21st century
Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heartWednesday, 20 November 2019
Steven Levenson, Benj Pasek and Justin Paul’s Tony and Grammy Award-winning musical Dear Evan Hansen is an institution in the States, running on Broadway since 2016 and currently on its second year of a national tour. It also made a star... Read more... |
CD: The Script - Sunsets & Full MoonsFriday, 08 November 2019
Massively successful Irish trio The Script could, loosely speaking, be called a rock band. But they aren’t really, are they? Their sixth album is an indictment of the kind of music they play. It’s packed with over-produced post-Coldplay anthem-pop... Read more... |
Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP businessSaturday, 02 November 2019
Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to... Read more... |
Kozhukhin, BBC Philharmonic, Carneiro, Bridgewater Hall, Manchester review - melancholy heart of MahlerFriday, 25 October 2019
Mahler’s Fifth Symphony is a repertoire piece nowadays, probably as familiar to as many listeners as to orchestral players, which means you look for something distinctive in any performance to identify its essential quality against all the others.... Read more... |
Balsom, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - made in BrumThursday, 03 October 2019
There’s nothing like practising what you preach. “I say straight out that I regard all so-called 12-tone music, so-called serial music, so-called electronic music and so-called avant-garde music as utter rubbish, and indeed a deliberate conning of... Read more... |
CD: Rachid Taha - Je suis africainSaturday, 21 September 2019
Rachid Taha, sadly felled by a heart attack just over a year ago, has come back from the dead! He could not sound more lively than on this vibrant posthumous offering, definitely not something cooked up from tasty leftovers, but a well thought-... Read more... |
Anahera, Finborough Theatre review - blistering family drama from New ZealandSaturday, 07 September 2019
With power comes responsibility. One without the other is sickening -- and both iterations are on show in Emma Kinane's searing new play about a child runaway in New Zealand. Social worker Anahera (played by Acushla-Tara Kupe, pictured above... Read more... |
Jellyfish, National Theatre review - Ben Weatherill's play hits the right notesThursday, 11 July 2019
The intense relationship between a single parent and a single child is ramped up to its highest level when it involves a mother whose daughter has learning disabilities. From that dynamic, writer Ben Weatherill has crafted a warm, engaging and... Read more... |
Years and Years, BBC One review - ambitious but amorphousWednesday, 15 May 2019
As the double-edged Chinese proverb has it, “may you live in interesting times.” Screenwriter Russell T Davies evidently thanks that’s exactly where we’re at, and his new six-part drama Years and Years (BBC One) is a bold, sprawling but – as far as... Read more... |
Climate Change: The Facts, BBC One review - how much reality can humankind bear?Friday, 19 April 2019
Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the permafrost this way and you’re seeing into the past: as the ice melts, gas which was captured and... Read more... |
Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new waysTuesday, 16 April 2019
What are we to make of the two circles dustily inscribed in the background of Rembrandt’s c.1665 self-portrait? In a painting that bears the fruits of a life’s experience, drawn freehand, they might be a display of artistic virtuosity, or – more... Read more... |
Melzer, Albion Quartet, Birmingham Town Hall review - songs without wordsWednesday, 27 March 2019
This was a fascinating, unexpected prospect; instantly appealing to anyone who’s ever wondered about the string quartet’s niche in the 21st-century musical ecosystem. Two practically new song cycles for soprano and quartet – Kate Whitley’s Charlotte... Read more... |
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