monet, Degas, Van Gogh, Rousseau, Modigliani, Seurat, Pissarro, Read more ...
Lisa-Marie Ferla
Stumbling across the perfect pop hit must be its own kind of curse. It’s been two and a half years since Owl City’s “Fireflies” shot its way into the charts, seemingly from nowhere. With its lush, quirky melodies and wistful, lovelorn lyrics, Adam Young’s quirky electronic project seemed almost to have been custom-built by a crack team of pop scientists to appeal to dreamy girls like me. “Fireflies” used to play on a loop at the store where I was working at the time; Young’s vocals and programming a dead ringer for Ben Gibbard’s work with The Postal Service - a band whose one album I loved to Read more ...
Thomas H. Green
Ry Cooder is an unpredictable quantity. He’s a prickly, opinionated old coot who doesn’t seem the type to pass a night in the pub with. He’d probably not get your jokes and moan about the Rolling Stones nicking his songs. His musical output is equally tricksy. For every fab film soundtrack (Paris, Texas, Southern Comfort, The Long Riders) or Buena Vista Social Club, there’s some less loveable tangential whim, such as his Buddy concept album, about a cat and a toad.However, there’s little doubt Keith Richards did find a golden seam of new songwriting via Cooder in the early Seventies, or that Read more ...
Adam Sweeting
American critics haven't been too kind to Aaron Sorkin's new HBO series about a cable TV news programme, for a variety of reasons. At least they had the advantage of understanding the intricate partisan infighting of American politics which forms the show's backdrop, and which will be baffling to many British viewers. On the other hand, nobody is likely to have much trouble recognising the A Few Good Men view of history familiar from previous Sorkin milestones such as The West Wing and, uh, A Few Good Men.This time around, Sorkin's hero is Will McAvoy, a former lawyer turned veteran TV anchor Read more ...
emma.simmonds
Those familiar with Italian director Paolo Sorrentino’s elegant political feature Il Divo (2008), or perhaps the beautiful, cynical The Consequences of Love (2004) may find themselves struck (pleasantly) dumb by the direction of his latest. Inspired by Lynch’s The Straight Story, This Must Be the Place takes its name from the Talking Heads track (with David Byrne providing original songs and popping up for a cameo). This curio sees Sean Penn’s mischievous goth rocker turn Nazi hunter, taking up his dead father’s mantle of revenge.Penn plays retired rock star Cheyenne, the sartorial twin of Read more ...
emma.simmonds
In Vertigo Kim Novak plays two women who are really just one. First Madeleine, a supernatural siren, a woman apparently possessed by her tragedienne great-grandmother Carlotta Valdes. However, it’s a performance within a performance and she’s merely a facsimile, a devastating creation played by an agent in a murderous plot. The imposter manipulates Scottie (James Stewart) into loving her only so that he may witness her apparent death. Then there’s Judy, the real woman behind the performance who is persuaded back into the part when Scottie can’t let go of Madeleine’s ghost.The dual role Read more ...
Sarah Kent
A friend of mine has an Eames lounge chair that he treats with enormous reverence and claims is the comfiest seat ever made. I simply don’t get it; with its bent plywood shell and black leather upholstery, this 1956 American design classic looks to me dark, clumsy and uninviting – especially when compared with Eileen Gray’s Bibendum chair of some 50 years earlier or the delicate designs produced in the 1920s for the Bauhaus by Le Corbusier, Marcel Breuer and Mies van der Rohe.Since the Eames phenomenon didn’t readily cross the Atlantic and we are not overly familiar with their achievements, Read more ...
emma.simmonds
Seth MacFarlane is the equal opportunity offender responsible for a trio of animated sitcoms: Family Guy, American Dad! and The Cleveland Show. The hardest-working man in TV comedy is known for his colourfully un-PC style and agreeably obnoxious humour, marrying American brassiness with sharp satire, and for turning a baby into a maniacal genius. Ted, his largely enjoyable film debut, focuses on a man held in a state of arrested development by his bad-influence buddy, the twist being that said buddy is a teddy bear. Teddy Ruxpin he most certainly isn't.In last year’s child-friendly Hop the Read more ...
Matt Wolf
Movies often come unwittingly in pairs, whether you're talking Capote and Infamous (both about Truman Capote) or Valmont and Dangerous Liaisons (both adapted from the epistolary novel by Laclos). And so it was that the late 1990s saw the release in successive years of Prefontaine (1997) and Without Limits (1998), both telling of the same American track star who died in 1975, age 24.Here's something else that the twin biographies of Steve Prefontaine, the Oregonian Olympic hopeful, had in common: they were both flops. Quite why, precisely, is hard to fathom, and not only because a British Read more ...
emma.simmonds
2012 has so far brought us a couple of notable surprises from the oft-maligned world of comic book adaptations: first came Joss Whedon’s Avengers Assemble with its boisterous banter and then there was depth and pathos from Andrew Garfield in the title role of Marc Webb’s The Amazing Spider-Man. With its key competitors faring well both critically and commercially, what of Christopher Nolan’s Caped Crusader?We last saw “the Batman” (as they insist on describing him) in 2008’s The Dark Knight taking the rap for the dastardly deeds of fallen hero Harvey Dent - providing Gotham with the martyr it Read more ...
Lisa-Marie Ferla
Brian Fallon, The Gaslight Anthem’s heart-on-sleeve frontman, would be the first to tell you that there’s nothing complicated to it: big songs with tons of heart; love and death and the last light of fading youth, all to the accompaniment of your favourite songs on the radio. Inspired in no small part by hometown heroes (let’s get the Springsteen references out of the way early, shall we?), the New Jersey band’s major-label debut ramps up the big rock choruses, but retains an intimacy through its wistful lyrics and Fallon’s bruised vocal delivery.Lead single “45” delivers a typically anthemic Read more ...