21st century
The Kindergarten Teacher review - obsession, talent and the power of poetryFriday, 08 March 2019
Lisa, the kindergarten teacher in question (a mesmerising Maggie Gyllenhaal), is taking evening classes in poetry. Twenty years of teaching and raising her three kids, now monosyllabic, mean teens, have left her desperate for culture and a creative... Read more... |
Sam Bourne: To Kill the Truth review - taut thriller of big ideasSunday, 24 February 2019
Great libraries burning, historians murdered: someone somewhere is removing the past by obliterating the ways the world remembers. Erasing the histories of slavery and the Holocaust, of blacks and Jews, is just the beginning. The premise of Sam... Read more... |
Counting Sheep, The Vaults review - visceral recreation of an uprisingThursday, 31 January 2019
Is there a connection between revolution and theatre? The answer has to be yes – a visceral one. The supremacy of symbols, the collective strength of a crowd, a sense that some kind of pressure valve is being released to challenge the dominant... Read more... |
Videogames: Design/Play/Disrupt, V&A review - gaming for allThursday, 27 September 2018
Design/Play/Disrupt at the V&A covers a wide variety of games that are spearheading the gaming world at the moment. It takes a closer look at eight of the most innovative and different games that have changed the world of gaming in the last five... Read more... |
Lammermuir Festival 2018 review - a bigger buzzMonday, 24 September 2018
There’s always been something of a buzz in the air at East Lothian’s Lammermuir Festival. It’s the feeling that it’s somehow a special privilege to discover its performances – whether they’re from international names or emerging artists, challenging... Read more... |
Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful natureSunday, 09 September 2018
In a small town on the Polish-Czech border where the mobile signal wanders between countries’ operators and only three inhabitants stick it out through the winter, animals are wreaking a terrible revenge. The bodies of murdered men, united in their... Read more... |
Annie Ernaux: The Years, review - time’s flowSunday, 05 August 2018
“When you were our age, how did you imagine your life? What did you hope for?” It is a video of a classroom south-east of the Périphérique separating Paris from the working-class suburbs. The students are mostly girls between fifteen and sixteen and... Read more... |
The Lehman Trilogy, National Theatre review - an acting tour de forceSaturday, 14 July 2018
There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established director surprises his audience and, in the process, surpasses himself. The talent in question is Sam Mendes, who a quarter-century or... Read more... |
CD: Laurel Halo - Raw Silk Uncut WoodFriday, 06 July 2018
So the ambient revival continues apace, getting deeper and wider with each passing year. From the interstices between the classical concert hall, abstract art installations, the backroom of more insalubrious little raves and festivals, the small... Read more... |
DVD: The Nile Hilton IncidentFriday, 06 July 2018
The world was captivated by the Arab Spring – thousands of citizens rising up in unity against longstanding dictatorships, filling squares and refusing to bow. But for many of us, it was a world away; the crowds were a single organism, thinking and... Read more... |
Classical CDs Weekly: Olivia De Prato, Kärt Ruubel, Third Coast PercussionSaturday, 30 June 2018
Streya: New works for solo violin and violin with electronics Olivia De Prato (violin) (New Focus Recordings)Combining acoustic instruments with electronics is a dark art, and tantalisingly few details about the process are revealed in the... Read more... |
The Path to Heaven, RNCM, Manchester review - tragedy, truth, passionFriday, 22 June 2018
Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval) and on a story that could hardly be more tragic – the Holocaust. Its premiere at the Royal Northern College of... Read more... |
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