Africa
Owen Richards
We follow Kabwita Kasongo on his morning routine, lingering over the shoulder as he treks through the village. A pastel sunrise greets vast landscapes, the morning breeze visible for miles around. He heads to a tree at the edge of a mountain, and begins a day’s work chopping it down. It’s a stunning opening sequence which prepares you for the visceral journey ahead.Kabwita is a charcoal salesman; a gruelling job which consists of chopping down a large tree, cutting it to pieces, burying the pieces, burning them, and then travelling 50 km on foot to sell at them at anywhere between 2,500 to 5, Read more ...
Tom Birchenough
Rungano Nyoni’s debut feature premiered at last year’s Directors' Fortnight in Cannes, and immediately marked the Lusaka-born, Wales-raised director down as a figure to watch. Putting her film into any category is more challenging, though, with its elements of fable and somewhat surreal satire, although “surreal” and any associated hints of the absurd risk saying more about the perspective of the observer than the world Nyoni herself depicts.But however you look at it, I Am Not a Witch is a startling, vibrant piece of filmmaking. Over a spare 90 minutes Nyoni follows her nine-year-old Read more ...
Marina Vaizey
Accepted wisdom seemed to be that in the animal world rats and cockroaches were the most adaptable and the most widely geographically distributed, followed by those pesky humans. But think again: the premise in this new three-part series is that the big cats have also done a terrific job of spreading worldwide, each a different species within the genus.Cue a ravishing film, jammed with marvellous images and fascinating information. We were treated to a terrific variety of these extraordinary predators, the top of the food chain: from the fastest to the strongest, the smallest to the biggest. Read more ...
Mark Kidel
“Passion! You gotta have passion!” I still feel the full force of Tricky’s conviction, as I was filming him in 1997, for my film Naked and Famous. He’s right: music works better than words when expressing the deepest emotions.This year has been a passionate one for me – for all kinds of reasons – and music has been a constant companion, from the start of my year in Vienna, writing a review of Eno’s brilliant album Reflection: waves of subtle electronic sound, bound in near-stillness. A subtly condensed passion, evoking – paradoxically – his deep love of the gospel shout.In tracks Read more ...
Katherine Waters
The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine — concentrated salt water five times denser than seawater — it is succumbing to toxic shock. As biomatter on the sea floor of the Gulf of Mexico decomposes, brine and methane are produced, and where these saline pockets collect, nothing grows. Dead creatures drop into it; live creatures that linger in it die. In this lifeless zone their bodies float preserved, a rich and dangerous larder for scavengers such as the giant mussels fringing its edges and Read more ...
Sarah Kent
Soaring over an expanse of blue sea, a white bird traverses the screen diagonally. Gliding unhindered through the air, it is the embodiment of freedom; by contrast, the movement of people down below is constrained by border crossings and passport controls. The perfect tranquility of this opening shot is the calm before the storm; prepare to spend the next two hours witnessing extremes of human misery and, by turns, feeling horrified, angry and deeply depressed.A boat comes into view, chugging in the opposite direction. Overloaded with refugees making their way across the Mediterranean to the Read more ...
Katherine Waters
Word wizard. Grammar bully. Sentence shark. AA Gill didn’t play fair by syntax: he pounced on it, surprising it into splendid shapes. And who cared when he wooed readers with anarchy and aplomb? Hardly uncontroversial, let alone inoffensive (he suggested Mary Beard should be kept away from TV cameras on account of her looks, and shot a baboon), he was consistently brilliant. Wherever he went, he brought his readers with him. His journalist’s eye and performer’s hunger made him a natural raconteur, one who could induce synaesthesia so you could taste words.People dear to me loved his writing Read more ...
Adam Sweeting
It’s a challenge to review this film without resorting to adjectives like “plucky” and “well-meaning”, and its mainstream comfiness made it a strangely cautious choice for the opening night of the recent London Film Festival. Breathe is not only Andy Serkis’s debut as a director, but also a film based on the family experiences of its producer, Jonathan Cavendish. It tells the story of how, in the 1950s, the latter's father Robin met and married society beauty Diana Blacker but later contracted polio, which left him paralysed. The couple’s indomitable battle against his condition eventually Read more ...
Peter Culshaw
Arriving on Thursday for the opening act Orchestra Baobab’s instantly recognisable mellifluous tones spreading out from the main stage over the Wiltshire countryside, it was clear that a high standard had been set for the rest of WOMAD. Whether it's in a small bar in Dakar, the Jazz Café in London, or playing to many thousands here, they are one of the great bands – fabulously musical without being flashy. Old-style Senegalese magic with hints of Latin and radiating immense warmth, they are practically critic-proof.While hundreds of global acts performed over the weekend, many of the Read more ...
Tim Cumming
Now in its 35 year, Womad is embedded into British festival culture, flying the flags of a musical multiculturalism that is about breaking down barriers and building new relationships. It’s not something you want to lose.Aside from pleasurable headliners – the likes of Oumou Sangare, Toots and the Maytals and Ladysmith Black Mambazo – it’s the names you don’t know who often leave the deepest impression. The BBC Radio 3 Charlie Gillett Stage hosted numerous full-flavoured festival debuts – the London-Greek sound of Kourelou, for instance, or Italian acoustic trio Vesevo’s folk tunes from Read more ...
Boyd Tonkin
As a photographer, Teju Cole has a penchant for the scuffed and distressed surfaces, materials and tools that form rectilinear patterns on construction sites. Opposite a shot of scaffolding, ladders and shadows – all favourite motifs – on the island of Bali, he writes a sort-of manifesto for the method of this book. “I do not love the travel pages,” he, somewhat superfluously, declares. Rather, he turns his lens (he uses manual cameras, which carry the old-fashioned risk of a ruined roll of film) on the margins, the edges, the corners, especially of urban life: “the substratum of the visible Read more ...
Mark Kidel
Staff Benda Bilili and Kasai Allstars redefined the sound of Congolese dance music: the supremacy of the Rumba popularised by Franco and others, with its cascading guitar solos and instantly recognisable beats, was replaced by a host of other rhythms, closer to the intense vitality of the area’s rich traditions.Jupiter & Okwess are part of a similar roots-inflected but resolutely contemporary journey through the sounds that make Kinshasa one of the most vibrant musical capitals of Africa. In this second album, Jean-Pierre Bonkondji (who changed his name to Jupiter over 10 years ago) and Read more ...