sat 01/10/2022

Almeida Theatre

The Clinic, Almeida Theatre review - race and the status quo

As Dipa Baruwa-Etti’s latest play, The Clinic, reminds us, the Tory party has a strong showing of Black MPs – Badenoch, Cleverly, Kwarteng. It was finished long before the latest Cabinet appointments, but presciently picked those three names, all...

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Patriots, Almeida Theatre review - a brilliant drama from Peter Morgan about rampant Russian power games

To watch a Peter Morgan drama is to have a fly-on-the-wall’s perspective of modern history. Over the last two decades he has chronicled everything from David Frost’s bid to interview Richard Nixon to the disintegration in the relationship between...

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The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new drama

Anne-Marie Duff blazes across the stage like a meteorite in Beth Steel’s excoriating drama about the changes sweeping through a Northern mining town over the course of five decades. As Constance Webster, a frustrated miner’s wife, her angry energy...

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'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

Danya Taymor’s production of “Daddy” A Melodrama has a huge exuberance: a tour de force in itself, it's also a scintillating introduction to the work of Jeremy O Harris. The young American dramatist earned considerable attention, and acclaim for the...

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The Chairs, Almeida Theatre review - a tragi-comic double act for the ages

By all accounts, whenever The Chairs is dusted off for a new production it manages to resonate for audiences, as would any half-decent play laughing in the face of the futility of existence. And this cheeky, charming, often uproarious new...

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Spring Awakening, Almeida Theatre review - must-see revival for Tony-winning musical

When Berliners sat down to watch Franz Wedekind’s debut play Fruhlings Erwachen – Spring Awakening – in 1906, they had little inkling of the kind of drama he had written, or how it would change theatre for the century to come, despite being banned...

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Macbeth, Almeida Theatre review – vivid, but much too long

Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening lines, “When shall we three meet again?”, a phrase evocative enough to be borrowed as the first line of this year’s Wolf Alice album, Blue Weekend....

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Once Upon A Time In Nazi Occupied Tunisia, Almeida Theatre review - flawed theatre but a great experiment

An ageing Nazi, stuffed into a slightly too tight white linen suit, sits at the opposite end of the dining table to a young Jewish woman. Between them is a dish of chicken stew that we, just moments beforehand, have seen her lace with poison.The...

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Hymn, Almeida Theatre online review - highs and lows of a soulful brother bonding

Contact without touch: among the many readjustments that the pandemic has brought to theatre, its demands that restrict direct contact almost to nothing must be among the most testing. We have learnt much about how rigorously any new production –...

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Nine Lessons and Carols, Almeida Theatre review – spiky portrayal of a world turned upside down

How do you create a secular version of the Nine Lessons and Carols? The original can feel like a formulaic trot through tunes and stories as stale as fossilised mince-pies. Yet it helps to remember that in essence it reflects on the story of a world...

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Theatre Unlocked 4: Shows in concert and a contemporary classic comes to TV

After months spent sifting amongst the virtual, I'm pleased to report that live performance looks to be on the (socially distanced) rebound. The week ahead sees the start of a six-week run at the Open Air Theatre in Regent's Park of the alfresco...

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Albion, Almeida Theatre review - more rewarding and resonant than ever

It's not been three years since Albion premiered at the Almeida Theatre, since which time Brexit has happened and, not without coincidence, Mike Bartlett's time-specific play is beginning to look like one for the ages. Set amongst a...

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