21st century
Robert Beale
A concert by the National Youth Orchestra is like no other. For one thing, there are 160 of them – you simply don’t get the kind of power and intensity they can create from a normal-sized orchestra. For another, they play with an enthusiasm and eagerness that even the most committed and devoted professionals would find hard to emulate. They want to share their music: they want you to feel it as they do. And the skill levels are right up there with the best of them, too.It’s a fact that in theatre or dance those whose bodies are still approaching maturity are necessarily unable to Read more ...
Robert Beale
The Northern Chamber Orchestra is unusual in that it plays almost always without a conductor. It’s been doing that for nearly 60 years, and there’s a unique frisson to be had from experiencing orchestral music-making done almost entirely through eye contact, careful listening and telepathy, as real chamber music always is.At the same time, with larger numbers of players and complicated scores, it’s a bit of a high-wire act. Its concert at King’s School Macclesfield was a demonstration of how well it can work and how testing the concept can be.A Haydn symphony is sure ground for the NCO: in Read more ...
Sarah Kent
My walk through Hyde Park was an absolute joy. Spring is in the air, the weeping willow is in leaf (pictured below right: photo by S.K), the narcissi are in bloom and the sun was shining, yet the Serpentine Gallery is plunged into darkness.The lights are dimmed to enable you to see David Hockney’s frieze of iPad paintings which wrap around the gallery walls in a continuous strip. Of the 200 or so pictures he made in the course of a year following the changing seasons in Normandy, where he has a studio, roughly 100 are on show (main picture: detail). But even when your eyes have adjusted to Read more ...
Joe Muggs
This album raises an interesting question: how many other musical artists have had as much of a career as Joshua Idehen prior to releasing their debut album proper? The Nigerian-Brit found his feet in the London poetry scene of the Noughties, just as grime was blowing up and bringing varied local vernacular into the heart of pop culture. A relentless collaborator, he has regularly made theatre, performance and video pieces as well as three albums with his band Benin City, four with Hyperdub-signed electronic duo LV, one with Californian beat scene godfather Daedelus, one in Calabashed with Read more ...
Robert Beale
Marketed as “City Noir” to begin with, this programme title was switched to “Beethoven Piano Concerto no. 4” closer to the off, perhaps because the more familiar of the two main items in it would ring more bells with potential attenders. Unsurprisingly, it proved a thing of two halves, with Beethoven in the first, and John Adams’ self-described symphony inspired by Los Angeles, from 2009, in the second.The concerto was imaginatively preludised by another American composer’s evocative thoughts – Charles Ives’s The Unanswered Question, in John Storgårds’ first Bridgewater Hall programme with Read more ...
Sarah Kent
State of Statelessness is the brainchild of the Drung Tibetan Filmmakers’ Collective based in Dharamshala, home to the Dalai Lama and spiritual heart of the Tibetan community in exile. Four short films, each by a different director, address what it means to live in the diaspora without a homeland. And like a short story, each film offers a glimpse into lives spent in perpetual exile.The quartet begins and ends with water. An aerial shot of a ferry crossing the Mekong delta introduces Where the River Ends directed by Tsering Tashi Gyalthang. Waiting for the ferry are Tenzin and his young Read more ...
Sarah Kent
The village of Cesinova has the largest white stork population in Macedonia; every chimney and steeple is festooned with the scruffy nests of these enormous birds. We see the flock arriving in spring to reclaim their nesting spots. Perched on a huge mound of twigs and leaves, each pair settles in by tossing back their long necks and clattering their beaks in greeting.Once the eggs have been laid and the chicks hatched, the hard work begins; but the timing is perfect. The farmers are just beginning to plough their fields and we see the storks gobbling up any frogs, mice and snakes escaping the Read more ...
Robert Beale
Am I dreaming? Did I really see a living composer of contemporary music given a prolonged standing ovation for conducting his own works in the Bridgewater Hall, twice over?We all know the difference between polite applause for new music and real enthusiasm. And John Adams seems to have a following who show the real thing – of a variety of age groups, too. The California-based creator began his own festival with the Hallé on Thursday night with two pieces which were part of the celebration of the opening of the hall 29 years ago, one of them – Slonimsky’s Earbox – then receiving its world Read more ...
Gilbert & George, 21st Century Pictures, Hayward Gallery review - brash, bright and not so beautiful
Sarah Kent
There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore. Trawling the streets of East London, where they’ve lived since the 1960s, the artist duo chronicled the poverty and squalor of their neighbourhood in large photographic panels that feature the angry, the debased and the destitute.
Scrawled on decaying walls, the racist, sexist and homophobic slogans they recorded on their wanderings, create an atmosphere of dread – of impending and actual violence. The streets were mean and, especially as gay men Read more ...
Robert Beale
Manchester Camerata have had a ten-year association with composer-conductor Jack Sheen. For this short programme, one of the free Walter Carroll Lunchtime Concert series at the Martin Harris Centre in the University of Manchester, he and they created a partial re-enactment of the January 1914 inaugural concert of the Société Musicale Indépendante in Paris. To works by Stravinsky, Delage and Ravel were added two UK premieres, by Sheen himself and by Isabella Gellis. The plan back in 1914 had been to set new compositions alongside the recently created Pierrot Lunaire by Schoenberg, Read more ...
Robert Beale
Kahchun Wong’s second Bridgewater Hall concert of the new season was partly an introduction to the Hallé’s artist-in-residence for 2025-26, Anna Lapwood. The star organist brought a new piece by Max Richter for organ, choir and orchestra and a recent one by Olivia Belli for organ solo – both on the theme of space travel.It sounds a bit bald to say it, but they both evoke the vastness of space and the awe it creates in the human mind in similar ways. Richter’s Cosmology – a Hallé co-commission with the Sydney Symphony Orchestra which has still to receive its Australian premiere – was written Read more ...
Robert Beale
Manchester Camerata is enhancing its reputation for pioneering with three performances featuring Nick Martin’s new Violin Concerto, which it has commissioned, two of them in art galleries rather than conventional music venues.So the concerto had its world premiere in The Whitworth, Manchester’s university-linked gallery, with the second performance at The Hepworth in Huddersfield. There’s a reason for that: Martin has taken his inspiration from “a carved torso-sized, cradle-like form, in elm, with nine strings of fishing line” by Barbara Hepworth: it’s called Landscape Sculpture.In it ( Read more ...